Canon 1Ds versus Panasonic GF7
The Canon EOS-1Ds and the Panasonic Lumix DMC-GF7 are two digital cameras that were announced, respectively, in September 2002 and January 2015. The 1Ds is a DSLR, while the GF7 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds) and a Four Thirds (GF7) sensor. The Canon has a resolution of 11 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 1Ds vs Panasonic GF7
The physical size and weight of the Canon 1Ds and the Panasonic GF7 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 1Ds – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (72 percent) than the Canon 1Ds. Moreover, the GF7 is substantially lighter (79 percent) than the 1Ds. It is worth mentioning in this context that the 1Ds is splash and dust resistant, while the GF7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1Ds) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the GF7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon 1Ds (⇒ rgt)||6.1 in||6.2 in||3.1 in||44.6 oz||600||YES||2002||8,999||discont.||check|
|Panasonic GF7 (⇒ lft)||4.2 in||2.6 in||1.3 in||9.4 oz||230||no||2015||499||discont.||check|
|Canon 1D X Mark II (⇒ lft | rgt)||6.2 in||6.6 in||3.3 in||54.0 oz||1210||YES||2016||5,999||latest||check|
|Canon M10 (⇒ lft | rgt)||4.3 in||2.6 in||1.4 in||10.6 oz||255||no||2015||499||discont.||check|
|Canon 1D C (⇒ lft | rgt)||6.2 in||6.5 in||3.3 in||54.5 oz||1120||YES||2012||14,999||discont.||check|
|Canon 1D Mark IV (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||43.4 oz||1500||YES||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||5.9 in||6.3 in||3.1 in||48.9 oz||1800||YES||2007||7,999||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||40.7 oz||2200||YES||2007||4,499||discont.||check|
|Canon 5D (⇒ lft | rgt)||6.0 in||4.4 in||3.0 in||31.6 oz||400||YES||2005||3,299||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||55.2 oz||1200||YES||2005||3,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||42.9 oz||1200||YES||2004||7,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||54.1 oz||1200||YES||2004||4,499||discont.||check|
|Nikon D2Xs (⇒ lft | rgt)||6.2 in||5.9 in||3.4 in||44.2 oz||3800||YES||2006||4,699||discont.||check|
|Panasonic GX850 (⇒ lft | rgt)||4.2 in||2.6 in||1.3 in||9.5 oz||210||no||2017||549||latest||check|
|Panasonic G7 (⇒ lft | rgt)||4.9 in||3.4 in||3.0 in||14.5 oz||350||no||2015||649||discont.||check|
|Panasonic GF6 (⇒ lft | rgt)||4.4 in||2.6 in||1.5 in||11.4 oz||340||no||2013||499||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||4.8 in||3.3 in||2.8 in||13.8 oz||340||no||2013||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 94 percent) than the 1Ds, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1Ds vs Panasonic GF7
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds features a full frame sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 1Ds has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.
Despite having a smaller sensor, the GF7 offers a higher resolution of 15.8 megapixel, compared with 11 MP of the 1Ds. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 8.83μm for the 1Ds). However, it should be noted that the GF7 is much more recent (by 12 years and 3 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1Ds (⇒ rgt)||Full Frame||11.0||4064||2704||no||21.8||11.0||954||63|
|Panasonic GF7 (⇒ lft)||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon M10 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Canon 1D C (⇒ lft | rgt)||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-|
|Canon 1D Mark IV (⇒ lft | rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1D Mark III (⇒ lft | rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 5D (⇒ lft | rgt)||Full Frame||12.7||4368||2912||no||22.9||11.1||1368||71|
|Canon 1D Mark II N (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.2||975||66|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Canon 1D Mark II (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.1||1003||66|
|Nikon D2Xs (⇒ lft | rgt)||APS-C||12.2||4288||2848||no||22.2||10.9||489||59|
|Panasonic GX850 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GF6 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic G6 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
Many modern cameras cannot only take still pictures, but also record videos. The GF7 indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the GF7 can use is 1080/60p.
Feature comparison: Canon 1Ds vs Panasonic GF7
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1Ds has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 1Ds and Panasonic GF7 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 1Ds (⇒ rgt)||optical||YES||2.0||120||fixed||no||8000||3.0||no||no|
|Panasonic GF7 (⇒ lft)||no||no||3.0||1040||tilting||YES||500||5.8||4||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon M10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Canon 1D C (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 1D Mark IV (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1D Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 5D (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||3.0||no||no|
|Canon 1D Mark II N (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||8.5||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Canon 1D Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||8.3||no||no|
|Nikon D2Xs (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||5.0||no||no|
|Panasonic GX850 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GF6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||6.3||no|
|Panasonic G6 (⇒ lft | rgt)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
Both the 1Ds and the GF7 have been discontinued, but can regularly be found used on eBay. The 1Ds was replaced by the Canon 1Ds Mark II, while the GF7 was followed by the Panasonic GX850.
Review summary: Canon 1Ds vs Panasonic GF7
So what is the bottom line? Is the Canon 1Ds better than the Panasonic GF7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1Ds:
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 500/sec) to freeze action.
- Longer lasting: Can take more shots (600 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Arguments in favor of the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 11MP), which boosts linear resolution by 18%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5.8 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (107x65mm vs 156x157.6mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 999g or 79 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
- More modern: Reflects 12 years and 3 months of technical progress since the 1Ds launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GF7 is the clear winner of the contest (13 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 1Ds and the GF7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 1Ds (⇒ rgt)||-||HiRec||-||-||-||2002||8,999||discont.||check|
|Panasonic GF7 (⇒ lft)||Rec||-||4.5/5||4.5/5||4.5/5||2015||499||discont.||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon M10 (⇒ lft | rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Canon 1D C (⇒ lft | rgt)||-||-||-||-||-||2012||14,999||discont.||check|
|Canon 1D Mark IV (⇒ lft | rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 5D (⇒ lft | rgt)||88/100||HiRec||reviewed||reviewed||-||2005||3,299||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||-||-||-||-||-||2005||3,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2004||4,499||discont.||check|
|Nikon D2Xs (⇒ lft | rgt)||-||-||-||reviewed||-||2006||4,699||discont.||check|
|Panasonic GX850 (⇒ lft | rgt)||Rec||76/100||4.5/5||4/5||4.5/5||2017||549||latest||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GF6 (⇒ lft | rgt)||HiRec||-||4.5/5||-||4.5/5||2013||499||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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