Canon 1Ds Mark III vs Panasonic GH2
The Canon EOS-1Ds Mark III and the Panasonic Lumix DMC-GH2 are two digital cameras that were officially introduced, respectively, in August 2007 and September 2010. The 1Ds Mark III is a DSLR, while the GH2 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds Mark III) and a Four Thirds (GH2) sensor. The Canon has a resolution of 21 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds Mark III||Panasonic GH2|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|21 MP, Full Frame Sensor||15.9 MP, Four Thirds Sensor|
|no Video||1080/60i Video|
|ISO 100-1600 (50-3200)||ISO 160-12800|
|Optical viewfinder||Electronic viewfinder (1534k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|5 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1800 shots per battery charge||330 shots per battery charge|
|150 x 160 x 80 mm, 1385 g||124 x 90 x 76 mm, 442 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark III and the Panasonic Lumix DMC-GH2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds Mark III and the Panasonic GH2. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GH2 can be obtained in two different colors (black, silver), while the 1Ds Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH2 is considerably smaller (53 percent) than the Canon 1Ds Mark III. Moreover, the GH2 is substantially lighter (68 percent) than the 1Ds Mark III. It is worth mentioning in this context that the 1Ds Mark III is splash and dust resistant, while the GH2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds Mark III) and the Micro Four Thirds Lens Catalog (GH2). Mirrorless cameras, such as the GH2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds Mark III gets 1800 shots out of its LP-E4 battery, while the GH2 can take 330 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the 1Ds Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1Ds Mark III»||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Panasonic GH2«||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||-||Panasonic GH2|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||-||Canon 1D X Mark II|
|Canon 1D C« »||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D3X« »||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GH3« »||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||-||Panasonic GH3|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||-||Panasonic GX1|
|Panasonic GH1« »||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||-||Panasonic GH1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH2 was launched at a markedly lower price (by 89 percent) than the 1Ds Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark III features a full frame sensor and the Panasonic GH2 a Four Thirds sensor. The sensor area in the GH2 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 1Ds Mark III has a native 3:2 aspect ratio, while the one in the GH2 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 21MP, the 1Ds Mark III offers a higher resolution than the GH2 (15.9MP), but the 1Ds Mark III nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 3.76μm for the GH2) due to its larger sensor. However, the GH2 is a much more recent model (by 3 years and 1 month) than the 1Ds Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1Ds Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1Ds Mark III for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inch or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inch or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inch or 47.5 x 31.7 cm. The corresponding values for the Panasonic GH2 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Canon EOS-1Ds Mark III has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DMC-GH2 are ISO 160 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 1Ds Mark III provides substantially higher image quality than the GH2, with an overall score that is 20 points higher. This advantage is based on 2.8 bits higher color depth, 0.7 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1Ds Mark III»||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Panasonic GH2«||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic GH1« »||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GH2 indeed provides for movie recording, while the 1Ds Mark III does not. The highest resolution format that the GH2 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH2 has an electronic viewfinder (1534k dots), while the 1Ds Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1Ds Mark III has a higher magnification than the one of the GH2 (0.76x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1Ds Mark III, the Panasonic GH2, and comparable cameras.
|Canon 1Ds Mark III»||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Panasonic GH2«||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||1/4000s||6.0||Y||n||Panasonic GH3|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic GH1« »||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
One feature that is present on the 1Ds Mark III, but is missing on the GH2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GH2 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds Mark III does not have a selfie-screen.
The 1Ds Mark III writes its imaging data to Compact Flash or SDHC cards, while the GH2 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark III and Panasonic Lumix DMC-GH2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds Mark III»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Panasonic GH2«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GH3« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic GH1« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Panasonic GH1|
Studio photographers will appreciate that the Canon 1Ds Mark III (unlike the GH2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1Ds Mark III and the GH2 have been discontinued, but can regularly be found used on eBay. The 1Ds Mark III was replaced by the Canon 1DX, while the GH2 was followed by the Panasonic GH3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 1Ds Mark III or the Panasonic GH2 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1Ds Mark III:
- More detail: Offers more megapixels (21 vs 15.9MP) with a 17% higher linear resolution.
- Better image quality: Scores substantially higher (20 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.71x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1800 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Panasonic Lumix DMC-GH2:
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (124x90mm vs 150x160mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 943g or 68 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More modern: Reflects 3 years and 1 month of technical progress since the 1Ds Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 1Ds Mark III is the clear winner of the match-up (15 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark III and the Panasonic GH2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1Ds Mark III or the GH2. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds Mark III»||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Panasonic GH2«||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||-||Canon 1D X Mark II|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Panasonic GM5« »||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GH3« »||+ +||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-||Panasonic GH3|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Panasonic GH1« »||+ +||72/100||4.5/5||5/5||4.5/5||Mar 2009||899||-||Panasonic GH1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II N vs Panasonic GH2
- Canon 1D X Mark II vs Panasonic GH2
- Canon 1Ds Mark III vs Canon 760D
- Canon 1Ds Mark III vs Canon T6
- Canon 1Ds Mark III vs Fujifilm GFX 100
- Canon 1Ds Mark III vs Fujifilm X-T1
- Canon 1Ds Mark III vs Leica X1
- Canon 1Ds Mark III vs Panasonic G10
- Canon 1Ds Mark III vs Sony RX100 III
- Nikon Df vs Panasonic GH2
- Panasonic GH2 vs Sony NEX-3N
- Panasonic GH2 vs YI M1
Specifications: Canon 1Ds Mark III vs Panasonic GH2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark III||Panasonic GH2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2007||September 2010|
|Launch Price||USD 7999||USD 899|
|Sensor Specs||Canon 1Ds Mark III||Panasonic GH2|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||21 Megapixels||15.9 Megapixels|
|Image Resolution||5616 x 3744 pixels||4608 x 3456 pixels|
|Pixel Pitch||6.41 μm||3.76 μm|
|Pixel Density||2.43 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||160-12800 ISO|
|ISO Boost||50-3200 ISO||no Enhancement|
|Image Processor||DIGIC III (Dual)||Venus FHD|
|DXO Sensor Quality (score)||80||60|
|DXO Color Depth (bits)||24.0||21.2|
|DXO Dynamic Range (EV)||12.0||11.3|
|DXO Low Light (ISO)||1663||655|
|Screen Specs||Canon 1Ds Mark III||Panasonic GH2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1534k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 1Ds Mark III||Panasonic GH2|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1Ds Mark III||Panasonic GH2|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds Mark III||Panasonic GH2|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1800 shots per charge||330 shots per charge|
150 x 160 x 80 mm
(5.9 x 6.3 x 3.1 in)
124 x 90 x 76 mm
(4.9 x 3.5 x 3.0 in)
|Camera Weight||1385 g (48.9 oz)||442 g (15.6 oz)|
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