Canon 1D Mark IV vs Panasonic G5
The Canon EOS-1D Mark IV and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in October 2009 and July 2012. The 1D Mark IV is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark IV) and a Four Thirds (G5) sensor. The Canon has a resolution of 16 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D Mark IV and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the 1D Mark IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is considerably smaller (59 percent) than the Canon 1D Mark IV. Moreover, the G5 is substantially lighter (68 percent) than the 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the G5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark IV gets 1500 shots out of its LP-E4 battery, while the G5 can take 320 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|2.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|5.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|6.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|7.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|8.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|9.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|10.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|11.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|12.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|15.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|17.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G5 was launched at a markedly lower price (by 88 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the 1D Mark IV offers a slightly higher resolution than the G5 (15.9MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 3.76μm for the G5) due to its larger sensor. However, the G5 is a much more recent model (by 2 years and 8 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|2.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|4.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|7.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|8.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|9.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|10.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|11.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|12.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G5 provides a faster frame rate than the 1D Mark IV. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5 has an electronic viewfinder (1440k dots), while the 1D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G5 has a higher magnification than the one of the 1D Mark IV (0.70x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D Mark IV and Panasonic G5 along with similar information for a selection of comparators.
|1.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0/s||n||n|
|2.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|4.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|5.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|6.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|7.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|8.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0/s||n||n|
|9.||Canon 1D Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||8.3/s||n||n|
|10.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|11.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|12.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0/s||n||n|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|17.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 1D Mark IV, but is missing on the G5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark IV does not have a selfie-screen.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the G5 uses SDXC cards. The 1D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark IV cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|2.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|5.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|7.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon 1D Mark II||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|12.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
It is notable that the 1D Mark IV has a microphone port, which is missing on the G5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 1D Mark IV (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark IV and the G5 have been discontinued, but can regularly be found used on eBay. The G5 was replaced by the Panasonic G6, while the 1D Mark IV does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon 1D Mark IV or the Panasonic G5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS-1D Mark IV:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 320) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Arguments in favor of the Panasonic Lumix DMC-G5:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.58x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (120x83mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 834g or 68 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More modern: Reflects 2 years and 8 months of technical progress since the 1D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 1D Mark IV emerges as the winner of the contest (15 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark IV or the G5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999|
|2.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|5.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|6.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|7.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|8.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499|
|9.||Canon 1D Mark II||..||..||..||+ +||..||..||Jan 2004||4,499|
|10.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999|
|11.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|12.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|15.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|17.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Canon G7 X Mark II
- Canon 1D Mark IV vs Canon M5
- Canon 1D Mark IV vs Nikon D7000
- Canon 1D Mark IV vs Nikon W150
- Canon 1D Mark IV vs Panasonic L10
- Canon 1D Mark IV vs Sony A68
- Canon G7 X Mark III vs Panasonic G5
- Fujifilm X-T3 vs Panasonic G5
- Nikon P900 vs Panasonic G5
- Olympus E-M5 vs Panasonic G5
- Olympus TG-6 vs Panasonic G5
- Panasonic FZ150 vs Panasonic G5
Specifications: Canon 1D Mark IV vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Panasonic G5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2009||July 2012|
|Launch Price||USD 4,999||USD 599|
|Sensor Specs||Canon 1D Mark IV||Panasonic G5|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||27.9 x 18.6 mm||17.3 x 13.0 mm|
|Sensor Area||518.94 mm2||224.9 mm2|
|Sensor Diagonal||33.5 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||15.9 Megapixels|
|Image Resolution||4896 x 3264 pixels||4608 x 3456 pixels|
|Pixel Pitch||5.70 μm||3.76 μm|
|Pixel Density||3.08 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||160 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC IV||Venus VII FHD|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||1320||..|
|Screen Specs||Canon 1D Mark IV||Panasonic G5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark IV||Panasonic G5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark IV||Panasonic G5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark IV||Panasonic G5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1500 shots per charge||320 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||1230 g (43.4 oz)||396 g (14.0 oz)|
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