Canon 1D Mark III versus Panasonic GH5
The Canon EOS-1D Mark III and the Panasonic Lumix DC-GH5 are two digital cameras that were revealed to the public, respectively, in February 2007 and January 2017. The 1D Mark III is a DSLR, while the GH5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark III) and a Four Thirds (GH5) sensor. The Canon has a resolution of 10.1 megapixel, whereas the Panasonic provides 20.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 1D Mark III vs Panasonic GH5
An illustration of the physical size and weight of the Canon 1D Mark III and the Panasonic GH5 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 1D Mark III – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is considerably smaller (44 percent) than the Canon 1D Mark III. Moreover, the GH5 is substantially lighter (37 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1D Mark III) and the Micro Four Thirds Lens Catalog (GH5). Mirrorless cameras, such as the GH5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon 1D Mark III (⇒ rgt)||6.1 in||6.2 in||3.1 in||40.7 oz||2200||YES||2007||4,499||discont.||check|
|Panasonic GH5 (⇒ lft)||5.5 in||3.9 in||3.4 in||25.6 oz||410||YES||2017||1,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||6.0 in||4.6 in||3.0 in||32.8 oz||700||YES||2015||3,699||latest||check|
|Canon 5D Mark III (⇒ lft | rgt)||6.0 in||4.6 in||3.0 in||33.5 oz||950||YES||2012||3,499||discont.||check|
|Canon 1D Mark IV (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||43.4 oz||1500||YES||2009||4,999||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||6.0 in||4.5 in||3.0 in||30.0 oz||850||YES||2008||3,499||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||5.9 in||6.3 in||3.1 in||48.9 oz||1800||YES||2007||7,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||54.1 oz||1200||YES||2004||4,499||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||44.6 oz||600||YES||2002||8,999||discont.||check|
|Nikon D500 (⇒ lft | rgt)||5.8 in||4.5 in||3.2 in||30.3 oz||1240||YES||2016||1,999||latest||check|
|Nikon D3S (⇒ lft | rgt)||6.3 in||6.2 in||3.5 in||43.7 oz||4200||YES||2009||5,199||discont.||check|
|Nikon D3 (⇒ lft | rgt)||6.3 in||6.2 in||3.5 in||45.9 oz||4300||YES||2007||4,999||discont.||check|
|Nikon D2Xs (⇒ lft | rgt)||6.2 in||5.9 in||3.4 in||44.2 oz||3800||YES||2006||4,699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||5.3 in||3.6 in||2.6 in||20.2 oz||440||YES||2016||1,999||latest||check|
|Panasonic G9 (⇒ lft | rgt)||5.4 in||3.8 in||3.6 in||23.2 oz||400||YES||2017||1,699||latest||check|
|Panasonic G85 (⇒ lft | rgt)||5.0 in||3.5 in||2.9 in||17.8 oz||330||YES||2016||899||latest||check|
|Panasonic GH4 (⇒ lft | rgt)||5.2 in||3.7 in||3.3 in||19.8 oz||500||YES||2014||1,499||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH5 was launched at a markedly lower price (by 56 percent) than the 1D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1D Mark III vs Panasonic GH5
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark III has a native 3:2 aspect ratio, while the one in the GH5 offers a 4:3 aspect.
Despite having a smaller sensor, the GH5 offers a higher resolution of 20.2 megapixel, compared with 10.1 MP of the 1D Mark III. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 7.21μm for the 1D Mark III). However, it should be noted that the GH5 is much more recent (by 9 years and 10 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GH5 has a markedly higher DXO score than the 1D Mark III (overall score 6 points higher), which will translate into better image quality. The advantage is based on 1.2 bits higher color depth, 1.3 EV in additional dynamic range, 0.4 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark III (⇒ rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Panasonic GH5 (⇒ lft)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Canon 5DS R (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5D Mark III (⇒ lft | rgt)||Full Frame||22.1||5760||3840||1080/30p||24||11.7||2293||81|
|Canon 1D Mark IV (⇒ lft | rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1D Mark II (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.1||1003||66|
|Canon 1Ds (⇒ lft | rgt)||Full Frame||11.0||4064||2704||no||21.8||11.0||954||63|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D3S (⇒ lft | rgt)||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Nikon D3 (⇒ lft | rgt)||Full Frame||12.1||4256||2832||no||23.5||12.2||2290||81|
|Nikon D2Xs (⇒ lft | rgt)||APS-C||12.2||4288||2848||no||22.2||10.9||489||59|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic G9 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-|
|Panasonic G85 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GH4 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
Many modern cameras are not only capable of taking still images, but can also record movies. The GH5 indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the GH5 can use is 4K/60p.
Feature comparison: Canon 1D Mark III vs Panasonic GH5
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 1D Mark III and Panasonic GH5 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 1D Mark III (⇒ rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Panasonic GH5 (⇒ lft)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Canon 5DS R (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 5D Mark III (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||6.0||no||no|
|Canon 1D Mark IV (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1D Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||8.3||no||no|
|Canon 1Ds (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||8000||3.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D3S (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||11.0||no||no|
|Nikon D3 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||11.0||no||no|
|Nikon D2Xs (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||5.0||no||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Panasonic G9 (⇒ lft | rgt)||3680||YES||3.0||1040||swivel||YES||8000||20.0||no||YES|
|Panasonic G85 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Panasonic GH4 (⇒ lft | rgt)||2359||no||3.0||1036||swivel||YES||8000||12.0||17||no|
The GH5 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV.
Review summary: Canon 1D Mark III vs Panasonic GH5
So how do things add up? Is there a clear favorite between the Canon 1D Mark III and the Panasonic GH5? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D Mark III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (2200 versus 410) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Advantages of the Panasonic Lumix DC-GH5:
- More detail: Has more megapixels (20.2 vs 10.1MP), which boosts linear resolution by 39%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (139x98mm vs 156x156.6mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 430g or 37 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 9 years and 10 months of technical progress since the 1D Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (18 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark III or the GH5 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 1D Mark III (⇒ rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Panasonic GH5 (⇒ lft)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||Rec||83/100 Silver||5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 5D Mark III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||4.5/5||2012||3,499||discont.||check|
|Canon 1D Mark IV (⇒ lft | rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2004||4,499||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||-||HiRec||-||-||-||2002||8,999||discont.||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D3S (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2009||5,199||discont.||check|
|Nikon D3 (⇒ lft | rgt)||-||HiRec||5/5||reviewed||4.5/5||2007||4,999||discont.||check|
|Nikon D2Xs (⇒ lft | rgt)||-||-||-||reviewed||-||2006||4,699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Panasonic G9 (⇒ lft | rgt)||HiRec||85/100 Silver||5/5||..||5/5||2017||1,699||latest||check|
|Panasonic G85 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Panasonic GH4 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||5/5||5/5||2014||1,499||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, please send me an email, and I will try to update the database with the necessary infos.
- Canon 100D vs Leica M Typ 262
- Canon 6D Mark II vs Olympus PEN-F
- Canon SL1 vs Canon XC10
- Canon SL2 vs Nikon D750
- Canon T6 vs Canon 5DS R
- Canon T6i vs Leica M Typ 262
- Fujifilm X-E3 vs Panasonic GM5
- Nikon D750 vs Fujifilm X-H1
- Olympus E-1 vs Nikon W300
- Panasonic GX8 vs Canon G9 X Mark II
- Sony A7 III vs Canon M100
- Sony A7 III vs Olympus E-M5 II