Canon 1D Mark II versus Panasonic GH4
The Canon EOS-1D Mark II and the Panasonic Lumix DMC-GH4 are two digital cameras that were announced, respectively, in January 2004 and February 2014. The 1D Mark II is a DSLR, while the GH4 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II) and a Four Thirds sensor. The Canon has a resolution of 8.2 megapixel, whereas the Panasonic provides 15.9 MP.
The physical size and weight of the Canon 1D Mark II and the Panasonic GH4 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 1D Mark II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is considerably smaller (50 percent) than the Canon 1D Mark II. Moreover, the GH4 is substantially lighter (64 percent) than the 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1D Mark II) and the Micro Four Thirds Lens Catalog (GH4). Mirrorless cameras, such as the GH4, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 1D Mark II (⇒ rgt)||156 mm||158 mm||80 mm||1535 g||1200||YES||2004||4,499||discont.||check|
|Panasonic GH4 (⇒ lft)||133 mm||93 mm||84 mm||560 g||500||YES||2014||1,499||discont.||check|
|Canon 5DS R (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 1D Mark IV (⇒ lft | rgt)||156 mm||157 mm||80 mm||1230 g||1500||YES||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||150 mm||160 mm||80 mm||1385 g||1800||YES||2007||7,999||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||156 mm||156.6 mm||80 mm||1155 g||2200||YES||2007||4,499||discont.||check|
|Canon 5D (⇒ lft | rgt)||152 mm||113 mm||75 mm||895 g||400||YES||2005||3,299||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||156 mm||158 mm||80 mm||1565 g||1200||YES||2005||3,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1215 g||1200||YES||2004||7,999||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1265 g||600||YES||2002||8,999||discont.||check|
|Canon 1D (⇒ lft | rgt)||156 mm||158 mm||80 mm||1585 g||500||YES||2001||6,499||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||130 mm||94 mm||63 mm||497 g||350||YES||2013||1,399||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Panasonic G6 (⇒ lft | rgt)||122 mm||85 mm||71 mm||390 g||340||no||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Panasonic GH3 (⇒ lft | rgt)||133 mm||93 mm||82 mm||550 g||540||YES||2012||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH4 was launched at a markedly lower price (by 67 percent) than the 1D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Panasonic GH4 a Four Thirds sensor. The sensor area in the GH4 is 59 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark II has a native 3:2 aspect ratio, while the one in the GH4 offers a 4:3 aspect.
Despite having a smaller sensor, the GH4 offers a higher resolution of 15.9 megapixel, compared with 8.2 MP of the 1D Mark II. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 8.17μm for the 1D Mark II). However, it should be noted that the GH4 is much more recent (by 10 years) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GH4 has a markedly higher DXO score than the 1D Mark II (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 1.7 EV in additional dynamic range, 0.3 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark II (⇒ rgt)||APS-H||8.2||3504||2336||no||22.3||11.1||1003||66|
|Panasonic GH4 (⇒ lft)||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|Canon 5DS R (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon 1D Mark IV (⇒ lft | rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1D Mark III (⇒ lft | rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 5D (⇒ lft | rgt)||Full Frame||12.7||4368||2912||no||22.9||11.1||1368||71|
|Canon 1D Mark II N (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.2||975||66|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Canon 1Ds (⇒ lft | rgt)||Full Frame||11.0||4064||2704||no||21.8||11.0||954||63|
|Canon 1D (⇒ lft | rgt)||APS-H||4.1||2496||1662||no||-||-||-||-|
|Olympus E-M1 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G6 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GH3 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
Many modern cameras cannot only take still pictures, but also record videos. The GH4 indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the GH4 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH4 has an electronic viewfinder (2359k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 1D Mark II, the Panasonic GH4, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 1D Mark II (⇒ rgt)||optical||YES||2.0||230||fixed||no||8000||8.3||no||no|
|Panasonic GH4 (⇒ lft)||2359||no||3.0||1036||swivel||YES||8000||12.0||17||no|
|Canon 5DS R (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 5DS (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 1D Mark IV (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1D Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 5D (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||3.0||no||no|
|Canon 1D Mark II N (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||8.5||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Canon 1Ds (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||8000||3.0||no||no|
|Canon 1D (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||16000||8.0||no||no|
|Olympus E-M1 (⇒ lft | rgt)||2360||no||3.0||1037||tilting||YES||8000||10.0||no||YES|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Panasonic G6 (⇒ lft | rgt)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic GH3 (⇒ lft | rgt)||1746||no||3.0||614||swivel||YES||4000||6.0||12||no|
Both the 1D Mark II and the GH4 have been discontinued, but can regularly be found used on ebay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the GH4 was followed by the Panasonic GH5.
So what conclusions can be drawn? Is there a clear favorite between the Canon 1D Mark II and the Canon 1D Mark II? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1D Mark II:
- Better low-light sensitivity: Requires less light for good images (0.3 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1200 versus 500) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Arguments in favor of the Panasonic Lumix DMC-GH4:
- More detail: Has more megapixels (15.9 vs 8.2MP), which boosts linear resolution by 37%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 230k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (12 vs 8.3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (133x93mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 975g or 64 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More modern: Reflects 10 years of technical progress since the 1D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GH4 is the clear winner of the contest (16 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark II or the GH4 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 1D Mark II (⇒ rgt)||-||HiRec||-||reviewed||-||2004||4,499||discont.||check|
|Panasonic GH4 (⇒ lft)||HiRec||85/100 Gold||5/5||5/5||5/5||2014||1,499||discont.||check|
|Canon 5DS R (⇒ lft | rgt)||Rec||83/100 Silver||5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 1D Mark IV (⇒ lft | rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 5D (⇒ lft | rgt)||88/100||HiRec||reviewed||reviewed||-||2005||3,299||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||-||-||-||-||-||2005||3,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||-||HiRec||-||-||-||2002||8,999||discont.||check|
|Canon 1D (⇒ lft | rgt)||-||HiRec||-||-||-||2001||6,499||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||HiRec||84/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,399||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Panasonic G6 (⇒ lft | rgt)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic GH3 (⇒ lft | rgt)||HiRec||79/100 Gold||4.5/5||5/5||4.5/5||2012||1,299||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to update the database with the necessary infos.
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