Canon 1D C vs Panasonic G7

The Canon EOS-1D C and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in April 2012 and May 2015. The 1DC is a DSLR, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1DC) and a Four Thirds (G7) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 1D C		Panasonic G7
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
17.9 MP, Full Frame Sensor		15.8 MP, Four Thirds Sensor
4K/24p Video		4K/30p Video
ISO 100-51,200 (50 - 204,800)		ISO 160-25,600
Optical viewfinder		Electronic viewfinder (2360k dots)
3.2 LCD, 1040k dots		3.0 LCD, 1040k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
14 shutter flaps per second		7 shutter flaps per second
Weathersealed body		not weather sealed
1120 shots per battery charge		350 shots per battery charge
158 x 164 x 83 mm, 1545 g		125 x 86 x 77 mm, 410 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D C and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 1D C and the Panasonic G7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the 1DC is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is considerably smaller (59 percent) than the Canon 1D C. Moreover, the G7 is substantially lighter (73 percent) than the 1DC. It is worth mentioning in this context that the 1DC is splash and dust resistant, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DC) and the Micro Four Thirds Lens Catalog (G7). Mirrorless cameras, such as the G7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 1DC gets 1120 shots out of its LP-E4N battery, while the G7 can take 350 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the 1DC has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

	Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
	Canon 1D C	158 mm	164 mm	83 mm	1545 g	1120	Y	Apr 2012	14,999
	Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649
	Canon 1D X Mark III	158 mm	168 mm	83 mm	1440 g	2850	Y	Jan 2020	6,499
	Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999
	Canon 70D	139 mm	104 mm	79 mm	755 g	920	Y	Jul 2013	1,199
	Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499
	Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099
	Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799
	Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	4,999
	Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499
	Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	7,999
	Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	699
	Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999
	Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749
	Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599
	Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599
	Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7 was launched at a markedly lower price (by 96 percent) than the 1DC, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 1D C features a full frame sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 1DC has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.

With 17.9MP, the 1DC offers a higher resolution than the G7 (15.8MP), but the 1DC nevertheless has larger individual pixels (pixel pitch of 6.95μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a much more recent model (by 3 years and 1 month) than the 1DC, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon 1D C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DC for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Canon EOS-1D C has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

	Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
	Canon 1D C	Full Frame	17.9	5184	3456	4K/24p	..	..	..	..
	Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	..	..	..	..
	Canon 1D X Mark III	Full Frame	20.0	5472	3648	4K/60p	24.2	14.5	3248	91
	Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
	Canon 70D	APS-C	20.0	5472	3648	1080/30p	22.5	11.6	926	68
	Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
	Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
	Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
	Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
	Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
	Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
	Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	..	..	..	..
	Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
	Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
	Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
	Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	..	..	..	..
	Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a faster frame rate than the 1DC. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/24p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), while the 1DC has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DC has a higher magnification than the one of the G7 (0.76x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D C and Panasonic G7 in connection with corresponding information for a sample of similar cameras.

Core Features

	Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Size (inch)	LCD Resolution (000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Mech Shutter Speed	Shutter Flaps (1/sec)	Built-in Flash (yes/no)	Built-in Image Stab
	Canon 1D C	optical	Y	3.2	1040	fixed	n	1/8000s	14.0	n	n
	Panasonic G7	2360	n	3.0	1040	swivel	Y	1/4000s	7.0	Y	n
	Canon 1D X Mark III	optical	Y	3.2	2100	fixed	Y	1/8000s	20.0	n	n
	Canon 1D X Mark II	optical	Y	3.2	1620	fixed	Y	1/8000s	16.0	n	n
	Canon 70D	optical	Y	3.0	1040	swivel	Y	1/8000s	7.0	Y	n
	Canon 5D Mark III	optical	Y	3.2	1040	fixed	n	1/8000s	6.0	n	n
	Canon 6D	optical	Y	3.0	1040	fixed	n	1/4000s	4.5	n	n
	Canon 1D X	optical	Y	3.2	1040	fixed	n	1/8000s	14.0	n	n
	Canon 1D Mark IV	optical	Y	3.0	920	fixed	n	1/8000s	10.0	n	n
	Canon 5D Mark II	optical	Y	3.0	920	fixed	n	1/8000s	3.9	n	n
	Canon 1Ds Mark III	optical	Y	3.0	230	fixed	n	1/8000s	5.0	n	n
	Fujifilm X-E2S	2360	n	3.0	1040	fixed	n	1/4000s	7.0	Y	n
	Nikon D4	optical	Y	3.2	921	fixed	n	1/8000s	11.0	n	n
	Panasonic GM5	1166	n	3.0	921	fixed	Y	1/500s	5.8	n	n
	Panasonic G6	1440	n	3.0	1036	swivel	Y	1/4000s	7.0	Y	n
	Panasonic G5	1440	n	3.0	920	swivel	Y	1/4000s	6.0	Y	n
	Panasonic G3	1440	n	3.0	460	swivel	Y	1/4000s	4.0	Y	n

One feature that is present on the 1DC, but is missing on the G7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 1DC writes its imaging data to Compact Flash cards, while the G7 uses SDXC cards. The 1DC features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D C and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

	Camera Model	Hotshoe Port	Internal Microphone	Internal Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
	Canon 1D C	Y	mono	mono	Y	Y	mini	2.0	-	-	-
	Panasonic G7	Y	stereo	mono	Y	-	micro	2.0	Y	-	-
	Canon 1D X Mark III	Y	mono	mono	Y	Y	mini	3.1	Y	-	Y
	Canon 1D X Mark II	Y	mono	mono	Y	Y	mini	3.0	-	-	-
	Canon 70D	Y	stereo	mono	Y	-	mini	2.0	Y	-	-
	Canon 5D Mark III	Y	mono	mono	Y	Y	mini	2.0	-	-	-
	Canon 6D	Y	mono	mono	Y	-	mini	2.0	Y	-	-
	Canon 1D X	Y	mono	-	Y	-	mini	2.0	-	-	-
	Canon 1D Mark IV	Y	stereo	-	Y	-	mini	2.0	-	-	-
	Canon 5D Mark II	Y	mono	mono	Y	-	mini	2.0	-	-	-
	Canon 1Ds Mark III	Y	mono	-	-	-	-	2.0	-	-	-
	Fujifilm X-E2S	Y	stereo	mono	Y	-	micro	2.0	Y	-	-
	Nikon D4	Y	mono	mono	Y	Y	micro	2.0	-	-	-
	Panasonic GM5	Y	stereo	mono	-	-	micro	2.0	Y	-	-
	Panasonic G6	Y	stereo	mono	Y	-	mini	2.0	Y	Y	-
	Panasonic G5	Y	stereo	mono	-	-	mini	2.0	-	-	-
	Panasonic G3	Y	stereo	mono	-	-	mini	2.0	-	-	-

It is notable that the 1DC has a headphone jack, which is not present on the G7 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Canon 1D C (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 1DC and the G7 have been discontinued, but can regularly be found used on eBay. The G7 was replaced by the Panasonic G85, while the 1DC does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.

Review summary

So how do things add up? Is the Canon 1D C better than the Panasonic G7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS-1D C:

• More detail: Offers more megapixels (17.9 vs 15.8MP) with a 8% higher linear resolution.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 7 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1120 versus 350) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in April 2012).

Advantages of the Panasonic Lumix DMC-G7:

• Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (125x86mm vs 158x164mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 1135g or 73 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced into a lower priced category (96 percent cheaper at launch).
• More modern: Reflects 3 years and 1 month of technical progress since the 1DC launch.

If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (14 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 1D C and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1DC or the G7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores

	Camera Model	camera   labs	dp review	ephoto   zine	imaging resource	photography   blog	Camera Launch	Launch Price (USD)	Street Price
	Canon 1D C	..	..	..	..	..	Apr 2012	14,999
	Panasonic G7	+ +	80/100	5/5	4.5/5	4.5/5	May 2015	649
	Canon 1D X Mark III	+ +	..	4.5/5	..	4/5	Jan 2020	6,499
	Canon 1D X Mark II	..	89/100	4.5/5	5/5	4.5/5	Feb 2016	5,999
	Canon 70D	+ +	83/100	4.5/5	4.5/5	5/5	Jul 2013	1,199
	Canon 5D Mark III	+ +	82/100	4.5/5	5/5	4.5/5	Mar 2012	3,499
	Canon 6D	+ +	83/100	4.5/5	4.5/5	4.5/5	Sep 2012	2,099
	Canon 1D X	..	..	4.5/5	4.5/5	4.5/5	Oct 2011	6,799
	Canon 1D Mark IV	..	89/100	..	5/5	..	Oct 2009	4,999
	Canon 5D Mark II	91/100	79/100	4/5	5/5	..	Sep 2008	3,499
	Canon 1Ds Mark III	..	+ +	4.5/5	..	..	Aug 2007	7,999
	Fujifilm X-E2S	..	77/100	4.5/5	..	4.5/5	Jan 2016	699
	Nikon D4	..	..	4.5/5	..	4.5/5	Jan 2012	5,999
	Panasonic GM5	+	77/100	5/5	5/5	4.5/5	Sep 2014	749
	Panasonic G6	+ +	..	5/5	..	4.5/5	Apr 2013	599
	Panasonic G5	+ +	..	4.5/5	4.5/5	4.5/5	Jul 2012	599
	Panasonic G3	+ +	75/100	4.5/5	4.5/5	5/5	May 2011	599
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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Specifications: Canon 1D C vs Panasonic G7

Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

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