Canon 100D versus Panasonic G6
The Canon EOS 100D (called Canon SL1 in some regions) and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in March 2013 and April 2013. The 100D is a DSLR, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (100D) and a Four Thirds sensor. The Canon has a resolution of 17.9 megapixel, whereas the Panasonic provides 15.9 MP.
An illustration of the physical size and weight of the Canon 100D and the Panasonic G6 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 100D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is considerably smaller (97 percent) than the Canon 100D. Moreover, the G6 is slightly lighter (4 percent) than the 100D. In this context, it is worth noting that neither the 100D nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (100D) and the Micro Four Thirds Lens Catalog (G6). Mirrorless cameras, such as the G6, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 100D (⇒ rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Panasonic G6 (⇒ lft)||122 mm||85 mm||71 mm||390 g||340||no||2013||599||discont.||check|
|Canon 200D (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 1200D (⇒ lft | rgt)||130 mm||100 mm||78 mm||480 g||500||no||2014||449||discont.||check|
|Canon 700D (⇒ lft | rgt)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon M (⇒ lft | rgt)||109 mm||66 mm||32 mm||298 g||230||no||2012||599||discont.||check|
|Canon 650D (⇒ lft | rgt)||133 mm||100 mm||79 mm||575 g||440||no||2012||849||discont.||check|
|Canon 600D (⇒ lft | rgt)||133 mm||100 mm||80 mm||570 g||440||no||2011||599||discont.||check|
|Canon 500D (⇒ lft | rgt)||129 mm||98 mm||62 mm||520 g||400||no||2009||799||discont.||check|
|Panasonic G7 (⇒ lft | rgt)||125 mm||86 mm||77 mm||410 g||350||no||2015||649||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||123 mm||71 mm||55 mm||402 g||350||no||2013||999||discont.||check|
|Panasonic G5 (⇒ lft | rgt)||120 mm||83 mm||71 mm||396 g||320||no||2012||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 100D was somewhat cheaper (by 8 percent) than the G6 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 100D has a native 3:2 aspect ratio, while the one in the G6 offers a 4:3 aspect.
With 17.9MP, the 100D offers a higher resolution than the G6 (15.9MP), but the 100D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the G6) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 100D (⇒ rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Panasonic G6 (⇒ lft)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Canon 200D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 1200D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63|
|Canon 700D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon M (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65|
|Canon 650D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62|
|Canon 600D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65|
|Canon 500D (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G6 provides a faster frame rate than the 100D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), while the 100D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 100D and Panasonic G6 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 100D (⇒ rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Panasonic G6 (⇒ lft)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Canon 200D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 1200D (⇒ lft | rgt)||optical||no||3.0||460||fixed||no||4000||3.0||9.2||no|
|Canon 700D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Canon M (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||4000||4.3||no||no|
|Canon 650D (⇒ lft | rgt)||optical||no||3||1040||swivel||YES||4000||5.0||YES||no|
|Canon 600D (⇒ lft | rgt)||optical||no||3||1040||swivel||no||4000||3.7||YES||no|
|Canon 500D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||YES||no|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
|Panasonic G5 (⇒ lft | rgt)||1440||no||3.0||920||swivel||YES||4000||6.0||10.5||no|
Both the 100D and the G6 have been discontinued, but can regularly be found used on ebay. The 100D was replaced by the Canon 200D, while the G6 was followed by the Panasonic G7.
So what conclusions can be drawn? Is the Canon 100D better than the Panasonic G6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 100D:
- More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (380 versus 340) on a single battery charge.
Reasons to prefer the Panasonic Lumix DMC-G6:
- Better video: Provides higher movie framerates (1080/60p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (7 vs 4.9 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x85mm vs 117x91mm) and will fit more readily into a bag.
- More legacy lens friendly: Can use many non-native lenses via adapters.
If the count of individual advantages (bullet points above) is taken as a guide, the G6 emerges as the winner of the match-up (6 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 100D and the G6 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 100D (⇒ rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Panasonic G6 (⇒ lft)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Canon 200D (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 1200D (⇒ lft | rgt)||4/5||-||4/5||4/5||4.5/5||2014||449||discont.||check|
|Canon 700D (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon M (⇒ lft | rgt)||Rec||-||4/5||3.5/5||4/5||2012||599||discont.||check|
|Canon 650D (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||4.5/5||4.5/5||2012||849||discont.||check|
|Canon 600D (⇒ lft | rgt)||reviewed||77/100 Silver||4.5/5||5/5||4.5/5||2011||599||discont.||check|
|Canon 500D (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic G5 (⇒ lft | rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.
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