Sony NEX-F3 vs Canon 100D

The Sony Alpha NEX-F3 and the Canon EOS 100D (labelled Canon SL1 in some countries) are two digital cameras that were revealed to the public, respectively, in May 2012 and March 2013. The NEX-F3 is a mirrorless interchangeable lens camera, while the 100D is a DSLR. Both cameras are equipped with an APS-C sensor. The Sony has a resolution of 16 megapixels, whereas the Canon provides 17.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony NEX-F3		Canon 100D
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Canon EF mount lenses
16 MP – APS-C sensor		17.9 MP – APS-C sensor
1080/60i Video		1080/30p Video
ISO 100-16,000		ISO 100-12,800 (100 - 25,600)
Viewfinder optional		Optical viewfinder
3.0" LCD – 920k dots		3.0" LCD – 1040k dots
Tilting screen (no touchscreen)		Fixed touchscreen
5.5 shutter flaps per second		4.9 shutter flaps per second
470 shots per battery charge		380 shots per battery charge
117 x 67 x 42 mm, 314 g		117 x 91 x 69 mm, 407 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-F3 and the Canon EOS 100D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony NEX-F3 and the Canon 100D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The NEX-F3 can be obtained in three different colors (black, silver, white), while the 100D is available in two color-versions (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 100D is notably larger (36 percent) than the Sony NEX-F3. Moreover, the 100D is markedly heavier (30 percent) than the NEX-F3. In this context, it is worth noting that neither the NEX-F3 nor the 100D are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (NEX-F3) and the Canon EF Lens Catalog (100D). Mirrorless cameras, such as the Sony NEX-F3, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the NEX-F3 gets 470 shots out of its Sony NP-FW50 battery, while the 100D can take 380 images on a single charge of its Canon LP-E12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
2.		Canon 100D	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
3.		Canon 200D	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
4.		Canon 700D	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
5.		Canon 1200D	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
6.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
7.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
8.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
9.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
10.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
11.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
12.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
13.		Sony NEX-5N	111 mm	59 mm	38 mm	269 g	460	n	Aug 2011	699	ebay.com
14.		Sony NEX-5R	111 mm	59 mm	39 mm	276 g	330	n	Aug 2012	749	ebay.com
15.		Sony NEX-5T	111 mm	59 mm	39 mm	276 g	330	n	Aug 2013	699	ebay.com
16.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
17.		Sony NEX-C3	110 mm	60 mm	33 mm	225 g	400	n	Jun 2011	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 100D was somewhat cheaper (by 8 percent) than the NEX-F3 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 100D is 9 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (NEX-F3) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the 100D offers a higher resolution of 17.9 megapixels, compared with 16 MP of the NEX-F3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 4.78μm for the NEX-F3). However, it should be noted that the 100D is a somewhat more recent model (by 10 months) than the NEX-F3, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.

The resolution advantage of the Canon 100D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 100D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Sony NEX-F3 are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.

The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha NEX-F3 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Canon EOS 100D are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the NEX-F3 has a notably higher overall DXO score than the 100D (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 1 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
2.		Canon 100D	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
3.		Canon 200D	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
4.		Canon 700D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
5.		Canon 1200D	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
6.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
7.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
8.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
9.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
10.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
11.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
12.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69
13.		Sony NEX-5N	APS-C	16.0	4912	3264	1080/60i	23.6	12.7	1079	77
14.		Sony NEX-5R	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	910	78
15.		Sony NEX-5T	APS-C	16.0	4912	3264	1080/60p	23.6	13.0	1015	78
16.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
17.		Sony NEX-C3	APS-C	16.0	4912	3264	720/30p	22.7	12.2	1083	73

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the NEX-F3 provides a higher frame rate than the 100D. It can shoot video footage at 1080/60i, while the Canon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 100D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-F3 relies on live view and the rear LCD for framing. That said, the NEX-F3 can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Sony NEX-F3, the Canon 100D, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
2.		Canon 100D	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
3.		Canon 200D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
4.		Canon 700D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon 1200D	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
6.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
7.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
8.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
9.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
10.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
11.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
12.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
13.		Sony NEX-5N	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
14.		Sony NEX-5R	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
15.		Sony NEX-5T	optional	n	3.0 / 922	tilting	Y	1/4000s	10.0/s	n	n
16.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony NEX-C3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 100D has a touchscreen, while the NEX-F3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The NEX-F3 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 100D uses SDXC cards. The 100D supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-F3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-F3 and Canon EOS 100D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Canon 100D	Y	mono / mono	Y	-	mini	2.0	-	-	-
3.		Canon 200D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 700D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
5.		Canon 1200D	Y	mono / mono	-	-	mini	2.0	-	-	-
6.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
7.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
9.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
12.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Sony NEX-5N	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony NEX-5R	Y	stereo / mono	-	-	mini	2.0	Y	-	-
15.		Sony NEX-5T	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
16.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
17.		Sony NEX-C3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the 100D has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The NEX-F3 does not feature such a mic input.

Both the NEX-F3 and the 100D have been discontinued, but can regularly be found used on ebay. The 100D was replaced by the Canon 200D, while the NEX-F3 does not have a direct successor. Further information on the features and operation of the NEX-F3 and 100D can be found, respectively, in the Sony NEX-F3 Manual (free pdf) or the online Canon 100D Manual.

Review summary

So what is the bottom line? Is the Sony NEX-F3 better than the Canon 100D or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Sony Alpha NEX-F3:

• Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (5.5 vs 4.9 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (117x67mm vs 117x91mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 93g or 23 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (470 versus 380) on a single battery charge.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More heavily discounted: Has been on the market for longer (launched in May 2012).

Arguments in favor of the Canon EOS 100D:

• More detail: Has more megapixels (17.9 vs 16MP), which boosts linear resolution by 6%.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Was introduced somewhat (10 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the NEX-F3 is the clear winner of the match-up (12 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony NEX-F3 and the Canon 100D place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the NEX-F3 and the 100D in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
2.		Canon 100D	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
3.		Canon 200D	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
4.		Canon 700D	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
5.		Canon 1200D	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
6.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
7.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
8.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
9.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
10.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
11.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
12.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
13.		Sony NEX-5N	3/5	+ +	..	79/100	4.5/5	4.5/5	Aug 2011	699	ebay.com
14.		Sony NEX-5R	..	..	..	..	4.5/5	4.5/5	Aug 2012	749	ebay.com
15.		Sony NEX-5T	..	..	..	..	4.5/5	4.5/5	Aug 2013	699	ebay.com
16.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
17.		Sony NEX-C3	3/5	+ +	..	74/100	4.5/5	4/5	Jun 2011	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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