Sony A9 vs Zeiss ZX1
The Sony Alpha A9 and the Zeiss ZX1 are two digital cameras that were officially introduced, respectively, in April 2017 and September 2018. The A9 is a mirrorless interchangeable lens camera, while the ZX1 is a fixed lens compact. Both cameras are equipped with a full frame sensor. The Sony has a resolution of 24 megapixels, whereas the Zeiss provides 37.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A9 and the Zeiss ZX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Sony A9 and the Zeiss ZX1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Zeiss ZX1 is notably larger (8 percent) than the Sony A9. It is worth mentioning in this context that the A9 is splash and dust resistant, while the ZX1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZX1 has a lens built in, whereas the A9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A9 and their specifications in the Sony FE Lens Catalog.
The power pack in the A9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||ebay.com|
|2.||Zeiss ZX1||142 mm||93 mm||46 mm||800 g||250||n||Sep 2018||5,999||amazon.com|
|3.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|4.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|5.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|6.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||amazon.com|
|7.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|8.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|9.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|10.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|11.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|12.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|13.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|16.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the ZX1 is 2 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.4MP, the ZX1 offers a higher resolution than the A9 (24MP), but the ZX1 has smaller individual pixels (pixel pitch of 4.81μm versus 5.94μm for the A9). Yet, the ZX1 is a somewhat more recent model (by 1 year and 5 months) than the A9, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Zeiss ZX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZX1 for good quality output (200 dots per inch) amounts to 37.4 x 25 inches or 95.1 x 63.4 cm, for very good quality (250 dpi) 30 x 20 inches or 76.1 x 50.7 cm, and for excellent quality (300 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm. The corresponding values for the Sony A9 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A9 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Zeiss ZX1 are ISO 80 to ISO 51200 (no boost).
In terms of underlying technology, the A9 is build around a Stacked BSI-CMOS sensor, while the ZX1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|2.||Zeiss ZX1||Full Frame||37.4||7488||4992||4K/30p||25.2||14.1||2759||94|
|3.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|4.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|5.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|6.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|7.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|9.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|10.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|11.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|12.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|13.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the ZX1 offers a substantially higher resolution than the one in the A9 (6221k vs 3686k dots). The adjacent table lists some of the other core features of the Sony A9 and Zeiss ZX1 along with similar information for a selection of comparators.
|1.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|2.||Zeiss ZX1||6221||n||4.3 / 2765||fixed||Y||1/1000s||3.0/s||n||n|
|3.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|4.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|5.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|6.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|7.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|8.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|9.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|10.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|11.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|12.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|13.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The A9 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the ZX1 uses an internal SSD.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A9 and Zeiss ZX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|2.||Zeiss ZX1||Y||stereo / mono||-||-||-||3.1||Y||Y||Y|
|3.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|4.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|6.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|8.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|9.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|10.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|11.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|12.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A9 has a microphone port, which is missing on the ZX1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Sony A9 (unlike the ZX1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The ZX1 is a recent model that features in the current product line-up of Zeiss. In contrast, the A9 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A9 was succeeded by the Sony A9 II. Further information on the features and operation of the A9 and ZX1 can be found, respectively, in the Sony A9 Manual (free pdf) or the online Zeiss ZX1 Manual.
So how do things add up? Which of the two cameras – the Sony A9 or the Zeiss ZX1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A9:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.74x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 3 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (650 versus 250) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
Advantages of the Zeiss ZX1:
- More detail: Has more megapixels (37.4 vs 24MP), which boosts linear resolution by 25%.
- More detailed viewfinder: Has higher resolution electronic viewfinder (6221k vs 3686k dots).
- Larger screen: Has a bigger rear LCD (4.3" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2765k vs 1440k dots).
- Ready to shoot: Has an integrated lens, whereas the A9 necessitates an extra lens.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More prestigious: Has the Zeiss luxury appeal, which ensures a high resale value.
If the number of relative strengths (bullet points above) is taken as a guide, the A9 is the clear winner of the match-up (13 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A9 and the Zeiss ZX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A9 or the ZX1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499||ebay.com|
|2.||Zeiss ZX1||3/5||..||..||83/100||4/5||4/5||Sep 2018||5,999||amazon.com|
|3.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|4.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|5.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|6.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899||amazon.com|
|7.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|8.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|9.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|10.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|11.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|12.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|13.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|16.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Sony A9 vs Zeiss ZX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A9||Zeiss ZX1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||35mm f/2.8|
|Launch Date||April 2017||September 2018|
|Launch Price||USD 4,499||USD 5,999|
|Sensor Specs||Sony A9||Zeiss ZX1|
|Sensor Technology||Stacked BSI-CMOS||CMOS|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.6 x 23.8 mm||36.0 x 24.0 mm|
|Sensor Area||847.28 mm2||864 mm2|
|Sensor Diagonal||42.8 mm||43.3 mm|
|Sensor Resolution||24 Megapixels||37.4 Megapixels|
|Image Resolution||6000 x 4000 pixels||7488 x 4992 pixels|
|Pixel Pitch||5.94 μm||4.81 μm|
|Pixel Density||2.83 MP/cm2||4.33 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 51,200 ISO||80 - 51,200 ISO|
|ISO Boost||50 - 204,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||92||..|
|DXO Color Depth (bits)||24.9||..|
|DXO Dynamic Range (EV)||13.3||..|
|DXO Low Light (ISO)||3517||..|
|Screen Specs||Sony A9||Zeiss ZX1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3686k dots||6221k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||4.3inch|
|LCD Resolution||1440k dots||2765k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Sony A9||Zeiss ZX1|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||20 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/8000s|
|Image Stabilization||In-body stabilization||no handshake reduction|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SSD cards|
|Single or Dual Card Slots||Dual card slots||Single SSD|
|Connectivity Specs||Sony A9||Zeiss ZX1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Sony A9||Zeiss ZX1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||650 shots per charge||250 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
142 x 93 x 46 mm
(5.6 x 3.7 x 1.8 in)
|Camera Weight||673 g (23.7 oz)||800 g (28.2 oz)|
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