Olympus E-M1 III vs Sony A9

The Olympus OM-D E-M1 Mark III and the Sony Alpha A9 are two digital cameras that were officially introduced, respectively, in February 2020 and April 2017. Both the E-M1 III and the A9 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M1 III) and a full frame (A9) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M1 III		Sony A9
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
20.2 MP – Four Thirds sensor		24 MP – Full Frame sensor
4K/30p Video		4K/30p Video
ISO 200-25,600		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (2360k dots)		Electronic viewfinder (3686k dots)
3.0" LCD – 1037k dots		3.0" LCD – 1440k dots
Swivel touchscreen		Tilting touchscreen
18 shutter flaps per second		20 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
420 shots per battery charge		650 shots per battery charge
134 x 91 x 69 mm, 580 g		127 x 96 x 63 mm, 673 g

Check E-M1 III offers at
ebay.com
Check A9 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1 Mark III and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-M1 III and the Sony A9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 III and the Sony A9 are of equal size. However, the A9 is markedly heavier (16 percent) than the E-M1 III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M1 III) and the Sony FE Lens Catalog (A9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M1 III gets 420 shots out of its Olympus BLH-1 battery, while the A9 can take 650 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	1,799	ebay.com
2.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
3.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	1,199	ebay.com
4.		Olympus E-M1X	144 mm	147 mm	75 mm	997 g	870	Y	Jan 2019	2,999	ebay.com
5.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
6.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
7.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	2,199	ebay.com
8.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	1,699	amazon.com
9.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	999	ebay.com
10.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	1,699	ebay.com
11.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
12.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
13.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
14.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
15.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
16.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
17.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M1 III was launched at a markedly lower price (by 60 percent) than the A9, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M1 III features a Four Thirds sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M1 III has a native 4:3 aspect ratio, while the one in the A9 offers a 3:2 aspect.

With 24MP, the A9 offers a higher resolution than the E-M1 III (20.2MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.34μm for the E-M1 III) due to its larger sensor. However, the E-M1 III is a much more recent model (by 2 years and 9 months) than the A9, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M1 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M1 III are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the A9, the E-M1 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M1 Mark III has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the E-M1 III is build around a CMOS sensor, while the A9 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
2.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
3.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
4.		Olympus E-M1X	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1254	75
5.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
6.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
7.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
8.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
9.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
10.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
11.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
12.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
13.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
14.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
15.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
16.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
17.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a substantially higher resolution than the one in the E-M1 III (3686k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M1 III, the Sony A9, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
2.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
3.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
4.		Olympus E-M1X	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
5.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
6.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
7.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
8.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
9.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
10.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
11.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
12.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
13.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
16.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M1 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-M1 III writes its imaging data to SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both the E-M1 III and the A9 support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on the first slot and UHS-I cards (104 MB/s) on the second one.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1 Mark III and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
2.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
3.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Olympus E-M1X	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
8.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
10.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
11.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
12.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
13.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
15.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
17.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the E-M1 III and the A9 have been discontinued, but can regularly be found used on ebay. The A9 was replaced by the Sony A9 II, while the E-M1 III was followed by the OM System OM-1. Further information on the features and operation of the E-M1 III and A9 can be found, respectively, in the Olympus E-M1 III Manual (free pdf) or the online Sony A9 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Olympus E-M1 III and the Sony A9? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Olympus OM-D E-M1 Mark III:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Less heavy: Is lighter (by 93g or 14 percent) and hence easier to carry around.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More modern: Reflects 2 years and 9 months of technical progress since the A9 launch.

Arguments in favor of the Sony Alpha A9:

• More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.74x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 1037k dots).
• Longer lasting: Gets more shots (650 versus 420) out of a single battery charge.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in April 2017).

If the count of relative strengths (bullet points above) is taken as a measure, the A9 emerges as the winner of the match-up (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M1 III and the Sony A9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-M1 III and the A9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	1,799	ebay.com
2.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
3.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	1,199	ebay.com
4.		Olympus E-M1X	4.5/5	o	5/5	85/100	4.5/5	..	Jan 2019	2,999	ebay.com
5.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
6.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
7.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	2,199	ebay.com
8.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	1,699	amazon.com
9.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	999	ebay.com
10.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	1,699	ebay.com
11.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
12.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
13.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
14.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
15.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
16.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
17.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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