Sony A7R II versus Canon 70D
The Sony Alpha A7R II and the Canon EOS 70D are two enthusiast cameras that were announced, respectively, in June 2015 and July 2013. The A7R II is a mirrorless interchangeable lens camera, while the 70D is a DSLR. The cameras are based on a full frame (A7R II) and an APS-C (70D) sensor. The Sony has a resolution of 42.2 megapixel, whereas the Canon provides 20 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A7R II vs Canon 70D
The physical size and weight of the Sony A7R II and the Canon 70D are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A7R II – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 70D is notably larger (19 percent) than the Sony A7R II. Moreover, the 70D is markedly heavier (21 percent) than the A7R II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7R II) and the Canon EF Lens Catalog (70D). Mirrorless cameras, such as the Sony A7R II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Sony A7R II»||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-|
|Canon 70D«||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||-|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 70D was launched at a markedly lower price (by 63 percent) than the A7R II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A7R II vs Canon 70D
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7R II features a full frame sensor and the Canon 70D an APS-C sensor. The sensor area in the 70D is 61 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R II offers a higher resolution than the 70D (20MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 4.11μm for the 70D) due to its larger sensor. Moreover, the A7R II is a somewhat more recent model (by 1 year and 11 months) than the 70D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7R II provides substantially higher image quality than the 70D, with an overall score that is 30 points higher. This advantage is based on 3.5 bits higher color depth, 2.3 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A7R II»||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R II provides a higher video resolution than the 70D. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Sony A7R II vs Canon 70D
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R II has an electronic viewfinder (2400k dots), while the 70D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony A7R II, the Canon 70D, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Sony A7R II»||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||8000||5.3||Y||n|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||4000||5.0||Y||n|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n|
Both the A7R II and the 70D have been discontinued, but can regularly be found used on eBay. The 70D was replaced by the Canon 80D, while the A7R II was followed by the Sony Alpha A7R III.
Review summary: Sony A7R II vs Canon 70D
So what is the bottom line? Is the Sony A7R II better than the Canon 70D or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A7R II:
- More detail: Offers more megapixels (42.2 vs 20MP) with a 45% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (30 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More compact: Is smaller (127x96mm vs 139x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 130g or 17 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the 70D).
Advantages of the Canon EOS 70D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (920 versus 290) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the A7R II is the clear winner of the match-up (14 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7R II or the 70D. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A7R II»||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-|
|Canon 70D«||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Canon 60D« »||Rec||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-|
|Nikon D7100« »||HiRec||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-|
|Sony A7 III« »||HiRec||89/100||5/5||-||5/5||Feb 2018||1,999|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A7R III« »||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.
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