Sony A77 versus Sony A9
The Sony Alpha SLT-A77 and the Sony Alpha A9 are two digital cameras that were officially introduced, respectively, in August 2011 and April 2017. The A77 is a DSLR, while the A9 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (A77) and a full frame sensor. Both cameras offer a resolution of 24 megapixel.
The side-by-side display below illustrates the physical size and weight of the Sony A77 and the Sony A9. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A77 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is notably smaller (18 percent) than the Sony A77. Moreover, the A9 is slightly lighter (8 percent) than the A77. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony A77 (⇒ rgt)||143 mm||104 mm||81 mm||732 g||470||YES||2011||1,999||discont.||check|
|Sony A9 (⇒ lft)||127 mm||96 mm||63 mm||673 g||650||YES||2017||4,499||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Nikon D600 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2012||2,099||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Sony A7R III (⇒ lft | rgt)||127 mm||96 mm||74 mm||650 g||650||YES||2017||3,199||latest||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony A7 II (⇒ lft | rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||latest||check|
|Sony A77 II (⇒ lft | rgt)||143 mm||104 mm||81 mm||647 g||480||YES||2014||1,199||latest||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
|Sony A99 (⇒ lft | rgt)||147 mm||111 mm||78 mm||812 g||500||YES||2012||2,799||discont.||check|
|Sony A850 (⇒ lft | rgt)||156 mm||117 mm||82 mm||895 g||880||YES||2009||1,999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A77 was launched at a markedly lower price (by 56 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A77 features an APS-C sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A9 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A9 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.91μm for the A77), which gives it a potential advantage in terms of light gathering capacity. In addition, the A9 is much more recent (by 5 years and 7 months) than the A77, and its sensor will have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A9 offers substantially better image quality than the A77 (overall score 14 points higher). The advantage is based on 0.9 bits higher color depth, 0.1 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A77 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24||13.2||801||78|
|Sony A9 (⇒ lft)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Nikon D600 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Sony A7R III (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony A7 II (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A77 II (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A99 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Sony A850 (⇒ lft | rgt)||Full Frame||24.4||6048||4032||no||23.8||12.2||1415||79|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A9 provides a better video resolution than the A77. It can shoot movie footage at 4K/30p, while the A77 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a substantially higher resolution than the one in the A77 (3686k vs 2359k dots). The adjacent table lists some of the other core features of the Sony A77 and Sony A9 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A77 (⇒ rgt)||2359||YES||3.0||921||full-flex||no||8000||12.0||12||YES|
|Sony A9 (⇒ lft)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Nikon D600 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||4000||5.5||12||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Sony A7R III (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||10.0||no||YES|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony A7 II (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Sony A77 II (⇒ lft | rgt)||2359||YES||3.0||1229||full-flex||no||8000||12.0||12||YES|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
|Sony A99 (⇒ lft | rgt)||2359||YES||3.0||1229||full-flex||no||8000||6.0||no||YES|
|Sony A850 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||3.0||no||YES|
The A9 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A77 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A77 was succeeded by the Sony A77 II.
So how do things add up? Is there a clear favorite between the Sony A77 and the Sony A77? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Alpha SLT-A77:
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2011).
Advantages of the Sony Alpha A9:
- Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2359k dots).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (20 vs 12 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x96mm vs 143x104mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (650 versus 470) out of a single battery charge.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 5 years and 7 months of technical progress since the A77 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (11 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A77 or the A9 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A77 (⇒ rgt)||91/100||81/100 Silver||-||4.5/5||5/5||2011||1,999||discont.||check|
|Sony A9 (⇒ lft)||..||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Nikon D600 (⇒ lft | rgt)||HiRec||87/100 Gold||5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Sony A7R III (⇒ lft | rgt)||HiRec||90/100 Gold||..||..||..||2017||3,199||latest||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony A7 II (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||latest||check|
|Sony A77 II (⇒ lft | rgt)||-||80/100 Silver||4.5/5||4/5||5/5||2014||1,199||latest||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
|Sony A99 (⇒ lft | rgt)||-||84/100 Gold||4.5/5||reviewed||4.5/5||2012||2,799||discont.||check|
|Sony A850 (⇒ lft | rgt)||-||75/100||-||4/5||4.5/5||2009||1,999||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please send me an email, and I will try to update the database with the necessary infos.
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