Sony A6500 vs A7C
The Sony Alpha A6500 and the Sony Alpha A7C are two enthusiast cameras that were announced, respectively, in October 2016 and September 2020. Both the A6500 and the A7C are mirrorless interchangeable lens cameras that are based on an APS-C (A6500) and a full frame (A7C) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony A6500 and the Sony A7C is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The A7C can be obtained in two different colors (black, silver), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably larger (10 percent) than the Sony A6500. Moreover, the A7C is markedly heavier (12 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Sony FE Lens Catalog (A7C). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the A7C can take 740 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|2.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|3.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|4.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|5.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|6.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|7.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|8.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|9.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|10.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|11.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|12.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|13.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|14.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|15.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|16.||Sony A850||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a somewhat lower price (by 22 percent) than the A7C, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A7C has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7C has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. In addition, the A7C is much more recent (by 3 years and 11 months) than the A6500, and its sensor will have benefitted from technological advances during this time.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7C has a markedly higher DXO score than the A6500 (overall score 10 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 1 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|4.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|5.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|6.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|9.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|10.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|12.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|13.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|16.||Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7C offers a slightly higher resolution than the one in the A6500 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony A6500, the Sony A7C, and comparable cameras.
|6.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|9.||Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|12.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the A7C does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.The A7C has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A6500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7C has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the A6500 and the A7C write their files to SDXC or Memory Stick PRO Duo cards. The A7C supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6500 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|6.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|9.||Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|12.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7C has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6500 lacks such a headphone port.
The A7C is a recent model that features in the current product line-up of Sony. In contrast, the A6500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what conclusions can be drawn? Is there a clear favorite between the Sony A6500 and the Sony A7C? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A6500:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.59x).
- Less heavy: Is lighter (by 56g or 11 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (22 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2016).
Arguments in favor of the Sony Alpha A7C:
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (740 versus 350) out of a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 11 months of technical progress since the A6500 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (12 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6500 and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6500 or the A7C. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A6500||5/5||+ +||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|2.||Sony A7C||3.5/5||..||86/100||4/5||4/5||Sep 2020||1,799|
|3.||Fujifilm X-Pro2||..||+||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|4.||Olympus PEN-F||..||..||82/100||4.5/5||5/5||Jan 2016||1,199|
|5.||Panasonic GX8||5/5||+||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|6.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|7.||Sony A6400||4/5||+||85/100||4.5/5||4/5||Jan 2019||899|
|8.||Sony A6600||4/5||+||83/100||4.5/5||4/5||Aug 2019||1,399|
|9.||Sony A7 III||..||+ +||89/100||5/5||5/5||Feb 2018||1,999|
|10.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|11.||Sony A6300||4.5/5||+||85/100||5/5||5/5||Feb 2016||999|
|12.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|13.||Sony A7||5/5||+ +||80/100||5/5||5/5||Oct 2013||1,699|
|14.||Sony A77||5/5||91/100||81/100||..||5/5||Aug 2011||1,399|
|15.||Sony NEX-7||5/5||+ +||81/100||4.5/5||5/5||Aug 2011||1,349|
|16.||Sony A850||3/5||..||75/100||..||4.5/5||Aug 2009||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Sony A6500 vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6500||Sony A7C|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||October 2016||September 2020|
|Launch Price||USD 1,399||USD 1,799|
|Sensor Specs||Sony A6500||Sony A7C|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.6 x 23.8 mm|
|Sensor Area||366.6 mm2||847.28 mm2|
|Sensor Diagonal||28.2 mm||42.8 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.91 μm||5.94 μm|
|Pixel Density||6.55 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 204,800 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||85||95|
|DXO Color Depth (bits)||24.5||25.0|
|DXO Dynamic Range (EV)||13.7||14.7|
|DXO Low Light (ISO)||1405||3407|
|Screen Specs||Sony A6500||Sony A7C|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Sony A6500||Sony A7C|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||200 000 actuations|
|Electronic Shutter||YES||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Sony A6500||Sony A7C|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony A6500||Sony A7C|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||740 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
124 x 71 x 60 mm
(4.9 x 2.8 x 2.4 in)
|Camera Weight||453 g (16.0 oz)||509 g (18.0 oz)|
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