Sony A6500 vs Leica M10
The Sony Alpha A6500 and the Leica M10 (Typ 3656) are two enthusiast cameras that were officially introduced, respectively, in October 2016 and January 2017. The A6500 is a mirrorless interchangeable lens camera, while the M10 is a rangefinder-focusing mirrorless. The cameras are based on an APS-C (A6500) and a full frame (M10) sensor. The Sony has a resolution of 24 megapixels, whereas the Leica provides 23.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Leica M10 (Typ 3656)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Sony A6500 and the Leica M10 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M10 can be obtained in two different colors (black, silver), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M10 is notably larger (38 percent) than the Sony A6500. Moreover, the M10 is substantially heavier (46 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Leica M Lens Catalog (M10).
Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the M10 can take 210 images on a single charge of its Leica BP-SCL5 power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | US$ 1 399 | ebay.com | |
2. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | US$ 6 599 | ebay.com | |
3. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | US$ 1 699 | ebay.com | |
4. | Leica M Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Sep 2012 | US$ 6 949 | ebay.com | |
5. | Leica M-E Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Jun 2019 | US$ 3 999 | ebay.com | |
6. | Leica M Typ 262 | 139 mm | 80 mm | 42 mm | 680 g | 400 | Y | Nov 2015 | US$ 5 195 | ebay.com | |
7. | Leica M10-P | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Aug 2018 | US$ 7 999 | ebay.com | |
8. | Leica M11 | 139 mm | 80 mm | 39 mm | 640 g | 700 | Y | Jan 2022 | US$ 8 999 | amazon.com | |
9. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | US$ 1 199 | ebay.com | |
10. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | US$ 1 199 | ebay.com | |
11. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | US$ 1 399 | ebay.com | |
12. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | US$ 1 199 | ebay.com | |
13. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | US$ 999 | ebay.com | |
14. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | US$ 899 | amazon.com | |
15. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | US$ 1 399 | amazon.com | |
16. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | US$ 1 399 | amazon.com | |
17. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | US$ 1 349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6500 was launched at a markedly lower price (by 79 percent) than the M10, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Leica M10 a full frame sensor. The sensor area in the M10 is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Sony A6500 offers a higher resolution of 24 megapixels, compared with 23.8 MP of the Leica M10. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.00μm for the M10). Moreover, it should be noted that the M10 is a somewhat more recent model (by 3 months) than the A6500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the M10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica M10 (Typ 3656) are ISO 100 to ISO 50000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
2. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
3. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
4. | Leica M Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 24.0 | 13.3 | 1860 | 84 | |
5. | Leica M-E Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 25.2 | 14.2 | 2821 | 94 | |
6. | Leica M Typ 262 | Full Frame | 23.7 | 5952 | 3976 | none | 24.8 | 13.7 | 2478 | 90 | |
7. | Leica M10-P | Full Frame | 23.8 | 5952 | 3992 | none | 25.1 | 14.1 | 2739 | 93 | |
8. | Leica M11 | Full Frame | 60.3 | 9528 | 6328 | none | 26.3 | 14.8 | 3376 | 100 | |
9. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
10. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
11. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
12. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
13. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
14. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
15. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 | |
16. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
17. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The A6500 indeed provides movie recording capabilities, while the M10 does not. The highest resolution format that the A6500 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the M10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the M10 has a higher magnification than the one of the A6500 (0.73x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A6500, the Leica M10, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
2. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
3. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
4. | Leica M Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
5. | Leica M-E Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
6. | Leica M Typ 262 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 3.0/s | n | n | |
7. | Leica M10-P | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 5.0/s | n | n | |
8. | Leica M11 | optical | n | 3.0 / 2333 | fixed | Y | 1/4000s | 4.5/s | n | n | |
9. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
12. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
13. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
14. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
15. | Sony A6600 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
16. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
17. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the M10 does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica M10 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the M10 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Leica M10 (Typ 3656) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
2. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
3. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
4. | Leica M Typ 240 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
5. | Leica M-E Typ 240 | Y | mono / - | - | - | - | 2.0 | - | - | - | |
6. | Leica M Typ 262 | Y | - / - | - | - | - | 2.0 | - | - | - | |
7. | Leica M10-P | Y | - / - | - | - | - | - | Y | - | - | |
8. | Leica M11 | Y | - / - | - | - | - | 3.2 | Y | - | Y | |
9. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
11. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
13. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
15. | Sony A6600 | Y | stereo / mono | Y | Y | YES | 2.0 | Y | Y | Y | |
16. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y | |
17. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
Both the A6500 and the M10 have been discontinued, but can regularly be found used on ebay. The A6500 was replaced by the Sony A6600, while the M10 was followed by the Leica M11. Further information on the features and operation of the A6500 and M10 can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Leica M10 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Sony A6500 and the Leica M10? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A6500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 139x80mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 207g or 31 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (350 versus 210) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2016).
Arguments in favor of the Leica M10 (Typ 3656):
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (3 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A6500 and the M10 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | US$ 1 399 | ebay.com | |
2. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | US$ 6 599 | ebay.com | |
3. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 1 699 | ebay.com | |
4. | Leica M Typ 240 | 4/5 | .. | .. | .. | 4/5 | .. | Sep 2012 | US$ 6 949 | ebay.com | |
5. | Leica M-E Typ 240 | .. | .. | .. | .. | .. | .. | Jun 2019 | US$ 3 999 | ebay.com | |
6. | Leica M Typ 262 | .. | .. | .. | .. | .. | .. | Nov 2015 | US$ 5 195 | ebay.com | |
7. | Leica M10-P | .. | .. | 3/5 | .. | .. | 4/5 | Aug 2018 | US$ 7 999 | ebay.com | |
8. | Leica M11 | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Jan 2022 | US$ 8 999 | amazon.com | |
9. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | US$ 1 199 | ebay.com | |
10. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | US$ 1 199 | ebay.com | |
11. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | US$ 1 399 | ebay.com | |
12. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | US$ 1 199 | ebay.com | |
13. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | US$ 999 | ebay.com | |
14. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | US$ 899 | amazon.com | |
15. | Sony A6600 | 4/5 | + | 4/5 | 83/100 | 4.5/5 | 4/5 | Aug 2019 | US$ 1 399 | amazon.com | |
16. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | US$ 1 399 | amazon.com | |
17. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | US$ 1 349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Sony A6500 vs Leica M10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A6500 | Leica M10 |
---|---|---|
Camera Type | Mirrorless system camera | Rangefinder camera |
Camera Lens | Sony E mount lenses | Leica M mount lenses |
Launch Date | October 2016 | January 2017 |
Launch Price | USD 1,399 | USD 6,599 |
Sensor Specs | Sony A6500 | Leica M10 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.5 x 15.6 mm | 35.8 x 23.9 mm |
Sensor Area | 366.6 mm2 | 855.62 mm2 |
Sensor Diagonal | 28.2 mm | 43 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 24 Megapixels | 23.8 Megapixels |
Image Resolution | 6000 x 4000 pixels | 5952 x 3992 pixels |
Pixel Pitch | 3.91 μm | 6.00 μm |
Pixel Density | 6.55 MP/cm2 | 2.78 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 100 - 25,600 ISO | 100 - 50,000 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Image Processor | BIONZ X | Maestro II |
DXO Sensor Quality (score) | 85 | 86 |
DXO Color Depth (bits) | 24.5 | 24.4 |
DXO Dynamic Range (EV) | 13.7 | 13.2 |
DXO Low Light (ISO) | 1405 | 2133 |
Screen Specs | Sony A6500 | Leica M10 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.73x |
Viewfinder Resolution | 2359k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1037k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Sony A6500 | Leica M10 |
Focus System | On-Sensor Phase-detect | Manual Focus |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 11 shutter flaps/s | 5 shutter flaps/s |
Electronic Shutter | YES | no E-Shutter |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | no handshake reduction |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | MS or SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Sony A6500 | Leica M10 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | no USB |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Sony A6500 | Leica M10 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FW50 | Leica BP-SCL5 |
Battery Life (CIPA) | 350 shots per charge | 210 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
120 x 67 x 53 mm (4.7 x 2.6 x 2.1 in) |
139 x 80 x 39 mm (5.5 x 3.1 x 1.5 in) |
Camera Weight | 453 g (16.0 oz) | 660 g (23.3 oz) |
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