Sony A6000 versus Sony A6300
The Sony Alpha A6000 and the Sony Alpha A6300 are two enthusiast cameras that were officially introduced, respectively, in February 2014 and February 2016. Both the A6000 and the A6300 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A6000 vs Sony A6300
The side-by-side display below illustrates the physical size and weight of the Sony A6000 and the Sony A6300. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the A6000 – represents the basis for the calculations across all the size and weight measures).
In this particular case, the Sony A6000 and the Sony A6300 have exactly the same width and height, and, thus, have identically-sized bodies. However, the A6300 is markedly heavier (17 percent) than the A6000. It is noteworthy in this context that the A6300 is splash and dust-proof, while the A6000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Sony E-Mount Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Sony A6000 (⇒ rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
|Sony A6300 (⇒ lft)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||110 mm||63 mm||36 mm||269 g||420||no||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||128 mm||91 mm||85 mm||411 g||470||no||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||110 mm||62 mm||35 mm||269 g||480||no||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||111 mm||59 mm||39 mm||2776 g||330||no||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||120 mm||67 mm||43 mm||345 g||360||no||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||117 mm||67 mm||42 mm||314 g||470||no||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||120 mm||67 mm||43 mm||400 g||430||no||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||117 mm||62 mm||33 mm||297 g||330||no||2010||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a markedly lower price (by 40 percent) than the A6300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6000 vs Sony A6300
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 24 megapixel. This similarity in sensor specs implies that both the A6000 and the A6300 have the same pixel density, as well as the same pixel size. It should, however, be noted that the A6300 is a somewhat more recent model (by 1 year and 11 months) than the A6000, and its sensor might have benefitted from technological advances during this time.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A6000 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
|Sony A6300 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony A5000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79|
|Sony A3000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78|
|Sony NEX-3N (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74|
|Sony NEX-5T (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78|
|Sony NEX-6 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78|
|Sony NEX-F3 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73|
|Sony NEX-7 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81|
|Sony NEX-3 (⇒ lft | rgt)||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6300 provides a better video resolution than the A6000. It can shoot movie footage at 4K/30p, while the A6000 is limited to 1080/60p.
Feature comparison: Sony A6000 vs Sony A6300
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6300 offers a substantially higher resolution than the one in the A6000 (2300k vs 1440k dots). The adjacent table lists some of the other core features of the Sony A6000 and Sony A6300 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A6000 (⇒ rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony A6300 (⇒ lft)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony A5000 (⇒ lft | rgt)||no||no||3.0||461||tilting||no||4000||3.5||4||no|
|Sony A3000 (⇒ lft | rgt)||202||no||3.0||230||fixed||no||4000||2.5||6||no|
|Sony NEX-3N (⇒ lft | rgt)||no||no||3.0||460||tilting||no||4000||4.0||4||no|
|Sony NEX-5T (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||10.0||no||no|
|Sony NEX-6 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-F3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.5||6||no|
|Sony NEX-7 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||7.0||no||no|
Both the A6000 and the A6300 have been discontinued, but can regularly be found used on eBay. The A6000 was replaced by the Sony A6300, while the A6300 was followed by the Sony A6500.
Review summary: Sony A6000 vs Sony A6300
So how do things add up? Is there a clear favorite between the Sony A6000 and the Sony A6300? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Sony Alpha A6000:
- Less heavy: Is lighter (by 60g or 15 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2014).
Arguments in favor of the Sony Alpha A6300:
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2300k vs 1440k dots).
- Longer lasting: Gets more shots (400 versus 360) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A6300 emerges as the winner of the match-up (6 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6000 or the A6300. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A6000 (⇒ rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
|Sony A6300 (⇒ lft)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||Rec||-||4.5/5||reviewed||4.5/5||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||Rec||-||4/5||4.5/5||4/5||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||5/5||4.5/5||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||-||74/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||5/5||5/5||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||-||70/100 Silver||4.5/5||5/5||4/5||2010||599||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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