Ricoh WG-60 vs Sony A68
The Ricoh WG-60 and the Sony Alpha SLT-A68 are two digital cameras that were revealed to the public, respectively, in October 2018 and November 2015. The WG-60 is a fixed lens compact, while the A68 is a DSLR. The cameras are based on a 1/2.3-inch (WG-60) and an APS-C (A68) sensor. The Ricoh has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Ricoh WG-60 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Ricoh WG-60 and the Sony A68 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The WG-60 can be obtained in two different colors (black, red), while the A68 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (95 percent) than the Ricoh WG-60. It is worth mentioning in this context that the WG-60 is splash and dust resistant, while the A68 does not feature any corresponding weather-sealing. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-60 has a lens built in, whereas the A68 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh WG-60 | 123 mm | 62 mm | 30 mm | 193 g | 300 | Y | Oct 2018 | US$ 279 | ebay.com | |
2. | Sony A68 | 143 mm | 104 mm | 81 mm | 610 g | 540 | n | Nov 2015 | US$ 699 | ebay.com | |
3. | Canon SX600 | 104 mm | 61 mm | 26 mm | 188 g | 290 | n | Jan 2014 | US$ 249 | ebay.com | |
4. | Fujifilm XP120 | 110 mm | 71 mm | 28 mm | 203 g | 210 | Y | Jan 2017 | US$ 229 | ebay.com | |
5. | Fujifilm XP130 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Jan 2018 | US$ 229 | ebay.com | |
6. | Fujifilm XP140 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Feb 2019 | US$ 229 | ebay.com | |
7. | Nikon P1000 | 146 mm | 119 mm | 181 mm | 1415 g | 250 | n | Jul 2018 | US$ 999 | amazon.com | |
8. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | US$ 389 | ebay.com | |
9. | Panasonic TS7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | US$ 449 | ebay.com | |
10. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | US$ 749 | ebay.com | |
11. | Pentax WG-90 | 123 mm | 62 mm | 30 mm | 194 g | 300 | Y | Nov 2023 | US$ 279 | amazon.com | |
12. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | US$ 399 | amazon.com | |
13. | Sony A58 | 129 mm | 95 mm | 78 mm | 492 g | 690 | n | Feb 2013 | US$ 599 | ebay.com | |
14. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | US$ 1 399 | ebay.com | |
15. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | US$ 1 199 | ebay.com | |
16. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | US$ 599 | ebay.com | |
17. | Sony WX800 | 102 mm | 58 mm | 36 mm | 233 g | 370 | n | Oct 2018 | US$ 399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The WG-60 was launched at a lower price than the A68, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Ricoh WG-60 features a 1/2.3-inch sensor and the Sony A68 an APS-C sensor. The sensor area in the A68 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the WG-60 has a native 4:3 aspect ratio, while the one in the A68 offers a 3:2 aspect.
With 24MP, the A68 offers a higher resolution than the WG-60 (15.9MP), but the A68 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.33μm for the WG-60) due to its larger sensor. However, the WG-60 is a much more recent model (by 2 years and 11 months) than the A68, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the WG-60 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Ricoh WG-60 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Ricoh WG-60 has a native sensitivity range from ISO 125 to ISO 6400. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh WG-60 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.2 | 1072 | 51 | |
2. | Sony A68 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.5 | 701 | 79 | |
3. | Canon SX600 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.0 | 11.4 | 620 | 45 | |
4. | Fujifilm XP120 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.5 | 11.9 | 900 | 49 | |
5. | Fujifilm XP130 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.1 | 1000 | 51 | |
6. | Fujifilm XP140 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/15p | 20.7 | 12.2 | 1102 | 52 | |
7. | Nikon P1000 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.6 | 12.1 | 1044 | 51 | |
8. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
9. | Panasonic TS7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
10. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
11. | Pentax WG-90 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.9 | 12.8 | 1570 | 54 | |
12. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
13. | Sony A58 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.3 | 12.5 | 753 | 74 | |
14. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
15. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
16. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
17. | Sony WX800 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.2 | 1070 | 51 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A68 provides a faster frame rate than the WG-60. It can shoot movie footage at 1080/60i, while the Ricoh is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A68 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-60 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Ricoh WG-60 and Sony A68 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh WG-60 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
2. | Sony A68 | 1440 | Y | 2.7 / 460 | tilting | n | 1/4000s | 8.0/s | Y | Y | |
3. | Canon SX600 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 3.9/s | Y | Y | |
4. | Fujifilm XP120 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
5. | Fujifilm XP130 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
6. | Fujifilm XP140 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
7. | Nikon P1000 | 2359 | n | 3.2 / 921 | swivel | n | 1/4000s | 7.0/s | Y | Y | |
8. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
9. | Panasonic TS7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
10. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
11. | Pentax WG-90 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
12. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
13. | Sony A58 | 1440 | n | 2.7 / 460 | tilting | n | 1/4000s | 5.0/s | Y | Y | |
14. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
15. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
16. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
17. | Sony WX800 | none | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the A68, but is missing on the WG-60 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Ricoh WG-60 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The WG-60 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-60 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Ricoh WG-60 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh WG-60 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
2. | Sony A68 | Y | stereo / mono | Y | - | micro | 2.0 | - | - | - | |
3. | Canon SX600 | - | mono / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Fujifilm XP120 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
5. | Fujifilm XP130 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Fujifilm XP140 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
7. | Nikon P1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic TS7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
11. | Pentax WG-90 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
12. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
13. | Sony A58 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
16. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony WX800 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the A68 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The WG-60 does not feature such a mic input.
Both the WG-60 and the A68 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Ricoh and Sony. Further information on the features and operation of the WG-60 and A68 can be found, respectively, in the Ricoh WG-60 Manual (free pdf) or the online Sony A68 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Ricoh WG-60 and the Sony A68? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Ricoh WG-60:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the A68 requires a separate lens.
- More compact: Is smaller (123x62mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A68).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 11 months of technical progress since the A68 launch.
Arguments in favor of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60i versus 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (540 versus 300) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in November 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the A68 is the clear winner of the contest (18 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Ricoh WG-60 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the WG-60 or the A68. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh WG-60 | .. | .. | .. | .. | .. | .. | Oct 2018 | US$ 279 | ebay.com | |
2. | Sony A68 | 3/5 | .. | .. | .. | 4/5 | 4/5 | Nov 2015 | US$ 699 | ebay.com | |
3. | Canon SX600 | .. | + | .. | .. | 4/5 | 4/5 | Jan 2014 | US$ 249 | ebay.com | |
4. | Fujifilm XP120 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2017 | US$ 229 | ebay.com | |
5. | Fujifilm XP130 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2018 | US$ 229 | ebay.com | |
6. | Fujifilm XP140 | .. | + | .. | .. | 3.5/5 | 4/5 | Feb 2019 | US$ 229 | ebay.com | |
7. | Nikon P1000 | .. | + | 3.5/5 | 73/100 | 3.5/5 | 3.5/5 | Jul 2018 | US$ 999 | amazon.com | |
8. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | US$ 389 | ebay.com | |
9. | Panasonic TS7 | .. | + | .. | .. | .. | 3.5/5 | May 2018 | US$ 449 | ebay.com | |
10. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | US$ 749 | ebay.com | |
11. | Pentax WG-90 | .. | .. | .. | .. | .. | .. | Nov 2023 | US$ 279 | amazon.com | |
12. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | US$ 399 | amazon.com | |
13. | Sony A58 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | US$ 599 | ebay.com | |
14. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | US$ 1 399 | ebay.com | |
15. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | US$ 1 199 | ebay.com | |
16. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | US$ 599 | ebay.com | |
17. | Sony WX800 | .. | .. | .. | .. | .. | .. | Oct 2018 | US$ 399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Fujifilm X-T100 vs Sony A68
- Fujifilm X100V vs Ricoh WG-60
- Nikon Z5 vs Ricoh WG-60
- Olympus E-1 vs Sony A68
- Olympus E-PL6 vs Ricoh WG-60
- Panasonic GH4 vs Sony A68
- Panasonic L1 vs Ricoh WG-60
- Panasonic S1R vs Sony A68
- Ricoh WG-60 vs Sigma fp
- Ricoh WG-60 vs Sony ZV-E10
- Sony A68 vs Sony A7R II
- Sony A68 vs Sony H400
Specifications: Ricoh WG-60 vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Ricoh WG-60 | Sony A68 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 28-140mm f/3.5-5.5 | Sony A mount lenses |
Launch Date | October 2018 | November 2015 |
Launch Price | USD 279 | USD 699 |
Sensor Specs | Ricoh WG-60 | Sony A68 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | APS-C Sensor |
Sensor Size | 6.17 x 4.55 mm | 23.5 x 15.6 mm |
Sensor Area | 28.0735 mm2 | 366.6 mm2 |
Sensor Diagonal | 7.7 mm | 28.2 mm |
Crop Factor | 5.6x | 1.5x |
Sensor Resolution | 15.9 Megapixels | 24 Megapixels |
Image Resolution | 4608 x 3456 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.33 μm | 3.91 μm |
Pixel Density | 56.73 MP/cm2 | 6.55 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 125 - 6,400 ISO | 100 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 79 |
DXO Color Depth (bits) | .. | 24.1 |
DXO Dynamic Range (EV) | .. | 13.5 |
DXO Low Light (ISO) | .. | 701 |
Screen Specs | Ricoh WG-60 | Sony A68 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.57x | |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.7inch | 2.7inch |
LCD Resolution | 230k dots | 460k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Ricoh WG-60 | Sony A68 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 8 shutter flaps/s | 8 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | no shake reduction | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Ricoh WG-60 | Sony A68 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Ricoh WG-60 | Sony A68 |
Environmental Sealing | Waterproof body (14m) | not weather sealed |
Battery Type | Ricoh D-LI92 | Sony NP-FM500H |
Battery Life (CIPA) | 300 shots per charge | 540 shots per charge |
Body Dimensions |
123 x 62 x 30 mm (4.8 x 2.4 x 1.2 in) |
143 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
Camera Weight | 193 g (6.8 oz) | 610 g (21.5 oz) |
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