Ricoh GR II vs Sony A7 II
The Ricoh GR II and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in June 2015 and November 2014. The GR II is a fixed lens compact, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (GR II) and a full frame (A7 II) sensor. The Ricoh has a resolution of 16.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Ricoh GR II||Sony A7 II|
|Fixed lens compact camera||Mirrorless system camera|
|28mm f/2.8||Sony E mount lenses|
|16.1 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-25600||ISO 100-25600 (50-51200)|
|Viewfinder optional||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1230k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|4 shutter flaps per second||5 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Not weather sealed||Weathersealed body|
|320 shots per battery charge||350 shots per battery charge|
|117 x 63 x 35 mm, 251 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Ricoh GR II and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Ricoh GR II and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (65 percent) than the Ricoh GR II. It is noteworthy in this context that the A7 II is splash and dust-proof, while the GR II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GR II has a lens built in, whereas the A7 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the GR II gets 320 shots out of its DB65 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Ricoh GR II»||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||Ricoh GR II|
|Sony A7 II«||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Canon G7 X« »||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||Canon G7 X|
|Fujifilm X70« »||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799||Fujifilm X70|
|Nikon P900« »||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599||Nikon P900|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||Panasonic GM5|
|Ricoh GR« »||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799||Ricoh GR|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony RX100 V« »||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||Sony RX100 V|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Sony RX100 III« »||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||Sony RX100 III|
|Sony A7« »||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||Sony A7|
|Sony RX100 II« »||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||Sony RX100 II|
|Sony NEX-5R« »||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||Sony NEX-5R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GR II was launched at a lower price than the A7 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Ricoh GR II features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the GR II (16.1MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 4.79μm for the GR II) due to its larger sensor. However, the GR II is a somewhat more recent model (by 6 months) than the A7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GR II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Ricoh GR II are 24.6 x 16.3 inch or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inch or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.7 x 27.6 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Ricoh GR II has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 II has a markedly higher DXO score than the GR II (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1.3 bits higher color depth, 0.1 EV of lower dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80||Ricoh GR II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X70||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X70|
|Nikon P900||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Nikon P900|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Ricoh GR||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7 II provides a faster frame rate than the GR II. It can shoot movie footage at 1080/60p, while the Ricoh is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GR II relies on live view and the rear LCD for framing. That said, the GR II can be equipped with an optional viewfinder – the GV-1. The adjacent table lists some of the other core features of the Ricoh GR II and Sony A7 II along with similar information for a selection of comparators.
|Ricoh GR II||optional||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X70||optional||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Nikon P900||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Ricoh GR||optional||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
One difference between the cameras concerns the presence of an on-board flash. The GR II has one, while the A7 II does not. While the built-in flash of the GR II is not very powerful, it can at times be useful as a fill-in light.
The Ricoh GR II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GR II writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Ricoh GR II and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Ricoh GR II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Ricoh GR II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X70||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Nikon P900||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Ricoh GR||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
It is notable that the A7 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GR II does not feature such a mic input.
The GR II is a recent model that features in the current product line-up of Ricoh. In contrast, the A7 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 II was succeeded by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Ricoh and Sony websites.
So what is the bottom line? Which of the two cameras – the Ricoh GR II or the Sony A7 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Ricoh GR II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7 II requires a separate lens.
- More compact: Is smaller (117x63mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 6 months after the A7 II).
Advantages of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 16.1MP), which boosts linear resolution by 22%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in November 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (17 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Ricoh GR II and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GR II and the A7 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 60D vs Sony A7 II
- Fujifilm X100S vs Sony A7 II
- Leica S Typ 006 vs Sony A7 II
- Nikon 1 V1 vs Ricoh GR II
- Olympus E-410 vs Ricoh GR II
- Olympus E-M10 III vs Sony A7 II
- Panasonic LX100 II vs Ricoh GR II
- Panasonic S1H vs Sony A7 II
- Ricoh GR II vs Ricoh GR III
- Ricoh GR II vs Sony HX90V
- Ricoh GR vs Sony A7 II
- Sony A7 II vs Sony RX100 II
Specifications: Ricoh GR II vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Ricoh GR II||Sony A7 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28mm f/2.8||Sony E mount lenses|
|Launch Date||June 2015||November 2014|
|Launch Price||USD 699||USD 1999|
|Sensor Specs||Ricoh GR II||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.7 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||369.72 mm2||855.62 mm2|
|Sensor Diagonal||28.4 mm||43 mm|
|Sensor Resolution||16.1 Megapixels||24 Megapixels|
|Image Resolution||4928 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.79 μm||5.97 μm|
|Pixel Density||4.35 MP/cm2||2.80 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|Image Processor||GR Engine V||BIONZ X|
|DXO Sensor Quality (score)||80||90|
|DXO Color Depth (bits)||23.6||24.9|
|DXO Dynamic Range (EV)||13.7||13.6|
|DXO Low Light (ISO)||1078||2449|
|Screen Specs||Ricoh GR II||Sony A7 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Ricoh GR II||Sony A7 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||4 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Ricoh GR II||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Ricoh GR II||Sony A7 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||320 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
117 x 63 x 35 mm
(4.6 x 2.5 x 1.4 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||251 g (8.9 oz)||599 g (21.1 oz)|
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