Panasonic G90 vs Sony A7 II
The Panasonic Lumix DC-G90 (called Panasonic G95 in some regions) and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in April 2019 and November 2014. Both the G90 and the A7 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (G90) and a full frame (A7 II) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G90||Sony A7 II|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|20.2 MP, Four Thirds Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-25600||ISO 100-25600 (50-51200)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1240k dots||3.0" LCD, 1230k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|290 shots per battery charge||350 shots per battery charge|
|130 x 94 x 77 mm, 536 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G90 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G90 and the Sony A7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G90 and the Sony A7 II are of equal size. However, the A7 II is markedly heavier (12 percent) than the G90. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G90) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G90 gets 290 shots out of its DMW-BLC12 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic G90»||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||Panasonic G90|
|Sony A7 II«||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Olympus E-M1 III« »||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799||Olympus E-M1 III|
|Olympus E-M5 III« »||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199||Olympus E-M5 III|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Panasonic GX9« »||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G80« »||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||Panasonic G80|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||Panasonic GX8|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G90 was launched at a markedly lower price (by 50 percent) than the A7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G90 features a Four Thirds sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G90 has a native 4:3 aspect ratio, while the one in the A7 II offers a 3:2 aspect.
With 24MP, the A7 II offers a higher resolution than the G90 (20.2MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.34μm for the G90) due to its larger sensor. However, the G90 is a much more recent model (by 4 years and 4 months) than the A7 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the G90 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic G90 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-G90 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic G90|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Olympus E-M1 III|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..||Olympus E-M5 III|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic GX9|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G90 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a slightly higher resolution than the one in the G90 (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Panasonic G90 and Sony A7 II in connection with corresponding information for a sample of similar cameras.
|Panasonic G90||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G90|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 III|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 III|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Panasonic GX9||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic G80||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G80|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One difference between the cameras concerns the presence of an on-board flash. The G90 has one, while the A7 II does not. While the built-in flash of the G90 is not very powerful, it can at times be useful as a fill-in light.The G90 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G90 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G90 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G90 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The G90 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A7 II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G90 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G90||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G90|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Olympus E-M1 III|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Olympus E-M5 III|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Panasonic GX9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G80||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
The G90 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 II was succeeded by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic G90 better than the Sony A7 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-G90:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.71x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 63g or 11 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 4 years and 4 months of technical progress since the A7 II launch.
Reasons to prefer the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (350 versus 290) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in November 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the G90 is the clear winner of the match-up (15 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G90 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G90 or the A7 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Panasonic G90
- Canon 40D vs Panasonic G90
- Canon SX730 vs Sony A7 II
- Fujifilm X-H1 vs Panasonic G90
- Fujifilm X-T100 vs Sony A7 II
- Leica X1 vs Panasonic G90
- Nikon W150 vs Sony A7 II
- Panasonic G90 vs Panasonic GX8
- Panasonic G90 vs Pentax K-3 II
- Panasonic GH5s vs Sony A7 II
- Sony A7 II vs Sony A99
- Sony A7 II vs Sony NEX-5
Specifications: Panasonic G90 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G90||Sony A7 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||April 2019||November 2014|
|Launch Price||USD 999||USD 1999|
|Sensor Specs||Panasonic G90||Sony A7 II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.9 mm|
|Sensor Area||224.9 mm2||855.62 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.34 μm||5.97 μm|
|Pixel Density||8.96 MP/cm2||2.80 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200-25600 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||50-51200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||2449|
|Screen Specs||Panasonic G90||Sony A7 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1240k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G90||Sony A7 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||9 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G90||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic G90||Sony A7 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||290 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
130 x 94 x 77 mm
(5.1 x 3.7 x 3.0 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||536 g (18.9 oz)||599 g (21.1 oz)|
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