Panasonic ZS100 vs ZS80
The Panasonic Lumix DMC-ZS100 (called Panasonic TZ100 in some regions) and the Panasonic Lumix DC-ZS80 (labelled Panasonic TZ95 in some countries) are two digital cameras that were revealed to the public, respectively, in January 2016 and February 2019. Both the ZS100 and the ZS80 are fixed lens compact cameras that are based on an one-inch (ZS100) and a 1/2.3-inch (ZS80) sensor. The ZS100 has a resolution of 20 megapixels, whereas the ZS80 provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-ZS100 and the Panasonic Lumix DC-ZS80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic ZS100 and the Panasonic ZS80. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS80 is notably larger (7 percent) than the Panasonic ZS100. Moreover, the ZS80 is markedly heavier (5 percent) than the ZS100. In this context, it is worth noting that neither the ZS100 nor the ZS80 are weather-sealed.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|2.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|6.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|7.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|8.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|9.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|10.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|11.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|12.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|13.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS80 was launched at a markedly lower price (by 36 percent) than the ZS100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic ZS100 features an one-inch sensor and the Panasonic ZS80 a 1/2.3-inch sensor. The sensor area in the ZS80 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the ZS100 has a native 3:2 aspect ratio, while the one in the ZS80 offers a 4:3 aspect.
Despite having a smaller sensor, the ZS80 offers a slightly higher resolution of 20.2 megapixels, compared with 20 MP of the ZS100. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the ZS100). However, it should be noted that the ZS80 is much more recent (by 3 years and 1 month) than the ZS100, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the ZS80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-ZS100 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DC-ZS80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|5.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|6.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|8.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the ZS80 offers a substantially higher resolution than the one in the ZS100 (2330k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic ZS100, the Panasonic ZS80, and comparable cameras.
|1.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|2.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|5.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|6.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|7.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|8.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|9.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|10.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|11.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|12.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|13.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the ZS100 and the ZS80 have zoom lenses built in. The ZS100 has a 25-250mm f/2.8-5.9 optic and the ZS80 offers a 24-720mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the ZS80 provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the ZS100. The ZS100 offers the faster maximum aperture.
Concerning the storage of imaging data, both the ZS100 and the ZS80 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-ZS100 and Panasonic Lumix DC-ZS80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|8.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
The ZS80 is a recent model that features in the current product line-up of Panasonic. In contrast, the ZS100 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the ZS100 was succeeded by the Panasonic ZS200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what is the bottom line? Is the Panasonic ZS100 better than the Panasonic ZS80 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-ZS100:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
- More heavily discounted: Has been available for much longer (launched in January 2016).
Arguments in favor of the Panasonic Lumix DC-ZS80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2330k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.53x vs 0.46x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (380 versus 300) out of a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More modern: Reflects 3 years and 1 month of technical progress since the ZS100 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the ZS80 emerges as the winner of the match-up (11 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS100 and the Panasonic ZS80 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the ZS100 or the ZS80. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|2.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|6.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|7.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|8.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|9.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|10.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|11.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|12.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|13.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Panasonic ZS80
- Canon 5D Mark IV vs Panasonic ZS80
- Canon T4i vs Panasonic ZS100
- Canon T6 vs Panasonic ZS100
- Leica SL2 vs Panasonic ZS100
- Leica V-LUX 4 vs Panasonic ZS80
- Nikon D7200 vs Panasonic ZS80
- Nikon W150 vs Panasonic ZS100
- Nikon Z7 vs Panasonic ZS80
- Olympus E-M1 vs Panasonic ZS80
- Panasonic ZS100 vs Sony A6300
- Panasonic ZS100 vs Sony RX100 IV
Specifications: Panasonic ZS100 vs Panasonic ZS80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS100||Panasonic ZS80|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-250mm f/2.8-5.9||24-720mm f/3.3-6.4|
|Launch Date||January 2016||February 2019|
|Launch Price||USD 699||USD 449|
|Sensor Specs||Panasonic ZS100||Panasonic ZS80|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.41 μm||1.18 μm|
|Pixel Density||17.18 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||80 - 25,600 ISO||80 - 6,400 ISO|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||559||..|
|Screen Specs||Panasonic ZS100||Panasonic ZS80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic ZS100||Panasonic ZS80|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic ZS100||Panasonic ZS80|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic ZS100||Panasonic ZS80|
|Battery Life (CIPA)||300 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
|Camera Weight||312 g (11.0 oz)||327 g (11.5 oz)|
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