Panasonic S1R vs Sony H300
The Panasonic Lumix DC-S1R and the Sony Cyber-shot DSC-H300 are two digital cameras that were announced, respectively, in February 2019 and February 2014. The S1R is a mirrorless interchangeable lens camera, while the H300 is a fixed lens compact. The cameras are based on a full frame (S1R) and a 1/2.3-inch (H300) sensor. The Panasonic has a resolution of 46.7 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1R and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic S1R and the Sony H300. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is considerably smaller (30 percent) than the Panasonic S1R. It is worth mentioning in this context that the S1R is splash and dust resistant, while the H300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H300 has a lens built in, whereas the S1R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The power pack in the S1R can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
2. | Sony H300 | 128 mm | 89 mm | 92 mm | 590 g | 350 | n | Feb 2014 | 219 | ebay.com | |
3. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
5. | Canon SX610 | 105 mm | 61 mm | 27 mm | 191 g | 270 | n | Jan 2015 | 249 | ebay.com | |
6. | Leica SL2 | 146 mm | 107 mm | 42 mm | 953 g | 370 | Y | Nov 2019 | 5,999 | amazon.com | |
7. | Leica SL2-S | 146 mm | 107 mm | 83 mm | 931 g | 510 | Y | Dec 2020 | 4,895 | amazon.com | |
8. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
9. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | 3,999 | amazon.com | |
10. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
11. | Panasonic S1H | 151 mm | 114 mm | 110 mm | 1052 g | 400 | Y | May 2019 | 3,999 | amazon.com | |
12. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | 1,999 | amazon.com | |
13. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
14. | Sony H200 | 123 mm | 83 mm | 87 mm | 530 g | 240 | n | Jan 2013 | 249 | ebay.com | |
15. | Sony H400 | 130 mm | 95 mm | 122 mm | 628 g | 300 | n | Feb 2014 | 319 | ebay.com | |
16. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | 429 | ebay.com | |
17. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H300 was launched at a lower price than the S1R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic S1R features a full frame sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the S1R has a native 3:2 aspect ratio, while the one in the H300 offers a 4:3 aspect.
With 46.7MP, the S1R offers a higher resolution than the H300 (19.9MP), but the S1R nevertheless has larger individual pixels (pixel pitch of 4.30μm versus 1.19μm for the H300) due to its larger sensor. Moreover, the S1R is a much more recent model (by 4 years and 11 months) than the H300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Sony H300 are 25.8 x 19.3 inches or 65.4 x 49.1 cm for good quality, 20.6 x 15.5 inches or 52.3 x 39.3 cm for very good quality, and 17.2 x 12.9 inches or 43.6 x 32.7 cm for excellent quality prints.
Unlike the H300, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1R has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
In terms of underlying technology, the S1R is build around a CMOS sensor, while the H300 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
2. | Sony H300 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
3. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
5. | Canon SX610 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.2 | 11.6 | 712 | 47 | |
6. | Leica SL2 | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 25.3 | 14.3 | 2866 | 95 | |
7. | Leica SL2-S | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.1 | 3504 | 95 | |
8. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
9. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
10. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
11. | Panasonic S1H | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.2 | 14.2 | 2805 | 94 | |
12. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
13. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
14. | Sony H200 | 1/2.3 | 15.2 | 5184 | 2930 | 720/30p | 19.9 | 11.2 | 529 | 44 | |
15. | Sony H400 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
16. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
17. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1R provides a higher video resolution than the H300. It can shoot video footage at 4K/60p, while the Sony is limited to 720/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1R has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the H300 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic S1R and Sony H300 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
2. | Sony H300 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
3. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Canon SX610 | none | n | 3.0 / 922 | fixed | n | 1/2000s | 2.5/s | Y | Y | |
6. | Leica SL2 | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 10.0/s | n | Y | |
7. | Leica SL2-S | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | Y | |
8. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
9. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
10. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
11. | Panasonic S1H | 5760 | Y | 3.2 / 2330 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
12. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
13. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
14. | Sony H200 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
15. | Sony H400 | 210 | n | 3.0 / 460 | fixed | n | 1/2000s | 0.7/s | Y | Y | |
16. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the S1R, but is missing on the H300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S1R writes its imaging data to SDXC or XQD cards, while the H300 uses SDXC or Memory Stick PRO Duo cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the H300 only has one slot. The S1R supports UHS-II cards (on both slots), while the H300 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1R and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
2. | Sony H300 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Canon SX610 | - | - / - | - | - | micro | 2.0 | Y | Y | - | |
6. | Leica SL2 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
7. | Leica SL2-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
8. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
9. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
10. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
11. | Panasonic S1H | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
12. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
14. | Sony H200 | - | mono / mono | - | - | - | 2.0 | - | - | - | |
15. | Sony H400 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the S1R has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Panasonic S1R (unlike the H300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the H300 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the H300 from Sony. Further information on the features and operation of the S1R and H300 can be found, respectively, in the Panasonic S1R Manual (free pdf) or the online Sony H300 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Panasonic S1R and the Sony H300? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DC-S1R:
- More detail: Offers more megapixels (46.7 vs 19.9MP) with a 56% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/60p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 460k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 0.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 11 months of technical progress since the H300 launch.
Arguments in favor of the Sony Cyber-shot DSC-H300:
- Ready to shoot: Has an integrated lens, whereas the S1R necessitates an extra lens.
- More compact: Is smaller (128x89mm vs 149x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the S1R).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the S1R is the clear winner of the match-up (30 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1R and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the S1R and the H300 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
2. | Sony H300 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2014 | 219 | ebay.com | |
3. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
5. | Canon SX610 | .. | .. | .. | .. | 4/5 | 4/5 | Jan 2015 | 249 | ebay.com | |
6. | Leica SL2 | 4/5 | .. | 4.5/5 | .. | 4.5/5 | 4/5 | Nov 2019 | 5,999 | amazon.com | |
7. | Leica SL2-S | 4/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Dec 2020 | 4,895 | amazon.com | |
8. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
9. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | 3,999 | amazon.com | |
10. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
11. | Panasonic S1H | .. | .. | 4/5 | 90/100 | .. | .. | May 2019 | 3,999 | amazon.com | |
12. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | 1,999 | amazon.com | |
13. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
14. | Sony H200 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2013 | 249 | ebay.com | |
15. | Sony H400 | .. | o | .. | .. | 3.5/5 | 3.5/5 | Feb 2014 | 319 | ebay.com | |
16. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | 429 | ebay.com | |
17. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 700D vs Panasonic S1R
- Canon R5 vs Panasonic S1R
- Fujifilm X-A2 vs Sony H300
- Fujifilm X-Pro3 vs Panasonic S1R
- Nikon D50 vs Sony H300
- Olympus E-M10 II vs Sony H300
- Olympus E-P3 vs Panasonic S1R
- Panasonic GH5 vs Panasonic S1R
- Panasonic LF1 vs Sony H300
- Panasonic S1R vs Sony NEX-C3
- Sony H300 vs Sony HX350
- Sony H300 vs Sony RX0
Specifications: Panasonic S1R vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic S1R | Sony H300 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Leica L mount lenses | 25-875mm f/3.4-6.5 |
Launch Date | February 2019 | February 2014 |
Launch Price | USD 3,699 | USD 219 |
Sensor Specs | Panasonic S1R | Sony H300 |
Sensor Technology | CMOS | CCD |
Sensor Format | Full Frame Sensor | 1/2.3" Sensor |
Sensor Size | 36.0 x 24.0 mm | 6.17 x 4.55 mm |
Sensor Area | 864 mm2 | 28.0735 mm2 |
Sensor Diagonal | 43.3 mm | 7.7 mm |
Crop Factor | 1.0x | 5.6x |
Sensor Resolution | 46.7 Megapixels | 19.9 Megapixels |
Image Resolution | 8368 x 5584 pixels | 5152 x 3864 pixels |
Pixel Pitch | 4.30 μm | 1.19 μm |
Pixel Density | 5.41 MP/cm2 | 70.91 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/60p Video | 720/30p Video |
ISO Setting | 100 - 25,600 ISO | 80 - 3,200 ISO |
ISO Boost | 50 - 51,200 ISO | no Enhancement |
Image Processor | Venus | BIONZ |
DXO Sensor Quality (score) | 100 | .. |
DXO Color Depth (bits) | 26.4 | .. |
DXO Dynamic Range (EV) | 14.1 | .. |
DXO Low Light (ISO) | 3525 | .. |
Screen Specs | Panasonic S1R | Sony H300 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.78x | |
Viewfinder Resolution | 5760k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2100k dots | 460k dots |
LCD Attachment | Fully flexible screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic S1R | Sony H300 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 9 shutter flaps/s | 0.8 shutter flaps/s |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC or XQD cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | no |
Connectivity Specs | Panasonic S1R | Sony H300 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.1 | USB 2.0 |
HDMI Port | full HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Panasonic S1R | Sony H300 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Panasonic DMW-BLJ31 | Sony 4xAA |
Battery Life (CIPA) | 380 shots per charge | 350 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
149 x 110 x 97 mm (5.9 x 4.3 x 3.8 in) |
128 x 89 x 92 mm (5.0 x 3.5 x 3.6 in) |
Camera Weight | 1016 g (35.8 oz) | 590 g (20.8 oz) |
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