Panasonic S1R vs Sony A6400
The Panasonic Lumix DC-S1R and the Sony Alpha A6400 are two enthusiast cameras that were announced, respectively, in February 2019 and January 2019. Both the S1R and the A6400 are mirrorless interchangeable lens cameras that are based on a full frame (S1R) and an APS-C (A6400) sensor. The Panasonic has a resolution of 46.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic S1R||Sony A6400|
|Mirrorless system camera||Mirrorless system camera|
|Leica L mount lenses||Sony E mount lenses|
|46.7 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|4K/60p Video||4K/30p Video|
|ISO 100-25600 (50-51200)||ISO 100-32000 (100-102400)|
|Electronic viewfinder (5760k dots)||Electronic viewfinder (2359k dots)|
|3.2" LCD, 2100k dots||3.0" LCD, 922k dots|
|Fully flexible touchscreen||Tilting touchscreen|
|9 shutter flaps per second||11 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|380 shots per battery charge||410 shots per battery charge|
|149 x 110 x 97 mm, 1016 g||120 x 67 x 50 mm, 403 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1R and the Sony Alpha A6400? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic S1R and the Sony A6400. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6400 is considerably smaller (51 percent) than the Panasonic S1R. Moreover, the A6400 is substantially lighter (60 percent) than the S1R. It is worth mentioning in this context that the S1R is splash and dust resistant, while the A6400 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the S1R gets 380 shots out of its DMW-BLJ31 battery, while the A6400 can take 410 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic S1R»||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||Panasonic S1R|
|Sony A6400«||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon M5« »||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||Canon M5|
|Fujifilm X-H1« »||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z7« »||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||Nikon Z7|
|Panasonic S1« »||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1H« »||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||Panasonic S1H|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Pentax K-1 II« »||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Sony A6100« »||120 mm||67 mm||59 mm||396 g||420||n||Aug 2019||749||Sony A6100|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A99 II« »||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Sony A850« »||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999||-||Sony A850|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6400 was launched at a markedly lower price (by 76 percent) than the S1R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic S1R features a full frame sensor and the Sony A6400 an APS-C sensor. The sensor area in the A6400 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 46.7MP, the S1R offers a higher resolution than the A6400 (24MP), but the S1R nevertheless has larger individual pixels (pixel pitch of 4.30μm versus 3.91μm for the A6400) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inch or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inch or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inch or 70.8 x 47.3 cm. The corresponding values for the Sony A6400 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The A6400 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the A6400, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1R has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Alpha A6400 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the S1R provides substantially higher image quality than the A6400, with an overall score that is 17 points higher. This advantage is based on 2.4 bits higher color depth, 0.5 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic S1R»||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Sony A6400«||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1H« »||Full Frame||24.0||6000||4000||6K/30p||-||-||-||-||Panasonic S1H|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Pentax K-1 II« »||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Sony A6100« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Sony A6100|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1R provides a higher frame rate than the A6400. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the S1R offers a substantially higher resolution than the one in the A6400 (5760k vs 2359k dots). The adjacent table lists some of the other core features of the Panasonic S1R and Sony A6400 along with similar information for a selection of comparators.
|Panasonic S1R»||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Sony A6400«||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1H« »||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Pentax K-1 II« »||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1 II|
|Sony A6100« »||1440||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6100|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A850« »||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
One feature that is present on the S1R, but is missing on the A6400 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A6400 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the S1R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The S1R writes its imaging data to SDHC or XQD cards, while the A6400 uses SDXC or Memory Stick PRO Duo cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6400 only has one slot. The S1R supports UHS-II cards (on both slots), while the A6400 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1R and Sony Alpha A6400 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic S1R»||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Sony A6400«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1H« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Pentax K-1 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Sony A6100« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6100|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the S1R has a headphone jack, which is not present on the A6400 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Panasonic S1R (unlike the A6400) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S1R and the A6400 are recent models that are part of the current product line-up. The A6400 replaced the earlier Sony A6300, while the S1R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic S1R or the Sony A6400 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DC-S1R:
- More detail: Offers more megapixels (46.7 vs 24MP) with a 40% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (17 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
Advantages of the Sony Alpha A6400:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 149x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 613g or 60 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
If the count of individual advantages (bullet points above) is taken as a guide, the S1R is the clear winner of the match-up (22 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1R and the Sony A6400 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S1R or the A6400. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic S1R»||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Sony A6400«||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Panasonic S1« »||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic S1H« »||-||-||-||-||-||May 2019||3,999||Panasonic S1H|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Pentax K-1 II« »||-||79/100||4.5/5||4.5/5||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Sony A6100« »||-||-||-||-||-||Aug 2019||749||Sony A6100|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Sony A6400
- Canon G9 X vs Panasonic S1R
- Canon Rebel vs Sony A6400
- Canon SX730 vs Panasonic S1R
- Fujifilm X-A1 vs Sony A6400
- Fujifilm X-T3 vs Panasonic S1R
- Fujifilm X30 vs Sony A6400
- Nikon D7000 vs Panasonic S1R
- Panasonic FZ1000 II vs Panasonic S1R
- Panasonic GF3 vs Sony A6400
- Panasonic GX80 vs Panasonic S1R
- Panasonic S1R vs Pentax K-3
Specifications: Panasonic S1R vs Sony A6400
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic S1R||Sony A6400|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica L mount lenses||Sony E mount lenses|
|Launch Date||February 2019||January 2019|
|Launch Price||USD 3699||USD 899|
|Sensor Specs||Panasonic S1R||Sony A6400|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.5 x 15.6 mm|
|Sensor Area||864 mm2||366.6 mm2|
|Sensor Diagonal||43.3 mm||28.2 mm|
|Sensor Resolution||46.7 Megapixels||24 Megapixels|
|Image Resolution||8368 x 5584 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.30 μm||3.91 μm|
|Pixel Density||5.41 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-32000 ISO|
|ISO Boost||50-51200 ISO||100-102400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||100||83|
|DXO Color Depth (bits)||26.4||24|
|DXO Dynamic Range (EV)||14.1||13.6|
|DXO Low Light (ISO)||3525||1431|
|Screen Specs||Panasonic S1R||Sony A6400|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||922k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Panasonic S1R||Sony A6400|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||9 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||200 000 actuations|
|Electronic Shutter||up to 1/8000s||YES|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic S1R||Sony A6400|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic S1R||Sony A6400|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||380 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||USB charging|
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
120 x 67 x 50 mm
(4.7 x 2.6 x 2.0 in)
|Camera Weight||1016 g (35.8 oz)||403 g (14.2 oz)|
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