Panasonic S1H vs Sony HX90V
The Panasonic Lumix DC-S1H and the Sony Cyber-shot DSC-HX90V are two digital cameras that were officially introduced, respectively, in May 2019 and April 2015. The S1H is a mirrorless interchangeable lens camera, while the HX90V is a fixed lens compact. The cameras are based on a full frame (S1H) and a 1/2.3-inch (HX90V) sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1H and the Sony Cyber-shot DSC-HX90V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic S1H and the Sony HX90V are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX90V is considerably smaller (66 percent) than the Panasonic S1H. It is worth mentioning in this context that the S1H is splash and dust resistant, while the HX90V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX90V has a lens built in, whereas the S1H is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the S1H gets 400 shots out of its DMW-BLJ31 battery, while the HX90V can take 360 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||amazon.com|
|2.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429||ebay.com|
|3.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379||ebay.com|
|4.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895||amazon.com|
|5.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999||amazon.com|
|6.||Panasonic S5 II||134 mm||102 mm||90 mm||740 g||370||Y||Jan 2023||1,999||amazon.com|
|7.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|8.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||amazon.com|
|9.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|10.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999||amazon.com|
|11.||Sigma fp||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899||amazon.com|
|12.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|15.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|16.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The HX90V was launched at a lower price than the S1H, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic S1H features a full frame sensor and the Sony HX90V a 1/2.3-inch sensor. The sensor area in the HX90V is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the S1H has a native 3:2 aspect ratio, while the one in the HX90V offers a 4:3 aspect.
With 24MP, the S1H offers a higher resolution than the HX90V (18MP), but the S1H nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.25μm for the HX90V) due to its larger sensor. Moreover, the S1H is a much more recent model (by 4 years and 1 month) than the HX90V, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the HX90V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1H implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1H for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony HX90V are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
Unlike the HX90V, the S1H has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1H has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Cyber-shot DSC-HX90V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the S1H is build around a CMOS sensor, while the HX90V uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|4.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|5.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|6.||Panasonic S5 II||Full Frame||24.0||6000||4000||6K/30p||25.4||14.6||3158||96|
|7.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|8.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|9.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|10.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|11.||Sigma fp||Full Frame||24.0||6000||4000||4K/30p||25.2||14.2||2829||94|
|12.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1H provides a higher video resolution than the HX90V. It can shoot video footage at 6K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the S1H offers a substantially higher resolution than the one in the HX90V (5760k vs 638k dots). The following table reports on some other key feature differences and similarities of the Panasonic S1H, the Sony HX90V, and comparable cameras.
|1.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|2.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|3.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|4.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|5.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|6.||Panasonic S5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||9.0/s||n||Y|
|7.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|8.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|9.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|10.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|11.||Sigma fp||optional||n||3.2 / 2100||fixed||Y||1/8000s||12.0/s||n||n|
|12.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|13.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|16.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the S1H, but is missing on the HX90V is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1H is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1H has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S1H writes its imaging data to SDXC cards, while the HX90V uses SDXC or Memory Stick PRO Duo cards. The S1H features dual card slots, which can be very useful in case a memory card fails. In contrast, the HX90V only has one slot. The S1H supports UHS-II cards (on both slots), while the HX90V can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1H and Sony Cyber-shot DSC-HX90V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|6.||Panasonic S5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|10.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|11.||Sigma fp||Y||stereo / mono||Y||-||micro||3.1||-||-||-|
|12.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the S1H has a hotshoe, while the HX90V does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Panasonic S1H (unlike the HX90V) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the HX90V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The S1H is a recent model that features in the current product line-up of Panasonic. In contrast, the HX90V has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the HX90V was succeeded by the Sony HX99. Further information on the features and operation of the S1H and HX90V can be found, respectively, in the Panasonic S1H Manual (free pdf) or the online Sony HX90V Manual.
So what is the bottom line? Is there a clear favorite between the Panasonic S1H and the Sony HX90V? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-S1H:
- More detail: Offers more megapixels (24 vs 18MP) with a 18% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 638k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2330k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 1 month of technical progress since the HX90V launch.
Arguments in favor of the Sony Cyber-shot DSC-HX90V:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the S1H necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 151x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the S1H).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in April 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the S1H is the clear winner of the match-up (30 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1H and the Sony HX90V place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the S1H and the HX90V in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999||amazon.com|
|2.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429||ebay.com|
|3.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379||ebay.com|
|4.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895||amazon.com|
|5.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999||amazon.com|
|6.||Panasonic S5 II||..||+ +||5/5||..||4.5/5||5/5||Jan 2023||1,999||amazon.com|
|7.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|8.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499||amazon.com|
|9.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|10.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999||amazon.com|
|11.||Sigma fp||4/5||..||4/5||..||4/5||4.5/5||Jul 2019||1,899||amazon.com|
|12.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|13.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|14.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|15.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|16.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|17.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX720 vs Sony HX90V
- Canon T4i vs Sony HX90V
- Fujifilm X-E2S vs Panasonic S1H
- Fujifilm X70 vs Panasonic S1H
- Leica TL vs Sony HX90V
- Nikon D1 vs Panasonic S1H
- Nikon D40X vs Sony HX90V
- Nikon D810 vs Sony HX90V
- Olympus E-510 vs Panasonic S1H
- Olympus Stylus 1s vs Panasonic S1H
- Olympus TG-6 vs Panasonic S1H
- Sony A9 vs Sony HX90V
Specifications: Panasonic S1H vs Sony HX90V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic S1H||Sony HX90V|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Leica L mount lenses||24-720mm f/3.5-6.4|
|Launch Date||May 2019||April 2015|
|Launch Price||USD 3,999||USD 429|
|Sensor Specs||Panasonic S1H||Sony HX90V|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||35.6 x 23.8 mm||6.17 x 4.55 mm|
|Sensor Area||847.28 mm2||28.0735 mm2|
|Sensor Diagonal||42.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||18 Megapixels|
|Image Resolution||6000 x 4000 pixels||4896 x 3672 pixels|
|Pixel Pitch||5.94 μm||1.25 μm|
|Pixel Density||2.83 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||6K/30p Video||1080/60p Video|
|ISO Setting||100 - 51,200 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 204,800 ISO||80 - 12,800 ISO|
|Image Processor||Venus||BIONZ X|
|Screen Specs||Panasonic S1H||Sony HX90V|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||638k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2330k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic S1H||Sony HX90V|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||9 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic S1H||Sony HX90V|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic S1H||Sony HX90V|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||USB charging|
151 x 114 x 110 mm
(5.9 x 4.5 x 4.3 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||1052 g (37.1 oz)||245 g (8.6 oz)|
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