Panasonic LX100 vs Sony RX100 II
The Panasonic Lumix DMC-LX100 and the Sony Cyber-shot DSC-RX100 II are two digital cameras that were revealed to the public, respectively, in September 2014 and June 2013. Both the LX100 and the RX100 II are fixed lens compact cameras that are based on a Four Thirds (LX100) and an one-inch (RX100 II) sensor. The Panasonic has a resolution of 12.7 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX100 and the Sony Cyber-shot DSC-RX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX100 and the Sony RX100 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX100 can be obtained in two different colors (black, silver), while the RX100 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 II is notably smaller (22 percent) than the Panasonic LX100. Moreover, the RX100 II is markedly lighter (28 percent) than the LX100. In this context, it is worth noting that neither the LX100 nor the RX100 II are weather-sealed.
Concerning battery life, the LX100 gets 300 shots out of its DMW-BLG10 battery, while the RX100 II can take 350 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||ebay.com|
|2.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|3.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||ebay.com|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|5.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195||ebay.com|
|6.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|7.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|8.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|9.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|10.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|11.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|12.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749||ebay.com|
|13.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||ebay.com|
|14.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799||amazon.com|
|15.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199||amazon.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX100 II was launched at a somewhat lower price (by 17 percent) than the LX100, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX100 features a Four Thirds sensor and the Sony RX100 II an one-inch sensor. The sensor area in the RX100 II is 37 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 2.7. The sensor in the LX100 has a native 4:3 aspect ratio, while the one in the RX100 II offers a 3:2 aspect. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the RX100 II offers a higher resolution of 20 megapixels, compared with 12.7 MP of the LX100. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.82μm for the LX100). Moreover, it should be noted that the LX100 is a somewhat more recent model (by 1 year and 2 months) than the RX100 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony RX100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic LX100 are 20.6 x 15.4 inches or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inches or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inches or 34.8 x 26.1 cm for excellent quality prints.
The Panasonic Lumix DMC-LX100 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the LX100 is build around a CMOS sensor, while the RX100 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|2.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|3.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|5.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|6.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|8.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|9.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|10.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|11.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|12.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|13.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|15.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX100 provides a higher video resolution than the RX100 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the LX100 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX100 II relies on live view and the rear LCD for framing. That said, the RX100 II can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Panasonic LX100 and Sony RX100 II in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|2.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|3.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2/s||Y||Y|
|4.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|5.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|6.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|7.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|8.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|9.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|10.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|11.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|12.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|14.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|15.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100||none||n||3.0 / 1229||fixed||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The RX100 II has one, while the LX100 does not. While the built-in flash of the RX100 II is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the LX100 and the RX100 II have zoom lenses built in. The LX100 has a 24-75mm f/1.7-2.8 optic and the RX100 II offers a 28-100mm f/1.8-4.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Sony, but less tele-photo reach at the long end. The LX100 offers the faster maximum aperture.
The LX100 writes its imaging data to SDXC cards, while the RX100 II uses SDXC or Memory Stick PRO Duo cards. The LX100 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX100 II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX100 and Sony Cyber-shot DSC-RX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|8.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|14.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100||-||stereo / mono||-||-||micro||2.0||-||-||-|
Both the LX100 and the RX100 II have been discontinued, but can regularly be found used on ebay. The RX100 II was replaced by the Sony RX100 III, while the LX100 was followed by the Panasonic LX100 II. Further information on the features and operation of the LX100 and RX100 II can be found, respectively, in the Panasonic LX100 Manual (free pdf) or the online Sony RX100 II Manual.
So what conclusions can be drawn? Is the Panasonic LX100 better than the Sony RX100 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-LX100:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/1.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the RX100 II).
Advantages of the Sony Cyber-shot DSC-RX100 II:
- More detail: Has more megapixels (20 vs 12.7MP), which boosts linear resolution by 28%.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (102x58mm vs 115x66mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 112g or 28 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in June 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 II comes out slightly ahead of the LX100 (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX100 and the Sony RX100 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX100 or the RX100 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899||ebay.com|
|2.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|3.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799||ebay.com|
|4.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|5.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195||ebay.com|
|6.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|7.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|8.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|9.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|10.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|11.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|12.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749||ebay.com|
|13.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899||ebay.com|
|14.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799||amazon.com|
|15.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199||amazon.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100||5/5||+ +||..||78/100||4/5||5/5||Jun 2012||649||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SX530 vs Panasonic LX100
- Canon T5i vs Panasonic LX100
- Canon T7 vs Sony RX100 II
- Fujifilm X-E1 vs Panasonic LX100
- Hasselblad X1D vs Panasonic LX100
- Nikon D4 vs Sony RX100 II
- Olympus E-P2 vs Sony RX100 II
- Panasonic G90 vs Sony RX100 II
- Panasonic LX100 vs Pentax K-3
- Panasonic LX100 vs Sony NEX-5N
- Sony A68 vs Sony RX100 II
- Sony RX100 II vs Sony RX100 IV
Specifications: Panasonic LX100 vs Sony RX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX100||Sony RX100 II|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-75mm f/1.7-2.8||28-100mm f/1.8-4.9|
|Launch Date||September 2014||June 2013|
|Launch Price||USD 899||USD 749|
|Sensor Specs||Panasonic LX100||Sony RX100 II|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||15.7 x 11.8 mm||13.2 x 8.8 mm|
|Sensor Area||185.26 mm2||116.16 mm2|
|Sensor Diagonal||19.6 mm||15.9 mm|
|Sensor Resolution||12.7 Megapixels||20 Megapixels|
|Image Resolution||4112 x 3088 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.82 μm||2.41 μm|
|Pixel Density||6.85 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||67||67|
|DXO Color Depth (bits)||22.3||22.5|
|DXO Dynamic Range (EV)||12.5||12.4|
|DXO Low Light (ISO)||553||483|
|Screen Specs||Panasonic LX100||Sony RX100 II|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic LX100||Sony RX100 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic LX100||Sony RX100 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic LX100||Sony RX100 II|
|Battery Life (CIPA)||300 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
102 x 58 x 38 mm
(4.0 x 2.3 x 1.5 in)
|Camera Weight||393 g (13.9 oz)||281 g (9.9 oz)|
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