Panasonic FZ200 vs LX100
The Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-LX100 are two digital cameras that were revealed to the public, respectively, in July 2012 and September 2014. Both the FZ200 and the LX100 are fixed lens compact cameras that are based on a 1/2.3-inch (FZ200) and a Four Thirds (LX100) sensor. The FZ200 has a resolution of 12 megapixels, whereas the LX100 provides 12.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ200||Panasonic LX100|
|Fixed lens compact camera||Fixed lens compact camera|
|25-600mm f/2.8||24-75mm f/1.7-2.8|
|12 MP, 1/2.3" Sensor||12.7 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200 (100-6400)||ISO 200-25600|
|Electronic viewfinder (1312k dots)||Electronic viewfinder (2764k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 921k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||11 shutter flaps per second|
|540 shots per battery charge||300 shots per battery charge|
|125 x 87 x 110 mm, 588 g||115 x 66 x 55 mm, 393 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-LX100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ200 and the Panasonic LX100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX100 can be obtained in two different colors (black, silver), while the FZ200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 is considerably smaller (30 percent) than the Panasonic FZ200. Moreover, the LX100 is markedly lighter (33 percent) than the FZ200. In this context, it is worth noting that neither the FZ200 nor the LX100 are weather-sealed.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FZ200»||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic LX100«||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||Panasonic LX100|
|Canon G1 X Mark II« »||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon SX60« »||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||Canon SX60|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon G1 X« »||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||Canon G1 X|
|Fujifilm X20« »||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||Fujifilm X20|
|Panasonic LX100 II« »||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic FZ330« »||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||Panasonic FZ330|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||Panasonic FZ1000|
|Panasonic LF1« »||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499||Panasonic LF1|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ150« »||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic FZ100« »||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||Panasonic FZ100|
|Panasonic LX5« »||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||Panasonic LX5|
|Panasonic GH1« »||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||Panasonic GH1|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ200 was launched at a markedly lower price (by 33 percent) than the LX100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ200 features a 1/2.3-inch sensor and the Panasonic LX100 a Four Thirds sensor. The sensor area in the LX100 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12.7MP, the LX100 offers a higher resolution than the FZ200 (12MP), but the LX100 nevertheless has larger individual pixels (pixel pitch of 4.21μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the LX100 is a much more recent model (by 2 years and 1 month) than the FZ200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-FZ200 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX100 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the LX100 offers substantially better image quality than the FZ200 (overall score 30 points higher). The advantage is based on 3.2 bits higher color depth, 1.7 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Panasonic LX100 II|
|Panasonic FZ330||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic LF1||1/1.7||12.0||4000||3000||1080/60i||20.8||11.6||211||52||Panasonic LF1|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic FZ100||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Panasonic FZ100|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX100 provides a better video resolution than the FZ200. It can shoot movie footage at 4K/30p, while the FZ200 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a substantially higher resolution than the one in the FZ200 (2764k vs 1312k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ200 and Panasonic LX100 in connection with corresponding information for a sample of similar cameras.
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX100||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic FZ330||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ330|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic LF1||200||n||3.0||920||fixed||n||1/4000s||10.0||Y||Y||Panasonic LF1|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic FZ100||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Panasonic GH1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One difference between the cameras concerns the presence of an on-board flash. The FZ200 has one, while the LX100 does not. While the built-in flash of the FZ200 is not very powerful, it can at times be useful as a fill-in light.The FZ200 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ200 and the LX100 have zoom lenses built in. The FZ200 has a 25-600mm f/2.8-2.8 optic and the LX100 offers a 24-75mm f/1.7-2.8 (focal lengths in full frame equivalent terms). Hence, the LX100 provides a wider angle of view at the short end than the FZ200, but less tele-photo reach at the long end. The LX100 offers the faster maximum aperture.
Concerning the storage of imaging data, both the FZ200 and the LX100 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ200 and Panasonic Lumix DMC-LX100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX100||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic FZ330||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic LF1||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic LF1|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic FZ100||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Panasonic GH1||Y||stereo||none||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ200 has a microphone port, which is missing on the LX100. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The LX100 is a recent model that features in the current product line-up of Panasonic. In contrast, the FZ200 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ200 was succeeded by the Panasonic FZ300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is there a clear favorite between the Panasonic FZ200 and the Panasonic LX100? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-FZ200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (540 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in July 2012).
Advantages of the Panasonic Lumix DMC-LX100:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (30 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 1312k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (115x66mm vs 125x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 195g or 33 percent) and is thus easier to take along.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 1 month of technical progress since the FZ200 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LX100 is the clear winner of the contest (19 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ200 and the Panasonic LX100 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ200 or the LX100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 500D vs Panasonic LX100
- Canon 70D vs Panasonic LX100
- Canon M10 vs Panasonic LX100
- Canon T8i vs Panasonic LX100 II
- Leica Digilux 3 vs Panasonic FZ200
- Leica M10-P vs Panasonic LX100
- Nikon D780 vs Panasonic LX100 II
- Nikon Z7 vs Panasonic FZ200
- Panasonic FZ200 vs Sony RX0
- Panasonic FZ200 vs Sony RX100 VII
- Panasonic GM1 vs Panasonic LX100
- Panasonic GX8 vs Panasonic LX100 II
Specifications: Panasonic FZ200 vs Panasonic LX100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ200||Panasonic LX100|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8||24-75mm f/1.7-2.8|
|Launch Date||July 2012||September 2014|
|Launch Price||USD 599||USD 899|
|Sensor Specs||Panasonic FZ200||Panasonic LX100|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||12.7 Megapixels|
|Image Resolution||4000 x 3000 pixels||4112 x 3088 pixels|
|Pixel Pitch||1.53 μm||4.21 μm|
|Pixel Density||42.74 MP/cm2||5.65 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||200-25600 ISO|
|ISO Boost||100-6400 ISO||100-25600 ISO|
|Image Processor||Venus VII FHD||Venus|
|DXO Sensor Quality (score)||37||67|
|DXO Color Depth (bits)||19.1||22.3|
|DXO Dynamic Range (EV)||10.8||12.5|
|DXO Low Light (ISO)||114||553|
|Screen Specs||Panasonic FZ200||Panasonic LX100|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1312k dots||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||921k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ200||Panasonic LX100|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||12 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ200||Panasonic LX100|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ200||Panasonic LX100|
|Battery Life (CIPA)||540 shots per charge||300 shots per charge|
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
|Camera Weight||588 g (20.7 oz)||393 g (13.9 oz)|
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