Panasonic LF1 vs Sony RX0 II
The Panasonic Lumix DMC-LF1 and the Sony Cyber-shot DSC-RX0II are two digital cameras that were officially introduced, respectively, in April 2013 and March 2019. Both the LF1 and the RX0 II are fixed lens compact cameras that are based on a 1/1.7-inch (LF1) and an one-inch (RX0 II) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 15.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LF1||Sony RX0 II|
|Fixed lens compact camera||Fixed lens compact camera|
|28-200mm f/2.0-5.9||24mm f/4.0|
|12 MP, 1/1.7" Sensor||15.4 MP, 1" Sensor|
|1080/60i Video||4K/30p Video|
|ISO 80-6400 (80-12800)||ISO 80-12800|
|Electronic viewfinder (200k dots)||No viewfinder, LCD framing|
|3.0" LCD, 920k dots||1.5" LCD, 230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||5.5 shutter flaps per second|
|Not weather sealed||Waterproof body (10m)|
|250 shots per battery charge||240 shots per battery charge|
|103 x 62 x 28 mm, 192 g||59 x 41 x 35 mm, 132 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LF1 and the Sony Cyber-shot DSC-RX0II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LF1 and the Sony RX0 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX0 II is considerably smaller (62 percent) than the Panasonic LF1. Moreover, the RX0 II is markedly lighter (31 percent) than the LF1. It is noteworthy in this context that the RX0 II is splash and dust-proof, while the LF1 does not feature any corresponding weather-sealing. More than that, the RX0 II is water-proof up to 10m and can, thus, be used for underwater photography.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic LF1»||4.1 in||2.4 in||1.1 in||6.8 oz||250||n||Apr 2013||499||Panasonic LF1|
|Sony RX0 II«||2.3 in||1.6 in||1.4 in||4.7 oz||240||Y||Mar 2019||699||Sony RX0 II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||Canon S120|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||Canon G15|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||Canon SX50|
|Fujifilm XQ1« »||3.9 in||2.3 in||1.3 in||7.3 oz||240||n||Oct 2013||499||Fujifilm XQ1|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||Nikon P7800|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Pentax MX-1« »||4.8 in||2.4 in||2.0 in||13.8 oz||290||n||Jan 2013||499||Pentax MX-1|
|Sony ZV-1« »||4.1 in||2.4 in||1.7 in||10.4 oz||260||n||May 2020||799||Sony ZV-1|
|Sony RX10 IV« »||5.2 in||3.7 in||5.7 in||38.6 oz||400||Y||Sep 2017||1,699||Sony RX10 IV|
|Sony RX0« »||2.3 in||1.6 in||1.2 in||3.9 oz||240||Y||Aug 2017||699||Sony RX0|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||Sony RX10 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LF1 was launched at a markedly lower price (by 29 percent) than the RX0 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LF1 features a 1/1.7-inch sensor and the Sony RX0 II an one-inch sensor. The sensor area in the RX0 II is 170 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 2.7. The sensor in the LF1 has a native 4:3 aspect ratio, while the one in the RX0 II offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 15.4MP, the RX0 II offers a higher resolution than the LF1 (12MP), but the RX0 II nevertheless has larger individual pixels (pixel pitch of 2.74μm versus 1.89μm for the LF1) due to its larger sensor. Moreover, the RX0 II is a much more recent model (by 5 years and 11 months) than the LF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony RX0 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX0 II for good quality output (200 dots per inch) amounts to 24 x 16 inch or 61 x 40.6 cm, for very good quality (250 dpi) 19.2 x 12.8 inch or 48.8 x 32.5 cm, and for excellent quality (300 dpi) 16 x 10.7 inch or 40.6 x 27.1 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-LF1 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX0II are ISO 80 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic LF1||1/1.7||12.0||4000||3000||1080/60i||20.8||11.6||211||52||Panasonic LF1|
|Sony RX0 II||1-inch||15.4||4800||3200||4K/30p||..||..||..||..||Sony RX0 II|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Fujifilm XQ1||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm XQ1|
|Nikon P7800||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Pentax MX-1||1/1.7||12.0||4000||3000||1080/30p||20.4||11.3||208||49||Pentax MX-1|
|Sony ZV-1||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Sony ZV-1|
|Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Sony RX10 IV|
|Sony RX0||1-inch||15.4||4800||3200||1080/60p||22.4||12.4||548||68||Sony RX0|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RX0 II provides a better video resolution than the LF1. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the LF1 has an electronic viewfinder (200k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX0 II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic LF1, the Sony RX0 II, and comparable cameras.
|Panasonic LF1||200||n||3.0||920||fixed||n||1/4000s||10.0||Y||Y||Panasonic LF1|
|Sony RX0 II||none||n||1.5||230||tilting||n||..||5.5||n||n||Sony RX0 II|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120||none||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Fujifilm XQ1||none||n||3.0||920||fixed||n||1/4000s||12.0||Y||Y||Fujifilm XQ1|
|Nikon P7800||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Pentax MX-1||none||n||3.0||920||tilting||n||1/8000s||1.0||Y||Y||Pentax MX-1|
|Sony ZV-1||none||n||3.0||922||swivel||Y||1/2000s||24.0||n||Y||Sony ZV-1|
|Sony RX10 IV||2359||Y||3.0||1440||tilting||Y||1/2000s||24.0||Y||Y||Sony RX10 IV|
|Sony RX0||none||n||1.5||230||fixed||n||..||5.5||n||n||Sony RX0|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
One difference between the cameras concerns the presence of an on-board flash. The LF1 has one, while the RX0 II does not. While the built-in flash of the LF1 is not very powerful, it can at times be useful as a fill-in light.The RX0 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LF1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX0 II only has electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The LF1 is equipped with a zoom lens, while the RX0 II comes with a built-in prime. The LF1 has a 28-200mm f/2.0-5.9 optic and the RX0 II offers a 24mm f/4.0 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The LF1 offers the faster maximum aperture.
The LF1 writes its imaging data to SDXC cards, while the RX0 II uses micro SDXC or Memory Stick Micro cards. The RX0 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LF1 and Sony Cyber-shot DSC-RX0II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LF1||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic LF1|
|Sony RX0 II||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Sony RX0 II|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Fujifilm XQ1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm XQ1|
|Nikon P7800||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Pentax MX-1||-||stereo||mono||-||-||mini||2.0||-||-||-||Pentax MX-1|
|Sony ZV-1||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony ZV-1|
|Sony RX10 IV||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 IV|
|Sony RX0||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Sony RX0|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
It is notable that the RX0 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LF1 does not feature such a mic input.
Both the LF1 and the RX0 II are recent models that are part of the current product line-up. The RX0 II replaced the earlier Sony RX0, while the LF1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is the Panasonic LF1 better than the Sony RX0 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-LF1:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (10 vs 5.5 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/4.0).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2013).
Arguments in favor of the Sony Cyber-shot DSC-RX0II:
- More detail: Has more megapixels (15.4 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (59x41mm vs 103x62mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 60g or 31 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 11 months of technical progress since the LF1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX0 II is the clear winner of the contest (18 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LF1 and the Sony RX0 II place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the LF1 and the RX0 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D vs Sony RX0 II
- Canon D30 vs Panasonic LF1
- Canon G5 X vs Sony RX0 II
- Canon SX720 vs Sony RX0 II
- Leica V-LUX 3 vs Panasonic LF1
- Nikon D5100 vs Sony RX0 II
- Nikon Z50 vs Panasonic LF1
- Olympus E-P3 vs Sony RX0 II
- Olympus XZ-1 vs Sony RX0 II
- Panasonic FZ2500 vs Sony RX0 II
- Panasonic LF1 vs Sony A5000
- Panasonic LF1 vs Sony RX100 IV
Specifications: Panasonic LF1 vs Sony RX0 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LF1||Sony RX0 II|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-200mm f/2.0-5.9||24mm f/4.0|
|Launch Date||April 2013||March 2019|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Panasonic LF1||Sony RX0 II|
|Sensor Format||1/1.7" Sensor||1" Sensor|
|Sensor Size||7.6 x 5.7 mm||13.2 x 8.8 mm|
|Sensor Area||43.32 mm2||116.16 mm2|
|Sensor Diagonal||9.5 mm||15.9 mm|
|Sensor Resolution||12 Megapixels||15.4 Megapixels|
|Image Resolution||4000 x 3000 pixels||4800 x 3200 pixels|
|Pixel Pitch||1.89 μm||2.74 μm|
|Pixel Density||27.70 MP/cm2||13.22 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||80-6400 ISO||80-12800 ISO|
|ISO Boost||80-12800 ISO||no Enhancement|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||52||..|
|DXO Color Depth (bits)||20.8||..|
|DXO Dynamic Range (EV)||11.6||..|
|DXO Low Light (ISO)||211||..|
|Screen Specs||Panasonic LF1||Sony RX0 II|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||1.5 inch|
|LCD Resolution||920k dots||230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic LF1||Sony RX0 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||..|
|Continuous Shooting||10 shutter flaps/s||5.5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||mMS or mSDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic LF1||Sony RX0 II|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic LF1||Sony RX0 II|
|Environmental Sealing||Not weather sealed||Waterproof body (10m)|
|Battery Life (CIPA)||250 shots per charge||240 shots per charge|
|In-Camera Charging||USB charging||USB charging|
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
59 x 41 x 35 mm
(2.3 x 1.6 x 1.4 in)
|Camera Weight||192 g (6.8 oz)||132 g (4.7 oz)|
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