Panasonic L1 vs Sony RX100 VII
The Panasonic Lumix DMC-L1 and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were revealed to the public, respectively, in February 2006 and July 2019. The L1 is a DSLR, while the RX100 VII is a fixed lens compact. The cameras are based on a Four Thirds (L1) and an one-inch (RX100 VII) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic L1 and the Sony RX100 VII are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is considerably smaller (53 percent) than the Panasonic L1. In this context, it is worth noting that neither the L1 nor the RX100 VII are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VII has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The power pack in the RX100 VII can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|2.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|3.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|4.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|5.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|6.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|7.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|8.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|9.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899|
|10.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|11.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|12.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|13.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|14.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|15.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|16.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the RX100 VII offers a 3:2 aspect.
Despite having a smaller sensor, the RX100 VII offers a higher resolution of 20 megapixels, compared with 7.4 MP of the L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 5.51μm for the L1). However, it should be noted that the RX100 VII is much more recent (by 13 years and 4 months) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX100 VII implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 VII for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The RX100 VII has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|2.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|6.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|7.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
|10.||Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|11.||Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|12.||Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|13.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|15.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|16.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. The RX100 VII indeed provides for movie recording, while the L1 does not. The highest resolution format that the RX100 VII can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 VII has an electronic viewfinder (2359k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX100 VII offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the RX100 VII has a higher magnification (0.59x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic L1, the Sony RX100 VII, and comparable cameras.
|1.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|2.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0||Y||Y|
|3.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5||Y||n|
|5.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|6.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|7.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0||Y||Y|
|8.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0||Y||n|
|10.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|11.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5||Y||n|
|12.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
|13.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
|14.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0||n||Y|
|15.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0||Y||Y|
|16.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RX100 VII has a touchscreen, while the L1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The RX100 VII has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the L1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VII is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony RX100 VII has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The L1 writes its imaging data to SDHC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. The RX100 VII supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|3.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|5.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|7.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|8.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the L1 has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The RX100 VII is a recent model that features in the current product line-up of Sony. In contrast, the L1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic L1 or the Sony RX100 VII – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-L1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in February 2006).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VII:
- More detail: Has more megapixels (20 vs 7.4MP), which boosts linear resolution by 68%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.47x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (90 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the L1 requires a separate lens.
- More compact: Is smaller (102x58mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the L1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 13 years and 4 months of technical progress since the L1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX100 VII is the clear winner of the contest (24 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L1 and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the L1 and the RX100 VII in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|2.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199|
|3.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|4.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|5.||Leica C-LUX||..||..||..||..||4.5/5||4/5||Jun 2018||1,049|
|6.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|7.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849|
|8.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|9.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899|
|10.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|11.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|12.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|13.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|14.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|15.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|16.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Panasonic L1
- Canon 1Ds Mark III vs Panasonic L1
- Canon 7D vs Panasonic L1
- Canon SX740 vs Sony RX100 VII
- Canon T6i vs Sony RX100 VII
- Leica Q Typ 116 vs Sony RX100 VII
- Leica S-E Typ 006 vs Panasonic L1
- Leica T vs Panasonic L1
- Nikon D3000 vs Sony RX100 VII
- Olympus E-5 vs Panasonic L1
- Sony A7 III vs Sony RX100 VII
- Sony NEX-7 vs Sony RX100 VII
Specifications: Panasonic L1 vs Sony RX100 VII
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic L1||Sony RX100 VII|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||24-200mm f/2.8-4.5|
|Launch Date||February 2006||July 2019|
|Launch Price||USD 999||USD 1,199|
|Sensor Specs||Panasonic L1||Sony RX100 VII|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||7.4 Megapixels||20 Megapixels|
|Image Resolution||3136 x 2352 pixels||5472 x 3648 pixels|
|Pixel Pitch||5.51 μm||2.41 μm|
|Pixel Density||3.28 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||63|
|DXO Color Depth (bits)||..||21.8|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||418|
|Screen Specs||Panasonic L1||Sony RX100 VII|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic L1||Sony RX100 VII|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||3 shutter flaps/s||90 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic L1||Sony RX100 VII|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic L1||Sony RX100 VII|
|Battery Life (CIPA)||750 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||606 g (21.4 oz)||302 g (10.7 oz)|
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