Leica V-LUX 4 vs Panasonic L1
The Leica V-LUX 4 and the Panasonic Lumix DMC-L1 are two digital cameras that were announced, respectively, in September 2012 and February 2006. The V-LUX 4 is a fixed lens compact, while the L1 is a DSLR. The cameras are based on a 1/2.3-inch (V-LUX 4) and a Four Thirds (L1) sensor. The Leica has a resolution of 12 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 4 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 4 and the Panasonic L1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably larger (17 percent) than the Leica V-LUX 4. In this context, it is worth noting that neither the V-LUX 4 nor the L1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 4 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
2. | Panasonic L1 | 146 mm | 87 mm | 64 mm | 606 g | 750 | n | Feb 2006 | 999 | ebay.com | |
3. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
4. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
5. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
6. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
7. | Canon XT | 127 mm | 94 mm | 64 mm | 540 g | 400 | n | Feb 2005 | 899 | ebay.com | |
8. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | ebay.com | |
9. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
10. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
11. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
12. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | ebay.com | |
13. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
14. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
15. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
16. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
17. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V-LUX 4 was launched at a lower price than the L1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 4 features a 1/2.3-inch sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Leica V-LUX 4 offers a higher resolution of 12 megapixels, compared with 7.4 MP of the Panasonic L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 5.51μm for the L1). However, it should be noted that the V-LUX 4 is much more recent (by 6 years and 6 months) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the V-LUX 4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica V-LUX 4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V-LUX 4 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Leica V-LUX 4 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
In terms of underlying technology, the V-LUX 4 is build around a BSI-CMOS sensor, while the L1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
2. | Panasonic L1 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 80 | 52 | |
3. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
4. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
5. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
6. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
7. | Canon XT | APS-C | 8.0 | 3456 | 2304 | none | 21.8 | 10.8 | 637 | 60 | |
8. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
9. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
10. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
11. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
12. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
13. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
14. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
15. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
16. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
17. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The V-LUX 4 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the V-LUX 4 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 4 has an electronic viewfinder (1312k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the V-LUX 4 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the L1 has a higher magnification (0.47x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica V-LUX 4 and Panasonic L1 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
2. | Panasonic L1 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
3. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
4. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
5. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
6. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
7. | Canon XT | optical | n | 1.8 / 115 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
9. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
10. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
11. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
12. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
13. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
14. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
15. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
16. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
17. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The V-LUX 4 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The V-LUX 4 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 4 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
2. | Panasonic L1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
6. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Canon XT | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
10. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - |
Both the V-LUX 4 and the L1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the V-LUX 4 was followed by the Leica V-LUX Typ 114. Further information on the features and operation of the V-LUX 4 and L1 can be found, respectively, in the Leica V-LUX 4 Manual (free pdf) or the online Panasonic L1 Manual.
Review summary
So how do things add up? Which of the two cameras – the Leica V-LUX 4 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica V-LUX 4:
- More detail: Offers more megapixels (12 vs 7.4MP) with a 28% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 207k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the L1 requires a separate lens.
- More compact: Is smaller (125x87mm vs 146x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the L1).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 6 months of technical progress since the L1 launch.
Arguments in favor of the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.47x vs 0.46x).
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 540) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the count of relative strengths (bullet points above) is taken as a measure, the V-LUX 4 is the clear winner of the match-up (18 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 4 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the V-LUX 4 or the L1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
2. | Panasonic L1 | .. | 85/100 | .. | + | .. | 3.5/5 | Feb 2006 | 999 | ebay.com | |
3. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
4. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
5. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
6. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
7. | Canon XT | .. | 80/100 | .. | + + | o | .. | Feb 2005 | 899 | ebay.com | |
8. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | 699 | ebay.com | |
9. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
10. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
11. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
12. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | 2,850 | ebay.com | |
13. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
14. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
15. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
16. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
17. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Leica V-LUX 4
- Canon 550D vs Panasonic L1
- Fujifilm X-A3 vs Leica V-LUX 4
- Fujifilm XP130 vs Leica V-LUX 4
- Leica CL vs Panasonic L1
- Leica S Typ 006 vs Leica V-LUX 4
- Leica V-LUX 4 vs Panasonic GH4
- Leica V-LUX 4 vs Panasonic GX85
- Nikon D1X vs Panasonic L1
- Nikon D5100 vs Panasonic L1
- Panasonic L1 vs Pentax 645Z
- Panasonic L1 vs Sony HX99
Specifications: Leica V-LUX 4 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 4 | Panasonic L1 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 25-600mm f/2.8 | Four Thirds lenses |
Launch Date | September 2012 | February 2006 |
Launch Price | USD 949 | USD 999 |
Sensor Specs | Leica V-LUX 4 | Panasonic L1 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | Four Thirds Sensor |
Sensor Size | 6.17 x 4.55 mm | 17.3 x 13.0 mm |
Sensor Area | 28.0735 mm2 | 224.9 mm2 |
Sensor Diagonal | 7.7 mm | 21.6 mm |
Crop Factor | 5.6x | 2.0x |
Sensor Resolution | 12 Megapixels | 7.4 Megapixels |
Image Resolution | 4000 x 3000 pixels | 3136 x 2352 pixels |
Pixel Pitch | 1.53 μm | 5.51 μm |
Pixel Density | 42.74 MP/cm2 | 3.28 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | no Video |
ISO Setting | 100 - 3,200 ISO | 100 - 1,600 ISO |
ISO Boost | 100 - 6,400 ISO | no Enhancement |
Screen Specs | Leica V-LUX 4 | Panasonic L1 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 95% |
Viewfinder Magnification | 0.46x | 0.47x |
Viewfinder Resolution | 1312k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.5inch |
LCD Resolution | 460k dots | 207k dots |
LCD Attachment | Swivel screen | Fixed screen |
Shooting Specs | Leica V-LUX 4 | Panasonic L1 |
Focus System | Contrast-detect AF | Phase-detect AF |
Continuous Shooting | 12 shutter flaps/s | 3 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDHC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Leica V-LUX 4 | Panasonic L1 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | no Wifi | no Wifi |
Body Specs | Leica V-LUX 4 | Panasonic L1 |
Battery Type | Leica BP-DC12 | Panasonic CGR-S602 |
Battery Life (CIPA) | 540 shots per charge | 750 shots per charge |
Body Dimensions |
125 x 87 x 110 mm (4.9 x 3.4 x 4.3 in) |
146 x 87 x 64 mm (5.7 x 3.4 x 2.5 in) |
Camera Weight | 588 g (20.7 oz) | 606 g (21.4 oz) |
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