Panasonic L1 vs Pentax 645Z

The Panasonic Lumix DMC-L1 and the Pentax 645Z are two digital cameras that were officially introduced, respectively, in February 2006 and April 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (L1) and a medium format (645Z) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Pentax provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic L1		Pentax 645Z
Digital single lens reflex		Digital single lens reflex
Four Thirds lenses		Pentax 645 mount lenses
7.4 MP – Four Thirds sensor		51.1 MP – Medium Format sensor
no Video		1080/60i Video
ISO 100-1,600		ISO 100-204,800
Optical viewfinder		Optical viewfinder
2.5" LCD – 207k dots		3.2" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
750 shots per battery charge		650 shots per battery charge
146 x 87 x 64 mm, 606 g		156 x 117 x 123 mm, 1550 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic L1 and the Pentax 645Z. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is considerably larger (44 percent) than the Panasonic L1. Moreover, the 645Z is substantially heavier (156 percent) than the L1. It is noteworthy in this context that the 645Z is splash and dust-proof, while the L1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
2.		Pentax 645Z	156 mm	117 mm	123 mm	1550 g	650	Y	Apr 2014	8,499	ebay.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
4.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
5.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
6.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
7.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	8,995	ebay.com
8.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
9.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
10.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	849	ebay.com
11.		Nikon D80	132 mm	103 mm	77 mm	668 g	600	n	Aug 2006	999	ebay.com
12.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	899	ebay.com
13.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
14.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	599	ebay.com
15.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
16.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
17.		Pentax 645D	156 mm	117 mm	119 mm	1480 g	800	Y	Mar 2010	9,995	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The L1 was launched at a markedly lower price (by 88 percent) than the 645Z, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 539 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 51.1MP, the 645Z offers a higher resolution than the L1 (7.4MP), but the 645Z has smaller individual pixels (pixel pitch of 5.30μm versus 5.51μm for the L1). Yet, the 645Z is a much more recent model (by 8 years and 1 month) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the 645Z has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax 645Z implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 645Z for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
2.		Pentax 645Z	Medium Format	51.1	8256	6192	1080/60i	26.0	14.7	4505	101
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
5.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
6.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
7.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
8.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
9.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
10.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
11.		Nikon D80	APS-C	10.0	3872	2592	none	22.1	11.2	524	61
12.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
13.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
14.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
15.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
16.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
17.		Pentax 645D	Medium Format	39.5	7264	5440	none	24.6	12.6	1262	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The 645Z indeed provides for movie recording, while the L1 does not. The highest resolution format that the 645Z can use is 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The L1 and the 645Z are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 645Z offers a wider field of view (98%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 645Z has a higher magnification (0.78x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic L1 and Pentax 645Z along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
2.		Pentax 645Z	optical	Y	3.2 / 1037	tilting	n	1/4000s	3.0/s	n	n
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
6.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
7.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
8.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
9.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
10.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
11.		Nikon D80	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
12.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
13.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
14.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
15.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
16.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
17.		Pentax 645D	optical	Y	3.0 / 921	fixed	n	1/4000s	1.1/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The L1 has one, while the 645Z does not. While the built-in flash of the L1 is not very powerful, it can at times be useful as a fill-in light.

The Pentax 645Z has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The L1 writes its imaging data to SDHC cards, while the 645Z uses SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The 645Z supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
2.		Pentax 645Z	Y	stereo / mono	Y	-	mini	3.0	-	-	-
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
6.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
7.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
8.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
9.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
10.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
11.		Nikon D80	Y	- / -	-	-	-	2.0	-	-	-
12.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
16.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
17.		Pentax 645D	Y	stereo / -	-	-	-	2.0	-	-	-

Studio photographers will appreciate that the Pentax 645Z (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the L1 and the 645Z have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the 645Z does not have a direct successor. Further information on the features and operation of the L1 and 645Z can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Pentax 645Z Manual.

Review summary

So how do things add up? Is there a clear favorite between the Panasonic L1 and the Pentax 645Z? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-L1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (146x87mm vs 156x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 944g or 61 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (750 versus 650) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2006).

Arguments in favor of the Pentax 645Z:

• More detail: Has more megapixels (51.1 vs 7.4MP), which boosts linear resolution by 163%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 1080/60i video.
• More complete view: Has a viewfinder with a larger field of view (98% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.47x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 207k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 8 years and 1 month of technical progress since the L1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the 645Z is the clear winner of the contest (20 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic L1 and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the L1 and the 645Z in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
2.		Pentax 645Z	5/5	..	3.5/5	..	4.5/5	5/5	Apr 2014	8,499	ebay.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
4.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
5.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
6.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
7.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	8,995	ebay.com
8.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
9.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
10.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	849	ebay.com
11.		Nikon D80	..	+	..	+ +	o	4.5/5	Aug 2006	999	ebay.com
12.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	899	ebay.com
13.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
14.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	599	ebay.com
15.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
16.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
17.		Pentax 645D	5/5	..	..	..	..	..	Mar 2010	9,995	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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