Panasonic GX9 vs Sony A7R
The Panasonic Lumix DC-GX9 and the Sony Alpha A7R are two enthusiast cameras that were announced, respectively, in February 2018 and October 2013. Both the GX9 and the A7R are mirrorless interchangeable lens cameras that are based on a Four Thirds (GX9) and a full frame (A7R) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GX9||Sony A7R|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|20.2 MP, Four Thirds Sensor||36.2 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-25,600||ISO 100-25,600 (50 - 51,200)|
|Electronic viewfinder (2760k dots)||Electronic viewfinder (2400k dots)|
|3.0 LCD, 1240k dots||3.0 LCD, 1230k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||4 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|not weather sealed||Weathersealed body|
|260 shots per battery charge||340 shots per battery charge|
|124 x 72 x 47 mm, 407 g||127 x 94 x 48 mm, 465 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GX9 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GX9 and the Sony A7R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GX9 can be obtained in two different colors (black, silver), while the A7R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably larger (34 percent) than the Panasonic GX9. Moreover, the A7R is markedly heavier (14 percent) than the GX9. It is noteworthy in this context that the A7R is splash and dust-proof, while the GX9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GX9) and the Sony FE Lens Catalog (A7R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GX9 gets 260 shots out of its DMW-BLG10 battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX9 was launched at a markedly lower price (by 63 percent) than the A7R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX9 features a Four Thirds sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GX9 has a native 4:3 aspect ratio, while the one in the A7R offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 36.2MP, the A7R offers a higher resolution than the GX9 (20.2MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.34μm for the GX9) due to its larger sensor. However, the GX9 is a much more recent model (by 4 years and 3 months) than the A7R, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic GX9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The Panasonic Lumix DC-GX9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GX9 provides a higher video resolution than the A7R. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX9 offers a higher resolution than the one in the A7R (2760k vs 2400k dots). The adjacent table lists some of the other core features of the Panasonic GX9 and Sony A7R along with similar information for a selection of comparators.
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The GX9 has one, while the A7R does not. While the built-in flash of the GX9 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GX9 writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GX9 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GX9 lacks such a headphone port.
The GX9 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7R was succeeded by the Sony A7R II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic GX9 and the Sony A7R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-GX9:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 2400k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (9 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (124x72mm vs 127x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 58g or 12 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More modern: Reflects 4 years and 3 months of technical progress since the A7R launch.
Arguments in favor of the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 20.2MP), which boosts linear resolution by 37%.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (340 versus 260) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the GX9 is the clear winner of the match-up (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX9 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GX9 or the A7R. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GX9||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849|
|Sony A7R||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299|
|Canon M6||..||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Fujifilm X-E3||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-T20||+ +||82/100||5/5||..||4.5/5||Jan 2017||899|
|Panasonic G90||+||83/100||4.5/5||4.5/5||4.5/5||Apr 2019||999|
|Panasonic LX100 II||+||82/100||4.5/5||4.5/5||4.5/5||Aug 2018||999|
|Panasonic TZ200||+ +||81/100||4.5/5||..||4.5/5||Feb 2018||799|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic GX80||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A7S||..||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499|
|Sony A7||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699|
|Sony RX1R||..||..||4/5||o||4.5/5||Jun 2013||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 400D vs Sony A7R III
- Canon 90D vs Sony A7R II
- Canon G16 vs Sony A7R
- Leica V-LUX Typ 114 vs Panasonic GX9
- Nikon D40X vs Sony A7R IV
- Nikon Z5 vs Panasonic GX9
- Olympus E-M10 III vs Sony A7R II
- Olympus E-PL1 vs Sony A7R IV
- Panasonic L10 vs Sony A7R
- Panasonic LX100 vs Sony A7R III
- Sony A6300 vs Sony A7R II
- Sony A7R IV vs Sony RX100 V
Specifications: Panasonic GX9 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GX9||Sony A7R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||February 2018||October 2013|
|Launch Price||USD 849||USD 2,299|
|Sensor Specs||Panasonic GX9||Sony A7R|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||20.2 Megapixels||36.2 Megapixels|
|Image Resolution||5184 x 3888 pixels||7360 x 4912 pixels|
|Pixel Pitch||3.34 μm||4.88 μm|
|Pixel Density||8.96 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 51,200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||95|
|DXO Color Depth (bits)||..||25.6|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||2746|
|Screen Specs||Panasonic GX9||Sony A7R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2760k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||1230k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GX9||Sony A7R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||9 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GX9||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic GX9||Sony A7R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||260 shots per charge||340 shots per charge|
|In-Camera Charging||USB charging||USB charging|
124 x 72 x 47 mm
(4.9 x 2.8 x 1.9 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||407 g (14.4 oz)||465 g (16.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.