Panasonic GM1 vs Sony A6000
The Panasonic Lumix DMC-GM1 and the Sony Alpha A6000 are two digital cameras that were revealed to the public, respectively, in October 2013 and February 2014. Both the GM1 and the A6000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM1) and an APS-C (A6000) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM1 and the Sony Alpha A6000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GM1 and the Sony A6000. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GM1 can be obtained in three different colors (black, silver, red), while the A6000 is also available in three color-versions, but different ones (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is considerably larger (48 percent) than the Panasonic GM1. Moreover, the A6000 is substantially heavier (69 percent) than the GM1. In this context, it is worth noting that neither the GM1 nor the A6000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GM1) and the Sony E-Mount Lens Catalog (A6000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GM1 gets 230 shots out of its DMW-BLH7 battery, while the A6000 can take 360 images on a single charge of its NP-FW50 power pack. The power pack in the A6000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|2.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|3.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|4.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|5.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|6.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|7.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|8.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|9.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|10.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|11.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|12.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799|
|13.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|14.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|16.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a somewhat lower price (by 20 percent) than the GM1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GM1 features a Four Thirds sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GM1 has a native 4:3 aspect ratio, while the one in the A6000 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the A6000 offers a higher resolution than the GM1 (15.8MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GM1) due to its larger sensor. Moreover, the A6000 is a somewhat more recent model (by 3 months) than the GM1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GM1 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GM1 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 125-25600. The corresponding ISO settings for the Sony Alpha A6000 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6000 offers substantially better image quality than the GM1 (overall score 16 points higher). The advantage is based on 1.8 bits higher color depth, 1.4 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|3.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|4.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|5.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|6.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|7.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|8.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|9.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|10.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|11.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6000 provides a faster frame rate than the GM1. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GM1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic GM1 and Sony A6000 along with similar information for a selection of comparators.
|1.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|2.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|3.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|4.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|5.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|6.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|7.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|8.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|9.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|10.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|11.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|12.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|13.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|14.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5/s||Y||n|
|15.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|16.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM1 has a touchscreen, while the A6000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GM1 writes its imaging data to SDXC cards, while the A6000 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM1 and Sony Alpha A6000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|9.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
|13.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the A6000 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The GM1 does not feature such an accessory-socket.
Both the GM1 and the A6000 have been discontinued, but can regularly be found used on eBay. The GM1 was replaced by the Panasonic GM5, while the A6000 was followed by the Sony A6300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic GM1 better than the Sony A6000 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-GM1:
- More detailed LCD: Has a higher resolution rear screen (1036k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x55mm vs 120x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 140g or 41 percent) and hence easier to carry around.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
Advantages of the Sony Alpha A6000:
- More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (360 versus 230) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
- More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A6000 is the clear winner of the contest (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GM1 and the Sony A6000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GM1 or the A6000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|2.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|3.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|4.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|5.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|6.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|7.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|8.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|9.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|10.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|11.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|12.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799|
|13.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|14.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|15.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|16.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Sony A6000
- Canon SL3 vs Panasonic GM1
- Canon T6i vs Sony A6000
- Fujifilm GFX 100 vs Sony A6000
- Fujifilm X-H1 vs Panasonic GM1
- Hasselblad X1D vs Sony A6000
- Nikon D3000 vs Sony A6000
- Nikon D3500 vs Panasonic GM1
- Nikon D800 vs Panasonic GM1
- Olympus E-M1 II vs Sony A6000
- Panasonic GM1 vs Sony A6600
- Panasonic GM1 vs Sony H200
Specifications: Panasonic GM1 vs Sony A6000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GM1||Sony A6000|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||October 2013||February 2014|
|Launch Price||USD 749||USD 599|
|Sensor Specs||Panasonic GM1||Sony A6000|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||15.8 Megapixels||24 Megapixels|
|Image Resolution||4592 x 3448 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.77 μm||3.91 μm|
|Pixel Density||7.04 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||125 - 25,600 ISO||100 - 51,200 ISO|
|Image Processor||Venus IX||BIONZ X|
|DXO Sensor Quality (score)||66||82|
|DXO Color Depth (bits)||22.3||24.1|
|DXO Dynamic Range (EV)||11.7||13.1|
|DXO Low Light (ISO)||660||1347|
|Screen Specs||Panasonic GM1||Sony A6000|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1036k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GM1||Sony A6000|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/500s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GM1||Sony A6000|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic GM1||Sony A6000|
|Battery Life (CIPA)||230 shots per charge||360 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
99 x 55 x 30 mm
(3.9 x 2.2 x 1.2 in)
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
|Camera Weight||204 g (7.2 oz)||344 g (12.1 oz)|
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