Panasonic GH6 vs Sony A7S II

The Panasonic Lumix DC-GH6 and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in February 2022 and September 2015. Both the GH6 and the A7S II are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH6) and a full frame (A7S II) sensor. The Panasonic has a resolution of 25 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GH6		Sony A7S II
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
25 MP – Four Thirds sensor		12 MP – Full Frame sensor
5.7K/60p Video		4K/30p Video
ISO 100-25,600		ISO 100-102,400 (50 - 409,600)
Electronic viewfinder (3680k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 1840k dots		3.0" LCD – 1229k dots
Fully flexible touchscreen		Tilting screen (no touchscreen)
14 shutter flaps per second		5 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
360 shots per battery charge		370 shots per battery charge
138 x 100 x 100 mm, 823 g		127 x 96 x 60 mm, 627 g

Check GH6 price at
amazon.com
Check A7S II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH6 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GH6 and the Sony A7S II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably smaller (12 percent) than the Panasonic GH6. Moreover, the A7S II is markedly lighter (24 percent) than the GH6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH6) and the Sony FE Lens Catalog (A7S II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GH6 gets 360 shots out of its Panasonic DMW-BLK22 battery, while the A7S II can take 370 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	2,199	amazon.com
2.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
3.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	1,999	ebay.com
4.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	1,999	amazon.com
5.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	2,199	ebay.com
6.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	1,899	amazon.com
7.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
8.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	1,699	amazon.com
9.		Panasonic GH5s	139 mm	98 mm	87 mm	660 g	440	Y	Jan 2018	2,499	amazon.com
10.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
11.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	1,999	amazon.com
12.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	1,999	amazon.com
13.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
15.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	3,499	ebay.com
16.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
17.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH6 was launched at a markedly lower price (by 27 percent) than the A7S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GH6 features a Four Thirds sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH6 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.

Despite having a smaller sensor, the Panasonic GH6 offers a higher resolution of 25 megapixels, compared with 12 MP of the Sony A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 8.40μm for the A7S II). However, it should be noted that the GH6 is much more recent (by 6 years and 5 months) than the A7S II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the GH6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic GH6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH6 for good quality output (200 dots per inch) amounts to 28.9 x 21.7 inches or 73.4 x 55.1 cm, for very good quality (250 dpi) 23.1 x 17.3 inches or 58.7 x 44.1 cm, and for excellent quality (300 dpi) 19.3 x 14.5 inches or 48.9 x 36.7 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

Unlike the A7S II, the GH6 has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-GH6 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-25600. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
2.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
3.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
4.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
5.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
6.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
7.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
8.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
9.		Panasonic GH5s	Four Thirds	9.9	3680	2700	4K/60p	23.1	12.8	1154	74
10.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
11.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
12.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
13.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
16.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
17.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH6 provides a higher video resolution than the A7S II. It can shoot video footage at 5.7K/60p, while the Sony is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GH6 offers a substantially higher resolution than the one in the A7S II (3680k vs 2400k dots). The table below summarizes some of the other core capabilities of the Panasonic GH6 and Sony A7S II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
2.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
3.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
4.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
5.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
6.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
7.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
8.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
9.		Panasonic GH5s	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	n
10.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
11.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
12.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
13.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH6 has a touchscreen, while the A7S II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GH6 writes its imaging data to CFexpress (type B) or SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The GH6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S II only has one slot. The GH6 supports UHS-II cards (on both slots), while the A7S II can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH6 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
4.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
8.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Panasonic GH5s	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
10.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
12.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
13.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

Studio photographers will appreciate that the Panasonic GH6 (unlike the A7S II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GH6 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7S II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7S II was succeeded by the Sony A7S III. Further information on the features and operation of the GH6 and A7S II can be found, respectively, in the Panasonic GH6 Manual (free pdf) or the online Sony A7S II Manual.

Review summary

So how do things add up? Is the Panasonic GH6 better than the Sony A7S II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DC-GH6:

• More detail: Offers more megapixels (25 vs 12MP) with a 42% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher definition movie capture (5.7K/60p vs 4K/30p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2400k dots).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1229k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
• More modern: Reflects 6 years and 5 months of technical progress since the A7S II launch.

Advantages of the Sony Alpha 7S II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
• More compact: Is smaller (127x96mm vs 138x100mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 196g or 24 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in September 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the GH6 is the clear winner of the match-up (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GH6 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GH6 or the A7S II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	2,199	amazon.com
2.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
3.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	1,999	ebay.com
4.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	1,999	amazon.com
5.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	2,199	ebay.com
6.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	1,899	amazon.com
7.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
8.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	1,699	amazon.com
9.		Panasonic GH5s	..	..	4.5/5	84/100	4.5/5	4.5/5	Jan 2018	2,499	amazon.com
10.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
11.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	1,999	amazon.com
12.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	1,999	amazon.com
13.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
15.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	3,499	ebay.com
16.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
17.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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