Panasonic GH5 vs Sony A900
The Panasonic Lumix DC-GH5 and the Sony Alpha A900 are two digital cameras that were announced, respectively, in January 2017 and September 2008. The GH5 is a mirrorless interchangeable lens camera, while the A900 is a DSLR. The cameras are based on a Four Thirds (GH5) and a full frame (A900) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 24.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GH5||Sony A900|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Sony A mount lenses|
|20.2 MP, Four Thirds Sensor||24.4 MP, Full Frame Sensor|
|4K/60p Video||no Video|
|ISO 200-25600||ISO 200-3200 (100-6400)|
|Electronic viewfinder (3680k dots)||Optical viewfinder|
|3.2" LCD, 1620k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|410 shots per battery charge||880 shots per battery charge|
|139 x 98 x 87 mm, 725 g||156 x 117 x 82 mm, 895 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 and the Sony Alpha A900? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GH5 and the Sony A900. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A900 is notably larger (34 percent) than the Panasonic GH5. Moreover, the A900 is markedly heavier (23 percent) than the GH5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic GH5»||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A900«||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||Sony A900|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||Panasonic GH4|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||Sony A99|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||Sony A850|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GH5 was launched at a markedly lower price (by 33 percent) than the A900, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH5 features a Four Thirds sensor and the Sony A900 a full frame sensor. The sensor area in the A900 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH5 has a native 4:3 aspect ratio, while the one in the A900 offers a 3:2 aspect.
With 24.4MP, the A900 offers a higher resolution than the GH5 (20.2MP), but the A900 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.34μm for the GH5) due to its larger sensor. However, the GH5 is a much more recent model (by 8 years and 3 months) than the A900, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A900 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A900 for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inch or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inch or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inch or 51.2 x 34.1 cm. The corresponding values for the Panasonic GH5 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The Panasonic Lumix DC-GH5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A900 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79||Sony A900|
|Fujifilm X-H1||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-H1|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79||Sony A850|
Many modern cameras cannot only take still pictures, but also record videos. The GH5 indeed provides movie recording capabilities, while the A900 does not. The highest resolution format that the GH5 can use is 4K/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH5 has an electronic viewfinder (3680k dots), while the A900 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GH5 has a higher magnification than the one of the A900 (0.76x vs 0.74x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic GH5 and Sony A900 along with similar information for a selection of comparators.
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A900||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
|Fujifilm X-H1||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic G85||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GH4||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A99||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A850||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH5 has a touchscreen, while the A900 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GH5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A900 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH5 writes its imaging data to SDXC cards, while the A900 uses Compact Flash or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 and Sony Alpha A900 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A900||Y||none||none||-||-||mini||2.0||-||-||-||Sony A900|
|Fujifilm X-H1||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic G85||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A99||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A850||Y||none||none||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the GH5 offers wifi support, while the A900 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GH5 is a recent model that features in the current product line-up of Panasonic. In contrast, the A900 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A900 was succeeded by the Sony A99. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic GH5 or the Sony A900 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DC-GH5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Broader imaging potential: Can record not only still images but also 4K/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.74x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (139x98mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 170g or 19 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Reflects 8 years and 3 months of technical progress since the A900 launch.
Advantages of the Sony Alpha A900:
- More detail: Has more megapixels (24.4 vs 20.2MP), which boosts linear resolution by 12%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (880 versus 410) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of individual advantages (bullet points above) is taken as a guide, the GH5 is the clear winner of the match-up (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5 and the Sony A900 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH5 or the A900. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 400D vs Sony A900
- Fujifilm X-T10 vs Sony A900
- Fujifilm X100 vs Sony A900
- Nikon D3 vs Sony A900
- Nikon D500 vs Panasonic GH5
- Nikon P900 vs Panasonic GH5
- Olympus E-M1 vs Sony A900
- Panasonic FZ200 vs Sony A900
- Panasonic FZ2500 vs Sony A900
- Panasonic GH5 vs Sony RX100 VII
- Sony A900 vs Sony HX400V
- Sony A900 vs Sony RX0 II
Specifications: Panasonic GH5 vs Sony A900
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5||Sony A900|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||January 2017||September 2008|
|Launch Price||USD 1999||USD 2999|
|Sensor Specs||Panasonic GH5||Sony A900|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||20.2 Megapixels||24.4 Megapixels|
|Image Resolution||5184 x 3888 pixels||6048 x 4032 pixels|
|Pixel Pitch||3.34 μm||5.94 μm|
|Pixel Density||8.96 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||no Video|
|ISO Setting||200-25600 ISO||200-3200 ISO|
|ISO Boost||100-25600 ISO||100-6400 ISO|
|Image Processor||Venus 10||BIONZ|
|DXO Sensor Quality (score)||77||79|
|DXO Color Depth (bits)||23.9||23.7|
|DXO Dynamic Range (EV)||13.0||12.3|
|DXO Low Light (ISO)||807||1431|
|Screen Specs||Panasonic GH5||Sony A900|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||922k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GH5||Sony A900|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or MS cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Panasonic GH5||Sony A900|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic GH5||Sony A900|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||410 shots per charge||880 shots per charge|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
156 x 117 x 82 mm
(6.1 x 4.6 x 3.2 in)
|Camera Weight||725 g (25.6 oz)||895 g (31.6 oz)|
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