Panasonic GH5 vs Nikon Z7

The Panasonic Lumix DC-GH5 and the Nikon Z7 are two enthusiast cameras that were officially introduced, respectively, in January 2017 and August 2018. Both the GH5 and the Z7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH5) and a full frame (Z7) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Nikon provides 45.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GH5		Nikon Z7
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Nikon Z mount lenses
20.2 MP – Four Thirds sensor		45.4 MP – Full Frame sensor
4K/60p Video		4K/30p Video
ISO 200-25,600		ISO 64-25,600 (32 - 102,400)
Electronic viewfinder (3680k dots)		Electronic viewfinder (3690k dots)
3.2" LCD – 1620k dots		3.2" LCD – 2100k dots
Swivel touchscreen		Tilting touchscreen
12 shutter flaps per second		9 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
410 shots per battery charge		330 shots per battery charge
139 x 98 x 87 mm, 725 g		134 x 101 x 67 mm, 675 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 and the Nikon Z7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic GH5 and the Nikon Z7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 and the Nikon Z7 are of equal size. However, the Z7 is markedly lighter (7 percent) than the GH5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GH5 gets 410 shots out of its Panasonic DMW-BLF19 battery, while the Z7 can take 330 images on a single charge of its Nikon EN-EL15b power pack. The power pack in the Z7 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
2.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	US$ 3 399	ebay.com
3.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	US$ 1 999	ebay.com
4.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420	Y	Oct 2020	US$ 2 999	amazon.com
5.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
6.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	US$ 1 999	ebay.com
7.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	US$ 1 699	ebay.com
8.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	US$ 899	ebay.com
9.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	US$ 1 499	ebay.com
10.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	US$ 1 699	amazon.com
11.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
12.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
13.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	US$ 3 199	ebay.com
15.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
16.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	US$ 3 199	amazon.com
17.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	US$ 4 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GH5 was launched at a markedly lower price (by 41 percent) than the Z7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GH5 features a Four Thirds sensor and the Nikon Z7 a full frame sensor. The sensor area in the Z7 is 281 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH5 has a native 4:3 aspect ratio, while the one in the Z7 offers a 3:2 aspect.

With 45.4MP, the Z7 offers a higher resolution than the GH5 (20.2MP), but the Z7 nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.34μm for the GH5) due to its larger sensor. Moreover, the Z7 is a somewhat more recent model (by 1 year and 7 months) than the GH5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Panasonic GH5 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The Z7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DC-GH5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon Z7 are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.

In terms of underlying technology, the GH5 is build around a CMOS sensor, while the Z7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the Z7 offers substantially better image quality than the GH5 (overall score 22 points higher). The advantage is based on 2.4 bits higher color depth, 1.6 EV in additional dynamic range, and 1.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
2.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
3.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
4.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
5.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
6.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
7.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
8.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
9.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
10.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
11.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
12.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
13.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
17.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5 provides a higher frame rate than the Z7. It can shoot video footage at 4K/60p, while the Nikon is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Z7 offers a slightly higher resolution than the one in the GH5 (3690k vs 3680k dots). The table below summarizes some of the other core capabilities of the Panasonic GH5 and Nikon Z7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
2.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
3.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
4.		Nikon Z7 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	10.0/s	n	Y
5.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
6.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
7.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
8.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
9.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
10.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
11.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
12.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
13.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the Z7, but is missing on the GH5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH5 and the Nikon Z7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GH5 writes its imaging data to SDXC cards, while the Z7 uses XQD cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z7 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 and Nikon Z7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
2.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
3.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
4.		Nikon Z7 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
7.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
8.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
10.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
13.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
17.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

Studio photographers will appreciate that the Panasonic GH5 (unlike the Z7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GH5 and the Z7 have been discontinued, but can regularly be found used on ebay. The GH5 was replaced by the Panasonic GH5 II, while the Z7 was followed by the Nikon Z7 II. Further information on the features and operation of the GH5 and Z7 can be found, respectively, in the Panasonic GH5 Manual (free pdf) or the online Nikon Z7 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic GH5 or the Nikon Z7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Panasonic Lumix DC-GH5:

• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (410 versus 330) on a single battery charge.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in January 2017).

Reasons to prefer the Nikon Z7:

• More detail: Has more megapixels (45.4 vs 20.2MP), which boosts linear resolution by 53%.
• Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.7 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.76x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1620k dots).
• Easier travel charging: Can be conveniently charged via its USB port.
• More modern: Was introduced somewhat (1 year and 7 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the Z7 comes out slightly ahead of the GH5 (11 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GH5 and the Nikon Z7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GH5 and the Z7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
2.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
3.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	US$ 1 999	ebay.com
4.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	US$ 2 999	amazon.com
5.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
6.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
7.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	US$ 1 699	ebay.com
8.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
9.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	US$ 1 499	ebay.com
10.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	US$ 1 699	amazon.com
11.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
12.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
13.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	US$ 3 199	ebay.com
15.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
16.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
17.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	US$ 4 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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