Panasonic GF7 vs Ricoh GR II
The Panasonic Lumix DMC-GF7 and the Ricoh GR II are two digital cameras that were revealed to the public, respectively, in January 2015 and June 2015. The GF7 is a mirrorless interchangeable lens camera, while the GR II is a fixed lens compact. The cameras are based on a Four Thirds (GF7) and an APS-C (GR II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Ricoh provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF7 and the Ricoh GR II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GF7 and the Ricoh GR II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the GR II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh GR II is notably larger (6 percent) than the Panasonic GF7. In this context, it is worth noting that neither the GF7 nor the GR II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GR II has a lens built in, whereas the GF7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GF7 gets 230 shots out of its DMW-BLH7 battery, while the GR II can take 320 images on a single charge of its DB65 power pack. The power pack in the GR II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499||ebay.com|
|2.||Ricoh GR II||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||amazon.com|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||ebay.com|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|5.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549||amazon.com|
|6.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|7.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|8.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|9.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|10.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|11.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|12.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|13.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|14.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799||ebay.com|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GF7 features a Four Thirds sensor and the Ricoh GR II an APS-C sensor. The sensor area in the GR II is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF7 has a native 4:3 aspect ratio, while the one in the GR II offers a 3:2 aspect.
With 16.1MP, the GR II offers a higher resolution than the GF7 (15.8MP), but the GR II nevertheless has larger individual pixels (pixel pitch of 4.79μm versus 3.77μm for the GF7) due to its larger sensor. Moreover, the GR II is a somewhat more recent model (by 4 months) than the GF7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GR II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-GF7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Ricoh GR II are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|2.||Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|5.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|6.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|7.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|8.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|9.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|10.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|11.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|12.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|13.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF7 provides a higher frame rate than the GR II. It can shoot video footage at 1080/60p, while the Ricoh is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The GF7 and the GR II are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GR II can be equipped with an optional viewfinder – the GV-1. The adjacent table lists some of the other core features of the Panasonic GF7 and Ricoh GR II along with similar information for a selection of comparators.
|1.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8/s||Y||n|
|2.||Ricoh GR II||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|3.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|4.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|5.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|6.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|7.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|8.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|9.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|10.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|11.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|12.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|13.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|14.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF7 has a touchscreen, while the GR II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GF7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GR II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Ricoh GR II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF7 and the GR II write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF7 and Ricoh GR II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Ricoh GR II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|10.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GR II has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The GF7 does not feature such an accessory-socket.
The GR II is a recent model that features in the current product line-up of Ricoh. In contrast, the GF7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF7 was succeeded by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Ricoh websites.
So how do things add up? Is there a clear favorite between the Panasonic GF7 and the Ricoh GR II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-GF7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
Arguments in favor of the Ricoh GR II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the GF7 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GF7).
- Longer lasting: Gets more shots (320 versus 230) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Was introduced somewhat (4 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GR II is the clear winner of the contest (15 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF7 and the Ricoh GR II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF7 or the GR II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499||ebay.com|
|2.||Ricoh GR II||..||..||..||..||4.5/5||4.5/5||Jun 2015||699||amazon.com|
|3.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499||ebay.com|
|4.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|5.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549||amazon.com|
|6.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|7.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|8.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|9.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|10.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|11.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|12.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|13.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|14.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799||ebay.com|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D vs Ricoh GR II
- Canon G16 vs Ricoh GR II
- Fujifilm X-S10 vs Ricoh GR II
- Leica V-LUX 3 vs Ricoh GR II
- Nikon 1 J5 vs Ricoh GR II
- Nikon D5600 vs Panasonic GF7
- Nikon D600 vs Panasonic GF7
- Nikon D610 vs Panasonic GF7
- Olympus E-3 vs Panasonic GF7
- Panasonic GF7 vs Sony H200
- Panasonic GF7 vs Sony ZV-E10
- Ricoh GR II vs Zeiss ZX1
Specifications: Panasonic GF7 vs Ricoh GR II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF7||Ricoh GR II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28mm f/2.8|
|Launch Date||January 2015||June 2015|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Panasonic GF7||Ricoh GR II|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.7 x 15.6 mm|
|Sensor Area||224.9 mm2||369.72 mm2|
|Sensor Diagonal||21.6 mm||28.4 mm|
|Sensor Resolution||15.8 Megapixels||16.1 Megapixels|
|Image Resolution||4592 x 3448 pixels||4928 x 3264 pixels|
|Pixel Pitch||3.77 μm||4.79 μm|
|Pixel Density||7.04 MP/cm2||4.35 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||GR Engine V|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1078|
|Screen Specs||Panasonic GF7||Ricoh GR II|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GF7||Ricoh GR II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.8 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GF7||Ricoh GR II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic GF7||Ricoh GR II|
|Battery Life (CIPA)||230 shots per charge||320 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
117 x 63 x 35 mm
(4.6 x 2.5 x 1.4 in)
|Camera Weight||266 g (9.4 oz)||251 g (8.9 oz)|
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