Panasonic GF7 vs GX1
The Panasonic Lumix DMC-GF7 and the Panasonic Lumix DMC-GX1 are two digital cameras that were announced, respectively, in January 2015 and November 2011. Both the GF7 and the GX1 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.8 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF7 and the Panasonic Lumix DMC-GX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GF7 and the Panasonic GX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the GX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX1 is notably larger (13 percent) than the Panasonic GF7. Moreover, the GX1 is markedly heavier (20 percent) than the GF7. In this context, it is worth noting that neither the GF7 nor the GX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|2.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|3.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|4.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|5.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|6.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|7.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|8.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|9.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|10.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|11.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|12.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|13.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|14.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 29 percent) than the GX1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.8 megapixels. This similarity in sensor specs implies that both the GF7 and the GX1 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GF7 is much more recent (by 3 years and 2 months) than the GX1, and its sensor will have benefitted from technological advances during this time.
The Panasonic Lumix DMC-GF7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX1 are ISO 160 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|2.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|3.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|4.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|5.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|6.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|7.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|8.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|9.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|10.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|11.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|12.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|13.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|14.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. The GF7 and the GX1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GX1 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Panasonic GF7, the Panasonic GX1, and comparable cameras.
|1.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|2.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|3.||Panasonic GX850||none||n||3.0 / 1040||tilting||Y||1/500s||10.0||Y||n|
|4.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|5.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|6.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|7.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|8.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|9.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|10.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|11.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|12.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|13.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|14.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the GF7 and the GX1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF7 and Panasonic Lumix DMC-GX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Panasonic GX850||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GF7 offers wifi support, while the GX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the GF7 and the GX1 have been discontinued, but can regularly be found used on eBay. The GX1 was replaced by the Panasonic GX7, while the GF7 was followed by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Which of the two cameras – the Panasonic GF7 or the Panasonic GX1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-GF7:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 4.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 116x68mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 52g or 16 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 3 years and 2 months of technical progress since the GX1 launch.
Arguments in favor of the Panasonic Lumix DMC-GX1:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Gets more shots (320 versus 230) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in November 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the GF7 is the clear winner of the match-up (11 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF7 and the Panasonic GX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GF7 and the GX1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|2.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|3.||Panasonic GX850||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|4.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|5.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|6.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|7.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|8.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|9.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|10.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|11.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|12.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|13.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|14.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Panasonic GF7
- Canon Rebel vs Panasonic GX1
- Canon SX70 vs Panasonic GF7
- Canon XS vs Panasonic GF7
- Fujifilm X-A1 vs Panasonic GX1
- Fujifilm X100T vs Panasonic GF7
- Leica S Typ 007 vs Panasonic GX1
- Nikon B500 vs Panasonic GX1
- Olympus XZ-2 vs Panasonic GF7
- Panasonic GF7 vs Panasonic LX10
- Panasonic GX1 vs Ricoh GR II
- Panasonic GX1 vs Sony RX10
Specifications: Panasonic GF7 vs Panasonic GX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF7||Panasonic GX1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2015||November 2011|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Panasonic GF7||Panasonic GX1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.8 Megapixels||15.8 Megapixels|
|Image Resolution||4592 x 3448 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.77 μm||3.77 μm|
|Pixel Density||7.04 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||160 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||Venus FHD|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||10.6|
|DXO Low Light (ISO)||..||703|
|Screen Specs||Panasonic GF7||Panasonic GX1|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Panasonic GF7||Panasonic GX1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/500s||1/4000s|
|Continuous Shooting||5.8 shutter flaps/s||4.2 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GF7||Panasonic GX1|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic GF7||Panasonic GX1|
|Battery Life (CIPA)||230 shots per charge||320 shots per charge|
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
116 x 68 x 39 mm
(4.6 x 2.7 x 1.5 in)
|Camera Weight||266 g (9.4 oz)||318 g (11.2 oz)|
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