Panasonic GF2 vs GH6

The Panasonic Lumix DMC-GF2 and the Panasonic Lumix DC-GH6 are two digital cameras that were revealed to the public, respectively, in November 2010 and February 2022. Both the GF2 and the GH6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The GF2 has a resolution of 12 megapixels, whereas the GH6 provides 25 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF2		Panasonic GH6
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Micro Four Thirds lenses
12 MP – Four Thirds sensor		25 MP – Four Thirds sensor
1080/60i Video		5.7K/60p Video
ISO 100-6,400		ISO 100-25,600
Viewfinder optional		Electronic viewfinder (3680k dots)
3.0" LCD – 460k dots		3.0" LCD – 1840k dots
Fixed touchscreen		Fully flexible touchscreen
2.6 shutter flaps per second		14 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		360 shots per battery charge
113 x 68 x 33 mm, 310 g		138 x 100 x 100 mm, 823 g

Check GF2 offers at
ebay.com
Check GH6 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF2 and the Panasonic Lumix DC-GH6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GF2 and the Panasonic GH6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF2 can be obtained in four different colors (black, silver, red, white), while the GH6 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH6 is considerably larger (80 percent) than the Panasonic GF2. Moreover, the GH6 is substantially heavier (165 percent) than the GF2. It is noteworthy in this context that the GH6 is splash and dust-proof, while the GF2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF2 gets 300 shots out of its Panasonic DMW-BLD10 battery, while the GH6 can take 360 images on a single charge of its Panasonic DMW-BLK22 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
2.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	US$ 2 199	amazon.com
3.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	US$ 599	ebay.com
4.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	US$ 599	ebay.com
5.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	US$ 499	ebay.com
6.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
7.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
8.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
9.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	US$ 1 899	amazon.com
10.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
11.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	US$ 749	ebay.com
12.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
13.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
14.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
15.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	US$ 1 699	amazon.com
16.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
17.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF2 was launched at a markedly lower price (by 75 percent) than the GH6, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the GH6 offers a higher resolution of 25 megapixels, compared with 12 MP of the GF2. This megapixels advantage translates into a 44 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 4.33μm for the GF2). However, it should be noted that the GH6 is much more recent (by 11 years and 3 months) than the GF2, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the GH6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic GH6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH6 for good quality output (200 dots per inch) amounts to 28.9 x 21.7 inches or 73.4 x 55.1 cm, for very good quality (250 dpi) 23.1 x 17.3 inches or 58.7 x 44.1 cm, and for excellent quality (300 dpi) 19.3 x 14.5 inches or 48.9 x 36.7 cm. The corresponding values for the Panasonic GF2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the GF2, the GH6 has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-GF2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DC-GH6 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
2.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
3.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
4.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
5.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
6.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
7.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
8.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
9.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
10.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
11.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
12.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
13.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
14.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
15.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
16.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
17.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH6 provides a better video resolution than the GF2. It can shoot movie footage at 5.7K/60p, while the GF2 is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH6 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF2 relies on live view and the rear LCD for framing. That said, the GF2 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Panasonic GF2, the Panasonic GH6, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
2.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
3.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
4.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
5.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
6.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
7.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
8.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
9.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
10.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
11.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
12.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
13.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
14.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
15.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
16.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
17.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GF2 has one, while the GH6 does not. While the built-in flash of the GF2 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GF2 writes its imaging data to SDXC cards, while the GH6 uses CFexpress (type B) or SDXC cards. The GH6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF2 only has one slot. The GH6 supports UHS-II cards (on both slots), while the GF2 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF2 and Panasonic Lumix DC-GH6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
5.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
7.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
11.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
15.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GH6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF2 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic GH6 (unlike the GF2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GH6 is a recent model that features in the current product line-up of Panasonic. In contrast, the GF2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF2 was succeeded by the Panasonic GF3. Further information on the features and operation of the GF2 and GH6 can be found, respectively, in the Panasonic GF2 Manual (free pdf) or the online Panasonic GH6 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic GF2 and the Panasonic GH6? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DMC-GF2:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (113x68mm vs 138x100mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 513g or 62 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in November 2010).

Advantages of the Panasonic Lumix DC-GH6:

• More detail: Has more megapixels (25 vs 12MP), which boosts linear resolution by 44%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher definition movie capture (5.7K/60p vs 1080/60i).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 460k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 2.6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (360 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 11 years and 3 months of technical progress since the GF2 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the GH6 is the clear winner of the contest (25 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF2 and the Panasonic GH6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GF2 and the GH6 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
2.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	US$ 2 199	amazon.com
3.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	US$ 599	ebay.com
4.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	US$ 599	ebay.com
5.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	US$ 499	ebay.com
6.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
7.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
8.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
9.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	US$ 1 899	amazon.com
10.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
11.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	US$ 749	ebay.com
12.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
13.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
14.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
15.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	US$ 1 699	amazon.com
16.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
17.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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