Panasonic G9 vs Sony RX100 II
The Panasonic Lumix DC-G9 and the Sony Cyber-shot DSC-RX100 II are two digital cameras that were officially introduced, respectively, in November 2017 and June 2013. The G9 is a mirrorless interchangeable lens camera, while the RX100 II is a fixed lens compact. The cameras are based on a Four Thirds (G9) and an one-inch (RX100 II) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 and the Sony Cyber-shot DSC-RX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G9 and the Sony RX100 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 II is considerably smaller (55 percent) than the Panasonic G9. It is worth mentioning in this context that the G9 is splash and dust resistant, while the RX100 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 II has a lens built in, whereas the G9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G9 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G9 gets 400 shots out of its DMW-BLF19 battery, while the RX100 II can take 350 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|2.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|3.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|4.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|5.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|6.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|7.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|8.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|9.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|10.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|11.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|12.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|13.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|14.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|15.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX100 II was launched at a lower price than the G9, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Sony RX100 II an one-inch sensor. The sensor area in the RX100 II is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the G9 has a native 4:3 aspect ratio, while the one in the RX100 II offers a 3:2 aspect.
With 20.2MP, the G9 offers a slightly higher resolution than the RX100 II (20MP), but the G9 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the RX100 II) due to its larger sensor. Moreover, the G9 is a much more recent model (by 4 years and 4 months) than the RX100 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the RX100 II, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|2.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|3.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|5.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|6.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|7.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|8.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..|
|9.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|10.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|11.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|12.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|13.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|15.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 provides a higher video resolution than the RX100 II. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G9 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX100 II relies on live view and the rear LCD for framing. That said, the RX100 II can be equipped with an optional viewfinder – the FDA-EV1MK. The adjacent table lists some of the other core features of the Panasonic G9 and Sony RX100 II along with similar information for a selection of comparators.
|1.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|2.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|3.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|4.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0||n||Y|
|5.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|6.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|7.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|8.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||n|
|9.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|10.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|11.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|12.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|13.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|14.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0||n||Y|
|15.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100||none||n||3.0 / 1229||fixed||n||1/2000s||10.0||Y||Y|
One feature that is present on the G9, but is missing on the RX100 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G9 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX100 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G9 writes its imaging data to SDXC cards, while the RX100 II uses SDXC or Memory Stick PRO Duo cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 II only has one slot. The G9 supports UHS-II cards (on both slots), while the RX100 II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 and Sony Cyber-shot DSC-RX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|2.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|5.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|7.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|8.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|11.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|13.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the G9 has a microphone port, which is missing on the RX100 II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Panasonic G9 (unlike the RX100 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX100 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX100 II was succeeded by the Sony RX100 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Which of the two cameras – the Panasonic G9 or the Sony RX100 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DC-G9:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 4 months of technical progress since the RX100 II launch.
Arguments in favor of the Sony Cyber-shot DSC-RX100 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Ready to shoot: Has an integrated lens, whereas the G9 necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 137x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the G9).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the match-up (28 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 and the Sony RX100 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G9 or the RX100 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|2.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|3.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|4.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|5.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|6.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|7.||Panasonic GH5 II||..||..||4.5/5||..||..||5/5||May 2021||1,699|
|8.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|9.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|10.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|11.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|12.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|13.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|14.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|15.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100||5/5||+ +||..||78/100||4/5||5/5||Jun 2012||649|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Leica S Typ 006 vs Panasonic G9
- Nikon D1H vs Panasonic G9
- Nikon L840 vs Sony RX100 II
- Nikon P900 vs Panasonic G9
- Panasonic FZ330 vs Panasonic G9
- Panasonic G9 vs Panasonic LX5
- Panasonic G9 vs Sony RX100 IV
- Panasonic GH5 vs Sony RX100 II
- Pentax 645D vs Sony RX100 II
- Sony A6000 vs Sony RX100 II
- Sony A99 II vs Sony RX100 II
- Sony A99 vs Sony RX100 II
Specifications: Panasonic G9 vs Sony RX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G9||Sony RX100 II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28-100mm f/1.8-4.9|
|Launch Date||November 2017||June 2013|
|Launch Price||USD 1,699||USD 749|
|Sensor Specs||Panasonic G9||Sony RX100 II|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.34 μm||2.41 μm|
|Pixel Density||8.96 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||Venus 10||BIONZ X|
|DXO Sensor Quality (score)||..||67|
|DXO Color Depth (bits)||..||22.5|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||483|
|Screen Specs||Panasonic G9||Sony RX100 II|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G9||Sony RX100 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic G9||Sony RX100 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic G9||Sony RX100 II|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
102 x 58 x 38 mm
(4.0 x 2.3 x 1.5 in)
|Camera Weight||658 g (23.2 oz)||281 g (9.9 oz)|
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