Panasonic G9 II vs S5
The Panasonic Lumix DC-G9 II and the Panasonic Lumix DC-S5 are two enthusiast cameras that were announced, respectively, in September 2023 and September 2020. Both the G9 II and the S5 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G9 II) and a full frame (S5) sensor. The G9 II has a resolution of 25 megapixels, whereas the S5 provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 II and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic G9 II and the Panasonic S5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is somewhat smaller (5 percent) than the Panasonic G9 II. However, the S5 is markedly heavier (9 percent) than the G9 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
2. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
3. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | US$ 1 999 | amazon.com | |
4. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
5. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | US$ 1 999 | ebay.com | |
6. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | US$ 1 799 | ebay.com | |
7. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | US$ 2 199 | ebay.com | |
8. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | US$ 1 699 | ebay.com | |
9. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
10. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
11. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
12. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
13. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | US$ 1 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G9 II was somewhat cheaper (by 5 percent) than the S5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G9 II features a Four Thirds sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G9 II has a native 4:3 aspect ratio, while the one in the S5 offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic G9 II offers a higher resolution of 25 megapixels, compared with 24 MP of the Panasonic S5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 5.94μm for the S5). However, it should be noted that the G9 II is much more recent (by 3 years) than the S5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The G9 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-25600. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
2. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
3. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
4. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
5. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
6. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
7. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
8. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
9. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
10. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
11. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
12. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
13. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 II provides a higher video resolution than the S5. It can shoot video footage at 5.7K/60p, while the S5 is limited to 4K/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G9 II offers a substantially higher resolution than the one in the S5 (3680k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Panasonic G9 II, the Panasonic S5, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
2. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
3. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
4. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
5. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
6. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
7. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
9. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
10. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
11. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
12. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
13. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 II and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9 II and the S5 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the G9 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the S5 supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 II and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
2. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
6. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
7. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
8. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
9. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
10. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
11. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
12. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
Both the G9 II and the S5 are recent models that are part of the current product line-up. The G9 II replaced the earlier Panasonic G9, while the S5 does not have a direct predecessor. Further information on the features and operation of the G9 II and S5 can be found, respectively, in the Panasonic G9 II Manual (free pdf) or the online Panasonic S5 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G9 II and the Panasonic S5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-G9 II:
- Better video: Provides higher definition movie capture (5.7K/60p vs 4K/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.74x).
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- More modern: Reflects 3 years of technical progress since the S5 launch.
Arguments in favor of the Panasonic Lumix DC-S5:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Longer lasting: Gets more shots (440 versus 390) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in September 2020).
If the count of relative strengths (bullet points above) is taken as a measure, the G9 II comes out slightly ahead of the S5 (7 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 II and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G9 II or the S5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
2. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
3. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | US$ 1 999 | amazon.com | |
4. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
5. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | US$ 1 999 | ebay.com | |
6. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | US$ 1 799 | ebay.com | |
7. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | US$ 2 199 | ebay.com | |
8. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | US$ 1 699 | ebay.com | |
9. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
10. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
11. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
12. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
13. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | US$ 1 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G5 X vs Panasonic S5
- Canon R5 C vs Panasonic G9 II
- Canon R5 vs Panasonic S5
- Canon RP vs Panasonic G9 II
- Nikon B600 vs Panasonic G9 II
- Nikon D5300 vs Panasonic S5
- Nikon D5500 vs Panasonic S5
- Olympus E-M1X vs Panasonic G9 II
- Panasonic G9 II vs Panasonic S1R
- Panasonic G9 II vs Sony A9 II
- Panasonic S5 vs Sony A6500
- Panasonic S5 vs Sony A7R III
Specifications: Panasonic G9 II vs Panasonic S5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G9 II | Panasonic S5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Leica L mount lenses |
Launch Date | September 2023 | September 2020 |
Launch Price | USD 1,899 | USD 1,999 |
Sensor Specs | Panasonic G9 II | Panasonic S5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.6 x 23.8 mm |
Sensor Area | 224.9 mm2 | 847.28 mm2 |
Sensor Diagonal | 21.6 mm | 42.8 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 25 Megapixels | 24 Megapixels |
Image Resolution | 5776 x 4336 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.00 μm | 5.94 μm |
Pixel Density | 11.14 MP/cm2 | 2.83 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 5.7K/60p Video | 4K/60p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 51,200 ISO |
ISO Boost | 50 - 25,600 ISO | 50 - 204,800 ISO |
Image Processor | Venus | Venus |
DXO Sensor Quality (score) | .. | 94 |
DXO Color Depth (bits) | .. | 25.1 |
DXO Dynamic Range (EV) | .. | 14.5 |
DXO Low Light (ISO) | .. | 2697 |
Screen Specs | Panasonic G9 II | Panasonic S5 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.8x | 0.74x |
Viewfinder Resolution | 3680k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1840k dots | 1840k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic G9 II | Panasonic S5 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 7 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 200 000 actuations |
Electronic Shutter | up to 1/32000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | Dual UHS-II | Single UHS-II |
Connectivity Specs | Panasonic G9 II | Panasonic S5 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | full HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Panasonic G9 II | Panasonic S5 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Panasonic DMW-BLK22 | Panasonic DMW-BLK22 |
Battery Life (CIPA) | 390 shots per charge | 440 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
133 x 98 x 82 mm (5.2 x 3.9 x 3.2 in) |
Camera Weight | 658 g (23.2 oz) | 714 g (25.2 oz) |
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