Nikon D5500 vs Panasonic S5
The Nikon D5500 and the Panasonic Lumix DC-S5 are two digital cameras that were announced, respectively, in January 2015 and September 2020. The D5500 is a DSLR, while the S5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5500) and a full frame (S5) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Nikon D5500 and the Panasonic S5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the S5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is notably larger (8 percent) than the Nikon D5500. Moreover, the S5 is substantially heavier (52 percent) than the D5500. It is noteworthy in this context that the S5 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the D5500 gets 820 shots out of its Nikon EN-EL14a battery, while the S5 can take 440 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | 899 | ebay.com | |
2. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | 1,999 | amazon.com | |
3. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | 979 | ebay.com | |
4. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
5. | Nikon D3200 | 125 mm | 96 mm | 77 mm | 505 g | 540 | n | Apr 2012 | 599 | ebay.com | |
6. | Nikon D3300 | 124 mm | 98 mm | 76 mm | 430 g | 700 | n | Jan 2014 | 499 | ebay.com | |
7. | Nikon D3400 | 124 mm | 98 mm | 76 mm | 445 g | 1200 | n | Aug 2016 | 499 | ebay.com | |
8. | Nikon D5100 | 128 mm | 97 mm | 79 mm | 560 g | 660 | n | Apr 2011 | 749 | ebay.com | |
9. | Nikon D5200 | 129 mm | 98 mm | 78 mm | 555 g | 500 | n | Nov 2012 | 749 | ebay.com | |
10. | Nikon D5300 | 125 mm | 98 mm | 76 mm | 480 g | 600 | n | Oct 2013 | 799 | ebay.com | |
11. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | 699 | ebay.com | |
12. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
13. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
14. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | 1,699 | amazon.com | |
15. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | 1,999 | amazon.com | |
16. | Samsung NX30 | 127 mm | 96 mm | 58 mm | 375 g | 360 | n | Jan 2014 | 999 | ebay.com | |
17. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5500 was launched at a markedly lower price (by 55 percent) than the S5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the S5 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the S5 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.91μm for the D5500), which gives it a potential advantage in terms of light gathering capacity. In addition, the S5 is much more recent (by 5 years and 7 months) than the D5500, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the D5500, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the S5 has a markedly higher DXO score than the D5500 (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 0.5 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
2. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
3. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
4. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
5. | Nikon D3200 | APS-C | 24.1 | 6016 | 4000 | 1080/30p | 24.1 | 13.2 | 1131 | 81 | |
6. | Nikon D3300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.8 | 1385 | 82 | |
7. | Nikon D3400 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 13.9 | 1192 | 86 | |
8. | Nikon D5100 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.5 | 13.6 | 1183 | 80 | |
9. | Nikon D5200 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.2 | 13.9 | 1284 | 84 | |
10. | Nikon D5300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.9 | 1338 | 83 | |
11. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
12. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
13. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
14. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
15. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
16. | Samsung NX30 | APS-C | 20.0 | 5472 | 3648 | 1080/60p | 23.5 | 12.4 | 1014 | 76 | |
17. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S5 provides a better video resolution than the D5500. It can shoot movie footage at 4K/60p, while the Nikon is limited to 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S5 has an electronic viewfinder (2360k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S5 offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S5 has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D5500 and Panasonic S5 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
2. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
3. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
4. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
5. | Nikon D3200 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 4.0/s | Y | n | |
6. | Nikon D3300 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
7. | Nikon D3400 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
8. | Nikon D5100 | optical | n | 3.0 / 921 | swivel | n | 1/4000s | 4.0/s | Y | n | |
9. | Nikon D5200 | optical | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | n | |
10. | Nikon D5300 | optical | n | 3.2 / 1037 | swivel | n | 1/4000s | 5.0/s | Y | n | |
11. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
12. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
13. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
14. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
15. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
16. | Samsung NX30 | 2359 | n | 3.0 / 1036 | swivel | Y | 1/8000s | 9.0/s | Y | n | |
17. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The D5500 has one, while the S5 does not. While the built-in flash of the D5500 is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5500 and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5500 and the S5 write their files to SDXC cards. The S5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5500 only has one slot. The S5 supports UHS-II cards (on its first slot), while the D5500 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
2. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
5. | Nikon D3200 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
6. | Nikon D3300 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Nikon D3400 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
8. | Nikon D5100 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Nikon D5200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Nikon D5300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
11. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
12. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
14. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
16. | Samsung NX30 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the S5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5500 lacks such a headphone port.
The S5 is a recent model that features in the current product line-up of Panasonic. In contrast, the D5500 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D5500 was succeeded by the Nikon D5600. Further information on the features and operation of the D5500 and S5 can be found, respectively, in the Nikon D5500 Manual (free pdf) or the online Panasonic S5 Manual.
Review summary
So how do things add up? Is the Nikon D5500 better than the Panasonic S5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D5500:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Less heavy: Is lighter (by 244g or 34 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (820 versus 440) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2015).
Reasons to prefer the Panasonic Lumix DC-S5:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 7 months of technical progress since the D5500 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the S5 is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the S5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | 899 | ebay.com | |
2. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | 1,999 | amazon.com | |
3. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | 979 | ebay.com | |
4. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
5. | Nikon D3200 | 5/5 | + + | .. | 73/100 | 4.5/5 | 4.5/5 | Apr 2012 | 599 | ebay.com | |
6. | Nikon D3300 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2014 | 499 | ebay.com | |
7. | Nikon D3400 | 4/5 | + | 4/5 | 76/100 | 4/5 | 4.5/5 | Aug 2016 | 499 | ebay.com | |
8. | Nikon D5100 | 5/5 | + + | .. | 76/100 | 4.5/5 | 4.5/5 | Apr 2011 | 749 | ebay.com | |
9. | Nikon D5200 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Nov 2012 | 749 | ebay.com | |
10. | Nikon D5300 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Oct 2013 | 799 | ebay.com | |
11. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | 699 | ebay.com | |
12. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
13. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
14. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | 1,699 | amazon.com | |
15. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | 1,999 | amazon.com | |
16. | Samsung NX30 | 3/5 | .. | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2014 | 999 | ebay.com | |
17. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Nikon D5500 vs Panasonic S5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D5500 | Panasonic S5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Leica L mount lenses |
Launch Date | January 2015 | September 2020 |
Launch Price | USD 899 | USD 1,999 |
Sensor Specs | Nikon D5500 | Panasonic S5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.5 x 15.6 mm | 35.6 x 23.8 mm |
Sensor Area | 366.6 mm2 | 847.28 mm2 |
Sensor Diagonal | 28.2 mm | 42.8 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 24 Megapixels | 24 Megapixels |
Image Resolution | 6000 x 4000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.91 μm | 5.94 μm |
Pixel Density | 6.55 MP/cm2 | 2.83 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/60p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 51,200 ISO |
ISO Boost | no Enhancement | 50 - 204,800 ISO |
Image Processor | EXPEED 4 | Venus |
DXO Sensor Quality (score) | 84 | 94 |
DXO Color Depth (bits) | 24.1 | 25.1 |
DXO Dynamic Range (EV) | 14.0 | 14.5 |
DXO Low Light (ISO) | 1438 | 2697 |
Screen Specs | Nikon D5500 | Panasonic S5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.57x | 0.74x |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 1037k dots | 1840k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon D5500 | Panasonic S5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 5 shutter flaps/s | 7 shutter flaps/s |
Shutter Life Expectancy | 100 000 actuations | 200 000 actuations |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Single UHS-II |
Connectivity Specs | Nikon D5500 | Panasonic S5 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Nikon D5500 | Panasonic S5 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Nikon EN-EL14a | Panasonic DMW-BLK22 |
Battery Life (CIPA) | 820 shots per charge | 440 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
124 x 97 x 70 mm (4.9 x 3.8 x 2.8 in) |
133 x 98 x 82 mm (5.2 x 3.9 x 3.2 in) |
Camera Weight | 470 g (16.6 oz) | 714 g (25.2 oz) |
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