Panasonic G7 vs Leica S-E Typ 006
The Panasonic Lumix DMC-G7 and the Leica S-E (Typ 006) are two digital cameras that were officially introduced, respectively, in May 2015 and September 2014. The G7 is a mirrorless interchangeable lens camera, while the S-E Typ 006 is a DSLR. The cameras are based on a Four Thirds (G7) and a medium format (S-E Typ 006) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Leica provides 37.5 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic G7||Leica S-E Typ 006|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Leica S mount lenses|
|15.8 MP, Four Thirds Sensor||37.5 MP, Medium Format Sensor|
|4K/30p Video||no Video|
|ISO 160-25600||ISO 100-1600|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|7 shutter flaps per second||1.5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|125 x 86 x 77 mm, 410 g||160 x 120 x 80 mm, 1260 g|
Body comparison: Panasonic G7 vs Leica S-E Typ 006
The physical size and weight of the Panasonic G7 and the Leica S-E Typ 006 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica S-E Typ 006 is considerably larger (79 percent) than the Panasonic G7. Moreover, the S-E Typ 006 is substantially heavier (207 percent) than the G7. It is noteworthy in this context that the S-E Typ 006 is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic G7»||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Leica S-E Typ 006«||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S3« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2018||24,490||Leica S3|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Leica S Typ 007« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2012||21,950||-||Leica S Typ 006|
|Leica S2« »||6.3 in||4.7 in||3.1 in||49.7 oz||..||Y||Sep 2008||22,995||-||Leica S2|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Panasonic GF7« »||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499||-||Panasonic GF7|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||1,499||-||Panasonic GH2|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||-||Panasonic GF1|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G7 was launched at a markedly lower price (by 96 percent) than the S-E Typ 006, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G7 vs Leica S-E Typ 006
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Leica S-E Typ 006 a medium format sensor. The sensor area in the S-E Typ 006 is 500 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.8. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the S-E Typ 006 offers a 3:2 aspect.
With 37.5MP, the S-E Typ 006 offers a higher resolution than the G7 (15.8MP), but the S-E Typ 006 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a somewhat more recent model (by 8 months) than the S-E Typ 006, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S-E Typ 006 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600 The corresponding ISO settings for the Leica S-E (Typ 006) are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G7»||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Leica S-E Typ 006«||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S-E Typ 006|
|Leica S3« »||Medium Format||64.0||9800||6533||4K/24p||-||-||-||-||Leica S3|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica S Typ 007« »||Medium Format||37.5||7500||5000||4K/24p||-||-||-||-||Leica S Typ 007|
|Leica S Typ 006« »||Medium Format||37.5||7500||5000||-||23.9||12.2||824||76||Leica S Typ 006|
|Leica S2« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S2|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Panasonic GF7« »||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-||Panasonic GF7|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
Many modern cameras cannot only take still pictures, but also record videos. The G7 indeed provides movie recording capabilities, while the S-E Typ 006 does not. The highest resolution format that the G7 can use is 4K/30p.
Feature comparison: Panasonic G7 vs Leica S-E Typ 006
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), while the S-E Typ 006 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic G7, the Leica S-E Typ 006, and comparable cameras.
|Panasonic G7»||2360||n||3.0||1040||swivel||Y||4000||7.0||Y||n||Panasonic G7|
|Leica S-E Typ 006«||optical||Y||3.0||922||fixed||n||4000||1.5||n||n||Leica S-E Typ 006|
|Leica S3« »||optical||Y||3.0||922||fixed||n||4000||3.0||n||n||Leica S3|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||8000||11.0||n||n||Leica SL|
|Leica S Typ 007« »||optical||Y||3.0||922||fixed||n||4000||3.5||n||n||Leica S Typ 007|
|Leica S Typ 006« »||optical||Y||3.0||922||fixed||n||4000||1.5||n||n||Leica S Typ 006|
|Leica S2« »||optical||Y||3.0||460||fixed||n||4000||1.5||n||n||Leica S2|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||4000||8.0||n||Y||Olympus E-PL7|
|Panasonic GF7« »||-||n||3.0||1040||tilting||Y||500||5.8||Y||n||Panasonic GF7|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||500||5.8||n||n||Panasonic GM5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n||Panasonic G6|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||500||5.0||Y||n||Panasonic GM1|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||4000||6.0||Y||n||Panasonic G5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||4000||4.0||Y||n||Panasonic G3|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||4000||2.6||Y||n||Panasonic G2|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||4000||3.0||Y||n||Panasonic GH2|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||4000||3.0||Y||n||Panasonic GF1|
One difference between the cameras concerns the presence of an on-board flash. The G7 has one, while the S-E Typ 006 does not. While the built-in flash of the G7 is not very powerful, it can at times be useful as a fill-in light.The G7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S-E Typ 006 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the G7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The G7 writes its imaging data to SDXC cards, while the S-E Typ 006 uses Compact Flash or SDXC cards. The S-E Typ 006 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot.
Connectivity comparison: Panasonic G7 vs Leica S-E Typ 006
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Leica S-E (Typ 006) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G7»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Leica S-E Typ 006«||Y||-||-||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Leica S3« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica S Typ 007« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Leica S Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Leica S2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S2|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Panasonic GF7« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Panasonic GF1« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
It is notable that the G7 offers wifi support, while the S-E Typ 006 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Leica S-E Typ 006 (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G7 and the S-E Typ 006 have been discontinued, but can regularly be found used on eBay. The S-E Typ 006 was replaced by the Leica S Typ 007, while the G7 was followed by the Panasonic G85.
Review summary: Panasonic G7 vs Leica S-E Typ 006
So what is the bottom line? Is the Panasonic G7 better than the Leica S-E Typ 006 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (125x86mm vs 160x120mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 850g or 67 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (96 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 8 months after the S-E Typ 006).
Reasons to prefer the Leica S-E (Typ 006):
- More detail: Has more megapixels (37.5 vs 15.8MP), which boosts linear resolution by 57%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the G7 emerges as the winner of the contest (16 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G7 and the S-E Typ 006 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic G7 vs Leica S-E Typ 006
This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic G7»||HiRec||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Leica S-E Typ 006«||-||-||-||-||-||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S3« »||-||-||-||-||-||Sep 2018||24,490||Leica S3|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Leica S Typ 007« »||-||-||-||-||-||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||-||-||-||-||-||Sep 2012||21,950||-||Leica S Typ 006|
|Leica S2« »||-||-||-||-||-||Sep 2008||22,995||-||Leica S2|
|Olympus E-PL7« »||Rec||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Panasonic GF7« »||Rec||-||4.5/5||4.5/5||4.5/5||Jan 2015||499||-||Panasonic GF7|
|Panasonic GM5« »||Rec||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||Rec||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Panasonic G5« »||HiRec||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic G3« »||HiRec||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GH2« »||HiRec||79/100||4.5/5||4.5/5||5/5||Sep 2010||1,499||-||Panasonic GH2|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-||Panasonic GF1|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Specifications: Panasonic G7 vs Leica S-E Typ 006
|Camera Model||Panasonic G7||Leica S-E Typ 006|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Leica S mount lenses|
|Launch Date||May 2015||September 2014|
|Launch Price||USD 649||USD 16900|
|Sensor Format||Four Thirds Sensor||Medium Format Sensor|
|Sensor Size||17.3 x 13.0 mm||45.0 x 13.0 mm|
|Sensor Area||224.9 mm2||1350 mm2|
|Sensor Diagonal||21.6 mm||54.1 mm|
|Sensor Resolution||15.8 Megapixels||37.5 Megapixels|
|Image Resolution||4592 x 3448 pixels||7500 x 5000 pixels|
|Pixel Pitch||3.77 μm||6.00 μm|
|Pixel Density||7.04 MP/cm2||2.78 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||160-25600 ISO||100-1600 ISO|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||98%|
|Viewfinder Resolution||2360k dots||n/a|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||n/a|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||1.5 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLC12 power pack||BP-PRO1 power pack|
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
|Camera Weight||410 g (14.5 oz)||1260 g (44.4 oz)|
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