Panasonic G5 vs Sony RX1R
The Panasonic Lumix DMC-G5 and the Sony Cyber-shot DSC-RX1R are two digital cameras that were revealed to the public, respectively, in July 2012 and June 2013. The G5 is a mirrorless interchangeable lens camera, while the RX1R is a fixed lens compact. The cameras are based on a Four Thirds (G5) and a full frame (RX1R) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G5 and the Sony Cyber-shot DSC-RX1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G5 and the Sony RX1R. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the RX1R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R is notably smaller (26 percent) than the Panasonic G5. In this context, it is worth noting that neither the G5 nor the RX1R are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R has a lens built in, whereas the G5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G5 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G5 gets 320 shots out of its DMW-BLC12 battery, while the RX1R can take 270 images on a single charge of its NP-BX1 power pack. The power pack in the RX1R can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|2.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799||ebay.com|
|3.||Leica X Typ 113||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295||ebay.com|
|4.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|5.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549||amazon.com|
|6.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|7.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|8.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|9.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|10.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|11.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|12.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|13.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|14.||Sony RX1R II||113 mm||65 mm||72 mm||507 g||220||n||Oct 2015||3,299||amazon.com|
|15.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||ebay.com|
|16.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||ebay.com|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G5 features a Four Thirds sensor and the Sony RX1R a full frame sensor. The sensor area in the RX1R is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G5 has a native 4:3 aspect ratio, while the one in the RX1R offers a 3:2 aspect.
With 24MP, the RX1R offers a higher resolution than the G5 (15.9MP), but the RX1R nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.76μm for the G5) due to its larger sensor. Moreover, the RX1R is a somewhat more recent model (by 11 months) than the G5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the RX1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DMC-G5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the RX1R offers substantially better image quality than the G5 (overall score 30 points higher). The advantage is based on 3.6 bits higher color depth, 2 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||21.4||11.6||618||61|
|2.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|3.||Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||23.6||12.8||1491||78|
|4.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|5.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|6.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|7.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|8.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|9.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||20.5||10.0||573||50|
|10.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|11.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.1||459||50|
|12.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|13.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|14.||Sony RX1R II||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97|
|15.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX1R relies on live view and the rear LCD for framing. That said, the RX1R can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Panasonic G5 and Sony RX1R in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|2.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|3.||Leica X Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|4.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|5.||Panasonic GX850||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|6.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|7.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|8.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|9.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|10.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|11.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|12.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|13.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|14.||Sony RX1R II||2360||n||3.0 / 1229||tilting||n||1/4000s||5.0/s||n||n|
|15.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|16.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5 has a touchscreen, while the RX1R has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX1R does not have a selfie-screen.
The G5 writes its imaging data to SDXC cards, while the RX1R uses SDXC or Memory Stick PRO Duo cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX1R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G5 and Sony Cyber-shot DSC-RX1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Leica X Typ 113||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Panasonic GX850||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Sony RX1R II||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the RX1R has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G5 does not feature such a mic input.
Both the G5 and the RX1R have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the RX1R was followed by the Sony RX1R II. Further information on the features and operation of the G5 and RX1R can be found, respectively, in the Panasonic G5 Manual (free pdf) or the online Sony RX1R Manual.
So what conclusions can be drawn? Which of the two cameras – the Panasonic G5 or the Sony RX1R – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (320 versus 270) on a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in July 2012).
Reasons to prefer the Sony Cyber-shot DSC-RX1R:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (30 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- Ready to shoot: Has an integrated lens, whereas the G5 necessitates an extra lens.
- More compact: Is smaller (113x65mm vs 120x83mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Was introduced somewhat (11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the RX1R emerges as the winner of the match-up (12 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G5 and the Sony RX1R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G5 and the RX1R in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|2.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799||ebay.com|
|3.||Leica X Typ 113||3.5/5||..||..||..||3.5/5||4/5||Sep 2014||2,295||ebay.com|
|4.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|5.||Panasonic GX850||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549||amazon.com|
|6.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|7.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|8.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|9.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|10.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|11.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|12.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|13.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|14.||Sony RX1R II||5/5||..||..||82/100||..||4.5/5||Oct 2015||3,299||amazon.com|
|15.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299||ebay.com|
|16.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329||ebay.com|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Olympus XZ-1 vs Sony RX1R
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Specifications: Panasonic G5 vs Sony RX1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G5||Sony RX1R|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||35mm f/2.0|
|Launch Date||July 2012||June 2013|
|Launch Price||USD 599||USD 2,799|
|Sensor Specs||Panasonic G5||Sony RX1R|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.9 mm|
|Sensor Area||224.9 mm2||855.62 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||5.97 μm|
|Pixel Density||7.08 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||160 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||Venus VII FHD||BIONZ X|
|DXO Sensor Quality (score)||61||91|
|DXO Color Depth (bits)||21.4||25.0|
|DXO Dynamic Range (EV)||11.6||13.6|
|DXO Low Light (ISO)||618||2537|
|Screen Specs||Panasonic G5||Sony RX1R|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G5||Sony RX1R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic G5||Sony RX1R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic G5||Sony RX1R|
|Battery Life (CIPA)||320 shots per charge||270 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
113 x 65 x 70 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||396 g (14.0 oz)||482 g (17.0 oz)|
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