Panasonic G3 vs GH2
The Panasonic Lumix DMC-G3 and the Panasonic Lumix DMC-GH2 are two digital cameras that were announced, respectively, in May 2011 and September 2010. Both the G3 and the GH2 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G3 has a resolution of 15.8 megapixels, whereas the GH2 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G3||Panasonic GH2|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|15.8 MP, Four Thirds Sensor||15.9 MP, Four Thirds Sensor|
|1080/60i Video||1080/60i Video|
|ISO 160-6400||ISO 160-12800|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (1534k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|4 shutter flaps per second||3 shutter flaps per second|
|270 shots per battery charge||330 shots per battery charge|
|115 x 84 x 47 mm, 336 g||124 x 90 x 76 mm, 442 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G3 and the Panasonic Lumix DMC-GH2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G3 and the Panasonic GH2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G3 can be obtained in four different colors (black, brown, red, white), while the GH2 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH2 is notably larger (16 percent) than the Panasonic G3. Moreover, the GH2 is markedly heavier (32 percent) than the G3. In this context, it is worth noting that neither the G3 nor the GH2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic G3»||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||Panasonic G3|
|Panasonic GH2«||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||Panasonic GH2|
|Canon M« »||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||Canon M|
|Panasonic G7« »||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||Panasonic G7|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||Panasonic GM5|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GF6« »||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic G5« »||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||Panasonic G5|
|Panasonic GF5« »||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic GH3« »||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||Panasonic GH3|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||Panasonic GX1|
|Panasonic G10« »||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||Panasonic G10|
|Panasonic G2« »||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||Panasonic G2|
|Panasonic GF2« »||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549||Panasonic GF2|
|Panasonic GH1« »||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||Panasonic GH1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G3 was launched at a markedly lower price (by 33 percent) than the GH2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GH2 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the G3. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH2 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the G3). Moreover, it should be noted, that the G3 is a somewhat more recent model (by 7 months) than the GH2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
The Panasonic Lumix DMC-G3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-GH2 are ISO 160 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GH2 has a markedly higher DXO score than the G3 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.2 bits higher color depth, 0.7 EV in additional dynamic range, and 0 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Canon M||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..||Panasonic G5|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH2 offers a slightly higher resolution than the one in the G3 (1534k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G3 and Panasonic GH2 in connection with corresponding information for a sample of similar cameras.
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Canon M||none||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic G5||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic GH3||1746||n||3.0||614||swivel||Y||1/4000s||6.0||Y||n||Panasonic GH3|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic GH1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G3 has a touchscreen, while the GH2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the G3 and the GH2 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G3 and Panasonic Lumix DMC-GH2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Canon M||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic G5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic GH3||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic GH1||Y||stereo||none||Y||-||mini||2.0||-||-||-||Panasonic GH1|
It is notable that the GH2 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G3 does not feature such a mic input.
Both the G3 and the GH2 have been discontinued, but can regularly be found used on eBay. The GH2 was replaced by the Panasonic GH3, while the G3 was followed by the Panasonic G5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what is the bottom line? Is there a clear favorite between the Panasonic G3 and the Panasonic GH2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G3:
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (115x84mm vs 124x90mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 106g or 24 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 7 months after the GH2).
Reasons to prefer the Panasonic Lumix DMC-GH2:
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Longer lasting: Gets more shots (330 versus 270) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in September 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (6 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G3 and the Panasonic GH2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G3 or the GH2 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 40D vs Panasonic G3
- Canon 70D vs Panasonic G3
- Canon G5 X Mark II vs Panasonic GH2
- Canon T3 vs Panasonic G3
- Leica V-LUX 1 vs Panasonic GH2
- Nikon D3100 vs Panasonic GH2
- Nikon D5600 vs Panasonic G3
- Nikon D600 vs Panasonic GH2
- Nikon L840 vs Panasonic GH2
- Olympus TG-6 vs Panasonic G3
- Panasonic G3 vs Samsung NX1
- Panasonic G9 vs Panasonic GH2
Specifications: Panasonic G3 vs Panasonic GH2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G3||Panasonic GH2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||May 2011||September 2010|
|Launch Price||USD 599||USD 899|
|Sensor Specs||Panasonic G3||Panasonic GH2|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.8 Megapixels||15.9 Megapixels|
|Image Resolution||4592 x 3448 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.77 μm||3.76 μm|
|Pixel Density||7.04 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||160-6400 ISO||160-12800 ISO|
|Image Processor||Venus FHD||Venus FHD|
|DXO Sensor Quality (score)||56||60|
|DXO Color Depth (bits)||21.0||21.2|
|DXO Dynamic Range (EV)||10.6||11.3|
|DXO Low Light (ISO)||667||655|
|Screen Specs||Panasonic G3||Panasonic GH2|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1534k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G3||Panasonic GH2|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic G3||Panasonic GH2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic G3||Panasonic GH2|
|Battery Life (CIPA)||270 shots per charge||330 shots per charge|
115 x 84 x 47 mm
(4.5 x 3.3 x 1.9 in)
124 x 90 x 76 mm
(4.9 x 3.5 x 3.0 in)
|Camera Weight||336 g (11.9 oz)||442 g (15.6 oz)|
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