Panasonic G1 vs L10
The Panasonic Lumix DMC-G1 and the Panasonic Lumix DMC- L10 are two digital cameras that were announced, respectively, in September 2008 and August 2007. The G1 is a mirrorless interchangeable lens camera, while the L10 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The G1 has a resolution of 12 megapixels, whereas the L10 provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G1||Panasonic L10|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Four Thirds lenses|
|12 MP, Four Thirds Sensor||10 MP, Four Thirds Sensor|
|no Video||no Video|
|ISO 100-1600 (100-3200)||ISO 100-1600|
|Electronic viewfinder (1440k dots)||Optical viewfinder|
|3.0" LCD, 460k dots||2.5" LCD, 207k dots|
|Swivel screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|3 shutter flaps per second||3 shutter flaps per second|
|410 shots per battery charge||450 shots per battery charge|
|124 x 84 x 45 mm, 360 g||135 x 96 x 78 mm, 556 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Panasonic Lumix DMC- L10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G1 and the Panasonic L10 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L10 is notably larger (24 percent) than the Panasonic G1. Moreover, the L10 is substantially heavier (54 percent) than the G1. In this context, it is worth noting that neither the G1 nor the L10 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G1) and the Four Thirds Lens Catalog (L10). Mirrorless cameras, such as the Panasonic G1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic G1»||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||-||Panasonic G1|
|Panasonic L10«||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-||Panasonic L10|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||-||Panasonic GF2|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||-||Panasonic GF1|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||899||-||Panasonic GH1|
|Panasonic L1« »||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999||-||Panasonic L1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G1 offers a higher resolution of 12 megapixels, compared with 10 MP of the L10. This megapixels advantage translates into a 10 percent gain in linear resolution. On the other hand, these sensor specs imply that the G1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.33μm versus 4.74μm for the L10). In this context, it should be noted, however, that the G1 is a somewhat more recent model (by 1 year) than the L10, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Panasonic G1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC- L10 are ISO 100 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G1»||Four Thirds||12.0||4000||3000||-||21.1||10.3||463||53||Panasonic G1|
|Panasonic L10«||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF2« »||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
|Panasonic GH1« »||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Panasonic L1« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Panasonic L1|
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1 has an electronic viewfinder (1440k dots), while the L10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G1 offers a wider field of view (100%) than the one in the L10 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G1 has a higher magnification (0.70x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G1 and Panasonic L10 along with similar information for a selection of comparators.
|Panasonic G1»||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
|Panasonic L10«||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF2« »||-||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Panasonic GF1|
|Panasonic GH1« »||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Panasonic L1« »||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
Concerning the storage of imaging data, both the G1 and the L10 write their files to SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Panasonic Lumix DMC- L10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G1»||Y||-||-||-||-||mini||2.0||-||-||-||Panasonic G1|
|Panasonic L10«||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic GF1« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
|Panasonic GH1« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Panasonic L1« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L1|
Both the G1 and the L10 have been discontinued, but can regularly be found used on eBay. The G1 was replaced by the Panasonic G2, while the L10 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is there a clear favorite between the Panasonic G1 and the Panasonic L10? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-G1:
- More detail: Offers more megapixels (12 vs 10MP) with a 10% higher linear resolution.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 207k dots).
- More compact: Is smaller (124x84mm vs 135x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 196g or 35 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More modern: Is somewhat more recent (announced 1 year after the L10).
Arguments in favor of the Panasonic Lumix DMC- L10:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More heavily discounted: Has been on the market for longer (launched in August 2007).
If the number of relative strengths (bullet points above) is taken as a guide, the G1 is the clear winner of the match-up (10 : 2 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G1 and the Panasonic L10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G1 and the L10 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G1»||+ +||70/100||4/5||4.5/5||4.5/5||Sep 2008||599||-||Panasonic G1|
|Panasonic L10«||85/100||+||3.5/5||o||4/5||Aug 2007||599||-||Panasonic L10|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-||Panasonic GF2|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-||Panasonic GF1|
|Panasonic GH1« »||+ +||72/100||4.5/5||5/5||4.5/5||Mar 2009||899||-||Panasonic GH1|
|Panasonic L1« »||85/100||+||-||o||3.5/5||Feb 2006||999||-||Panasonic L1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 90D vs Panasonic G1
- Canon G1 X vs Panasonic L10
- Canon M5 vs Panasonic G1
- Fujifilm X-A7 vs Panasonic G1
- Nikon D2Xs vs Panasonic G1
- Nikon D800 vs Panasonic G1
- Olympus E-600 vs Panasonic L10
- Olympus E-PL9 vs Panasonic G1
- Panasonic G1 vs Sony NEX-5T
- Panasonic G1 vs Sony RX10
- Panasonic L10 vs Panasonic TZ90
- Panasonic L10 vs Sony NEX-5N
Specifications: Panasonic G1 vs Panasonic L10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G1||Panasonic L10|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Four Thirds lenses|
|Launch Date||September 2008||August 2007|
|Launch Price||USD 599||USD 599|
|Sensor Specs||Panasonic G1||Panasonic L10|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||10 Megapixels|
|Image Resolution||4000 x 3000 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.33 μm||4.74 μm|
|Pixel Density||5.34 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100-1600 ISO||100-1600 ISO|
|ISO Boost||100-3200 ISO||no Enhancement|
|Image Processor||Venus HD||Venus|
|DXO Sensor Quality (score)||53||55|
|DXO Color Depth (bits)||21.1||21.3|
|DXO Dynamic Range (EV)||10.3||10.8|
|DXO Low Light (ISO)||463||429|
|Screen Specs||Panasonic G1||Panasonic L10|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||460k dots||207k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic G1||Panasonic L10|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic G1||Panasonic L10|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic G1||Panasonic L10|
|Battery Life (CIPA)||410 shots per charge||450 shots per charge|
124 x 84 x 45 mm
(4.9 x 3.3 x 1.8 in)
135 x 96 x 78 mm
(5.3 x 3.8 x 3.1 in)
|Camera Weight||360 g (12.7 oz)||556 g (19.6 oz)|
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