Panasonic FZ82 vs Sony A99 II
The Panasonic Lumix DC-FZ82 (called Panasonic FZ80 in some regions) and the Sony Alpha ALT-A99 II are two digital cameras that were officially introduced, respectively, in January 2017 and September 2016. The FZ82 is a fixed lens compact, while the A99 II is a DSLR. The cameras are based on a 1/2.3-inch (FZ82) and a full frame (A99 II) sensor. The Panasonic has a resolution of 18 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ82 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ82 and the Sony A99 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably larger (22 percent) than the Panasonic FZ82. It is noteworthy in this context that the A99 II is splash and dust-proof, while the FZ82 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the A99 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the FZ82 gets 330 shots out of its DMW-BMB9 battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. The power pack in the FZ82 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ82||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||amazon.com|
|2.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|4.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549||amazon.com|
|5.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|6.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|7.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||amazon.com|
|8.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||ebay.com|
|9.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|10.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|11.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|12.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|13.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|14.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449||ebay.com|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|16.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ82 was launched at a lower price than the A99 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ82 features a 1/2.3-inch sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ82 has a native 4:3 aspect ratio, while the one in the A99 II offers a 3:2 aspect.
With 42.2MP, the A99 II offers a higher resolution than the FZ82 (18MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 1.25μm for the FZ82) due to its larger sensor. However, the FZ82 is a somewhat more recent model (by 3 months) than the A99 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic FZ82 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-FZ82 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|6.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|7.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|9.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A99 II offers a substantially higher resolution than the one in the FZ82 (2400k vs 1166k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ82 and Sony A99 II in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic FZ82||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|2.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|5.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|6.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|7.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0/s||n||n|
|8.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|9.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|10.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|11.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|12.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|13.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|14.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0/s||Y||Y|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The FZ82 has one, while the A99 II does not. While the built-in flash of the FZ82 is not very powerful, it can at times be useful as a fill-in light.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the FZ82 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The FZ82 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ82 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ82 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ82||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|12.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|13.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the A99 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FZ82 does not feature such a mic input.
Studio photographers will appreciate that the Sony A99 II (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the A99 II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the A99 II from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is there a clear favorite between the Panasonic FZ82 and the Sony A99 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DC-FZ82:
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the A99 II requires a separate lens.
- More compact: Is smaller (130x94mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A99 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 3 months after the A99 II).
Reasons to prefer the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 18MP), which boosts linear resolution by 56%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (490 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (24 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ82 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ82 or the A99 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ82||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399||amazon.com|
|2.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|4.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549||amazon.com|
|5.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|6.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|7.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299||amazon.com|
|8.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449||ebay.com|
|9.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|10.||Panasonic TZ90||..||+ +||..||4/5||4/5||4/5||Apr 2017||449||ebay.com|
|11.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|12.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|13.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|14.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449||ebay.com|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|16.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Panasonic FZ82
- Canon 300D vs Sony A99 II
- Canon 5D Mark III vs Panasonic FZ82
- Fujifilm X-T20 vs Sony A99 II
- Nikon D2X vs Sony A99 II
- Nikon D3100 vs Sony A99 II
- Nikon D500 vs Sony A99 II
- Nikon D7100 vs Panasonic FZ82
- Olympus E-M1X vs Panasonic FZ82
- Panasonic FZ82 vs Pentax K-5
- Panasonic FZ82 vs Sony A6300
- Samsung NX30 vs Sony A99 II
Specifications: Panasonic FZ82 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ82||Sony A99 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||20-1200mm f/2.8-5.9||Sony A mount lenses|
|Launch Date||January 2017||September 2016|
|Launch Price||USD 399||USD 3,199|
|Sensor Specs||Panasonic FZ82||Sony A99 II|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 24.0 mm|
|Sensor Area||28.0735 mm2||861.6 mm2|
|Sensor Diagonal||7.7 mm||43.2 mm|
|Sensor Resolution||18 Megapixels||42.2 Megapixels|
|Image Resolution||4896 x 3672 pixels||7952 x 5304 pixels|
|Pixel Pitch||1.25 μm||4.52 μm|
|Pixel Density||64.04 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 6,400 ISO||50 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||92|
|DXO Color Depth (bits)||..||25.4|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||2317|
|Screen Specs||Panasonic FZ82||Sony A99 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ82||Sony A99 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ82||Sony A99 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic FZ82||Sony A99 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||490 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||616 g (21.7 oz)||849 g (29.9 oz)|
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