Panasonic FZ330 vs GF7
The Panasonic Lumix DMC-FZ330 (called Panasonic FZ300 in some regions) and the Panasonic Lumix DMC-GF7 are two digital cameras that were announced, respectively, in July 2015 and January 2015. The FZ330 is a fixed lens compact, while the GF7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ330) and a Four Thirds (GF7) sensor. The FZ330 has a resolution of 12 megapixels, whereas the GF7 provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ330 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ330 and the Panasonic GF7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the FZ330 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (43 percent) than the Panasonic FZ330. It is worth mentioning in this context that the FZ330 is splash and dust resistant, while the GF7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the GF7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF7 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic FZ330||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||amazon.com|
|2.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499||ebay.com|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||amazon.com|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|5.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||ebay.com|
|6.||Leica X-U Typ 113||140 mm||79 mm||88 mm||635 g||450||Y||Jan 2016||2,950||ebay.com|
|7.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549||amazon.com|
|8.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|9.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|10.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|11.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||ebay.com|
|12.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|13.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|14.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|15.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|16.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|17.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ330 features a 1/2.3-inch sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GF7 offers a higher resolution than the FZ330 (12MP), but the GF7 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.53μm for the FZ330) due to its larger sensor. However, the FZ330 is a somewhat more recent model (by 5 months) than the GF7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ330 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the FZ330 is build around a BSI-CMOS sensor, while the GF7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|6.||Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||23.8||13.0||1614||80|
|7.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|8.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|10.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|11.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|12.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|15.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ330 provides a higher video resolution than the GF7. It can shoot video footage at 4K/30p, while the GF7 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ330 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic FZ330 and Panasonic GF7 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic FZ330||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|2.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8/s||Y||n|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|5.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0/s||Y||Y|
|6.||Leica X-U Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|7.||Panasonic GX850||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|8.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|9.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|10.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|11.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|12.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|13.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|14.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|15.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|16.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|17.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ330 and the GF7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ330 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ330||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Leica X-U Typ 113||Y||stereo / mono||-||-||-||2.0||-||-||-|
|7.||Panasonic GX850||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|17.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the FZ330 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the GF7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF7 was succeeded by the Panasonic GX850. Further information on the features and operation of the FZ330 and GF7 can be found, respectively, in the Panasonic FZ330 Manual (free pdf) or the online Panasonic GF7 Manual.
So what is the bottom line? Which of the two cameras – the Panasonic FZ330 or the Panasonic GF7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-FZ330:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the GF7 requires a separate lens.
- Longer lasting: Can take more shots (380 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Is somewhat more recent (announced 5 months after the GF7).
Reasons to prefer the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 12MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (107x65mm vs 132x92mm) and will fit more readily into a bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the FZ330 is the clear winner of the match-up (14 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ330 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ330 or the GF7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ330||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599||amazon.com|
|2.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499||ebay.com|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999||amazon.com|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|5.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599||ebay.com|
|6.||Leica X-U Typ 113||3.5/5||..||..||..||..||3.5/5||Jan 2016||2,950||ebay.com|
|7.||Panasonic GX850||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549||amazon.com|
|8.||Panasonic G7||4/5||+ +||3.5/5||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|9.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|10.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|11.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899||ebay.com|
|12.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|13.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|14.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|15.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|16.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|17.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Fujifilm X-E1 vs Panasonic GF7
- Fujifilm X-T200 vs Panasonic GF7
- Fujifilm XP140 vs Panasonic FZ330
- Leica Q2 vs Panasonic GF7
- Leica X1 vs Panasonic GF7
- Nikon D7500 vs Panasonic FZ330
- Olympus E-M5 II vs Panasonic FZ330
- Olympus XZ-2 vs Panasonic FZ330
- Panasonic FZ330 vs Panasonic GX1
- Panasonic FZ330 vs Pentax K-3 II
- Panasonic GF7 vs Panasonic GX9
- Panasonic GF7 vs Panasonic ZS200
Specifications: Panasonic FZ330 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ330||Panasonic GF7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8||Micro Four Thirds lenses|
|Launch Date||July 2015||January 2015|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Panasonic FZ330||Panasonic GF7|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.8 Megapixels|
|Image Resolution||4000 x 3000 pixels||4592 x 3448 pixels|
|Pixel Pitch||1.53 μm||3.77 μm|
|Pixel Density||42.74 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|DXO Sensor Quality (score)||38||..|
|DXO Color Depth (bits)||19.3||..|
|DXO Dynamic Range (EV)||11.0||..|
|DXO Low Light (ISO)||97||..|
|Screen Specs||Panasonic FZ330||Panasonic GF7|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic FZ330||Panasonic GF7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||12 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ330||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ330||Panasonic GF7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||380 shots per charge||230 shots per charge|
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||691 g (24.4 oz)||266 g (9.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.