Panasonic FZ300 vs Sony HX99
The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Sony Cyber-shot DSC-HX99 are two digital cameras that were revealed to the public, respectively, in July 2015 and August 2018. Both the FZ300 and the HX99 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ300||Sony HX99|
|Fixed lens compact camera||Fixed lens compact camera|
|25-600mm f/2.8||24-720mm f/3.5-6.4|
|12 MP, 1/2.3" Sensor||18 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-6400||ISO 80-3200 (80-6400)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (638k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Tilting touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|380 shots per battery charge||370 shots per battery charge|
|132 x 92 x 117 mm, 691 g||102 x 58 x 36 mm, 242 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ300 and the Sony Cyber-shot DSC-HX99? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ300 and the Sony HX99 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX99 is considerably smaller (51 percent) than the Panasonic FZ300. Moreover, the HX99 is substantially lighter (65 percent) than the FZ300. It is worth mentioning in this context that the FZ300 is splash and dust resistant, while the HX99 does not feature any corresponding weather-sealing.
Concerning battery life, the FZ300 gets 380 shots out of its DMW-BLC12 battery, while the HX99 can take 370 images on a single charge of its NP-BX1 power pack. The power pack in the HX99 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ300»||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Sony HX99«||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Canon SX1« »||5.0 in||3.5 in||3.5 in||21.7 oz||..||n||Sep 2008||599||Canon SX1|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499||Kodak AZ901|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic FZ100« »||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||Panasonic FZ100|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The HX99 was launched at a somewhat lower price (by 25 percent) than the FZ300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the HX99 offers a higher resolution of 18 megapixels, compared with 12 MP of the FZ300. This megapixels advantage translates into a 22 percent gain in linear resolution. On the other hand, these sensor specs imply that the HX99 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 1.53μm for the FZ300). However, it should be noted that the HX99 is much more recent (by 3 years and 1 month) than the FZ300, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony HX99 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX99 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inch or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inch or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inch or 41.5 x 31.1 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ300 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Cyber-shot DSC-HX99 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ300||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon SX1||1/2.3||10.0||3648||2736||1080/30p||..||..||..||..||Canon SX1|
|Fujifilm X30||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X30|
|Kodak AZ901||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Kodak AZ901|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic FZ100||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Panasonic FZ100|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony WX800||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony WX800|
|Sony HX90V||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX90V|
|Sony HX400V||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Sony HX400V|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ300 offers a substantially higher resolution than the one in the HX99 (1440k vs 638k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ300, the Sony HX99, and comparable cameras.
|Panasonic FZ300||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ300|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon SX1||202||n||2.8||230||swivel||n||1/3200s||4.0||Y||Y||Canon SX1|
|Fujifilm X30||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Kodak AZ901||202||n||3.0||920||swivel||n||1/2000s||5.0||Y||Y||Kodak AZ901|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic FZ100||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800||none||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony HX90V||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony HX400V||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ300 and the HX99 have zoom lenses built in. The FZ300 has a 25-600mm f/2.8-2.8 optic and the HX99 offers a 24-720mm f/3.5-6.4 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The FZ300 offers the faster maximum aperture.
The FZ300 writes its imaging data to SDXC cards, while the HX99 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ300 and Sony Cyber-shot DSC-HX99 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ300||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon SX1||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX1|
|Fujifilm X30||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Kodak AZ901||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic FZ100||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony HX90V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony HX400V||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
It is notable that the FZ300 has a hotshoe, while the HX99 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the FZ300 and the HX99 are recent models that are part of the current product line-up. The FZ300 replaced the earlier Panasonic FZ200, while the HX99 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ300 or the Sony HX99 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-FZ300:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 638k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.5).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in July 2015).
Arguments in favor of the Sony Cyber-shot DSC-HX99:
- More detail: Has more megapixels (18 vs 12MP), which boosts linear resolution by 22%.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (102x58mm vs 132x92mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 449g or 65 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 3 years and 1 month of technical progress since the FZ300 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 emerges as the winner of the contest (12 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ300 and the Sony HX99 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ300 or the HX99. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G3 X vs Panasonic FZ300
- Canon T7i vs Sony HX99
- Fujifilm X-T100 vs Panasonic FZ300
- Leica Digilux 3 vs Panasonic FZ300
- Leica S-E Typ 006 vs Sony HX99
- Leica TL vs Sony HX99
- Nikon D1X vs Panasonic FZ300
- Nikon P1000 vs Panasonic FZ300
- Nikon Z6 vs Panasonic FZ300
- Panasonic FZ100 vs Sony HX99
- Panasonic FZ300 vs Sony RX100 VI
- Panasonic FZ82 vs Sony HX99
Specifications: Panasonic FZ300 vs Sony HX99
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ300||Sony HX99|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8||24-720mm f/3.5-6.4|
|Launch Date||July 2015||August 2018|
|Launch Price||USD 599||USD 449|
|Sensor Specs||Panasonic FZ300||Sony HX99|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||18 Megapixels|
|Image Resolution||4000 x 3000 pixels||4896 x 3672 pixels|
|Pixel Pitch||1.53 μm||1.25 μm|
|Pixel Density||42.74 MP/cm2||64.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-6400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||38||..|
|DXO Color Depth (bits)||19.3||..|
|DXO Dynamic Range (EV)||11.0||..|
|DXO Low Light (ISO)||97||..|
|Screen Specs||Panasonic FZ300||Sony HX99|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||638k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic FZ300||Sony HX99|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ300||Sony HX99|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic FZ300||Sony HX99|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||380 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||691 g (24.4 oz)||242 g (8.5 oz)|
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