Panasonic FZ2000 vs FZ300
The Panasonic Lumix DMC-FZ2000 (called Panasonic FZ2500 in some regions) and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were officially introduced, respectively, in September 2016 and July 2015. Both the FZ2000 and the FZ300 are fixed lens compact cameras that are based on an one-inch (FZ2000) and a 1/2.3-inch (FZ300) sensor. The FZ2000 has a resolution of 20 megapixels, whereas the FZ300 provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2000 and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ2000 and the Panasonic FZ300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is notably smaller (14 percent) than the Panasonic FZ2000. Moreover, the FZ300 is markedly lighter (24 percent) than the FZ2000. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the FZ2000 does not feature any corresponding weather-sealing.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|2.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|5.||Kodak AZ901||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499|
|6.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|7.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|8.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|9.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|10.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|11.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|12.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|13.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|16.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ300 was launched at a markedly lower price (by 50 percent) than the FZ2000, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ2000 features an one-inch sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the FZ2000 has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.
With 20MP, the FZ2000 offers a higher resolution than the FZ300 (12MP), but the FZ2000 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the FZ300) due to its larger sensor. Moreover, the FZ2000 is a somewhat more recent model (by 1 year and 2 months) than the FZ300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ2000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ2000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|6.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|7.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|8.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|16.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ2000 offers a substantially higher resolution than the one in the FZ300 (2360k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ2000, the Panasonic FZ300, and comparable cameras.
|6.||Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|7.||Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|8.||Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|14.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
|16.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 and the Panasonic FZ300 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ2000 and the FZ300 have zoom lenses built in. The FZ2000 has a 24-480mm f/2.8-4.5 optic and the FZ300 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the FZ2000 provides a wider angle of view at the short end than the FZ300, but less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the FZ2000 and the FZ300 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2000 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|6.||Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|7.||Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|8.||Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|14.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
Both the FZ2000 and the FZ300 are recent models that are part of the current product line-up. The FZ300 replaced the earlier Panasonic FZ200, while the FZ2000 followed on from the Panasonic FZ1000. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ2000 and the Panasonic FZ300? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-FZ2000:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the FZ300).
Arguments in favor of the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (132x92mm vs 138x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 224g or 24 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2000 is the clear winner of the match-up (11 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2000 and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the FZ2000 or the FZ300 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ2000||..||+||82/100||4.5/5||5/5||Sep 2016||1,199|
|2.||Panasonic FZ300||..||+ +||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Fujifilm X100F||5/5||+||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|5.||Kodak AZ901||..||..||..||3.5/5||3/5||Jan 2016||499|
|6.||Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|7.||Panasonic FZ1000 II||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|8.||Panasonic LX100 II||4.5/5||+||82/100||4.5/5||4.5/5||Aug 2018||999|
|9.||Panasonic TZ90||..||+ +||..||4/5||4/5||Apr 2017||449|
|10.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|11.||Panasonic FZ200||3/5||+ +||80/100||4.5/5||4.5/5||Jul 2012||599|
|12.||Panasonic FZ150||3/5||+ +||76/100||4/5||4.5/5||Aug 2011||499|
|13.||Panasonic FZ100||..||+||..||4.5/5||4.5/5||Jul 2010||499|
|14.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX10 II||5/5||+ +||82/100||4.5/5||4/5||Jun 2015||1,299|
|16.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|17.||Sony HX400V||4/5||+ +||..||4/5||4/5||Feb 2014||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Panasonic FZ2000 vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ2000||Panasonic FZ300|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-480mm f/2.8-4.5||25-600mm f/2.8|
|Launch Date||September 2016||July 2015|
|Launch Price||USD 1,199||USD 599|
|Sensor Specs||Panasonic FZ2000||Panasonic FZ300|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||1.53 μm|
|Pixel Density||17.18 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 6,400 ISO|
|ISO Boost||80 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Screen Specs||Panasonic FZ2000||Panasonic FZ300|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic FZ2000||Panasonic FZ300|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ2000||Panasonic FZ300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FZ2000||Panasonic FZ300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||380 shots per charge|
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||915 g (32.3 oz)||691 g (24.4 oz)|
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