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Panasonic FZ2500 vs Sony A6500

The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in September 2016 and October 2016. The FZ2500 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ2500) and an APS-C (A6500) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic FZ2500   Sony A6500
Panasonic FZ2500 Sony A6500
Fixed lens compact camera Mirrorless system camera
24-480mm f/2.8-4.5 Sony E mount lenses
20 MP, 1" Sensor 24 MP, APS-C Sensor
4K/30p Video 4K/30p Video
ISO 125-12800 (80-25600) ISO 100-25600 (100-51200)
Electronic viewfinder (2360k dots) Electronic viewfinder (2359k dots)
3.0" LCD, 1040k dots 3.0" LCD, 922k dots
Swivel touchscreen Tilting touchscreen
12 shutter flaps per second 11 shutter flaps per second
Lens-based stabilizationIn-body stabilization
Not weather sealedWeathersealed body
350 shots per battery charge350 shots per battery charge
138 x 102 x 135 mm, 915 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2500 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic FZ2500 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

Size Panasonic FZ2500 vs Sony A6500
Compare FZ2500 versus A6500 top
Comparison FZ2500 or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (43 percent) than the Panasonic FZ2500. It is noteworthy in this context that the A6500 is splash and dust-proof, while the FZ2500 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.

The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic FZ2500» 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2500
 
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399- i Sony A6500
 
Fujifilm X100F« » 5.0 in 3.0 in 2.0 in 16.5 oz 390 n Jan 2017 1,299 i i Fujifilm X100F
 
Kodak AZ901« » 5.5 in 4.1 in 4.7 in 27.4 oz 400 n Jan 2016 499 i i Kodak AZ901
 
Leica V-LUX 5« » 5.4 in 3.8 in 5.2 in 28.6 oz 350 n Jul 2019 1,249 i i Leica V-LUX 5
 
Leica V-LUX Typ 114« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Sep 2014 1,349- i Leica V-LUX Typ 114
 
Panasonic FZ1000 II« » 5.4 in 3.8 in 5.2 in 28.6 oz 350 n Feb 2019 899 i i Panasonic FZ1000 II
 
Panasonic ZS70« » 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449- i Panasonic ZS70
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
 
Panasonic FZ1000« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Jun 2014 899- i Panasonic FZ1000
 
Sony A6600« » 4.7 in 2.6 in 2.7 in 17.7 oz 810 Y Aug 2019 1,399 i i Sony A6600
 
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
 
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
 
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
 
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399- i Sony A77
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2500 was launched at a lower price than the A6500, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ2500 features an one-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Panasonic FZ2500 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the FZ2500 (20MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the FZ2500) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-FZ2500 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

FZ2500 versus A6500 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic FZ2500» 1-inch 20.0 5472 36484K/30p----Panasonic FZ2500
 
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
 
Kodak AZ901« » 1/2.3 20.2 5184 38881080/30p----Kodak AZ901
 
Leica V-LUX 5« » 1-inch 20.0 5472 36484K/30p----Leica V-LUX 5
 
Leica V-LUX Typ 114« » 1-inch 20.0 5472 36484K/30p----Leica V-LUX Typ 114
 
Panasonic FZ1000 II« » 1-inch 20.0 5472 36484K/30p----Panasonic FZ1000 II
 
Panasonic ZS70« » 1/2.3 20.2 5184 38884K/30p19.110.610636Panasonic ZS70
 
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Panasonic FZ1000« » 1-inch 20.0 5472 36484K/30p22.111.751764Panasonic FZ1000
 
Sony A6600« » APS-C 24.0 6000 40004K/30p----Sony A6600
 
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
 
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
 
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV
 
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77
 
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ2500 offers a slightly higher resolution than the one in the A6500 (2360k vs 2359k dots). The adjacent table lists some of the other core features of the Panasonic FZ2500 and Sony A6500 along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic FZ2500»2360 n 3.0 1040 swivel Y 1/4000s 12.0 Y Y Panasonic FZ2500
 
Sony A6500«2359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Fujifilm X100F« »2360 n 3.0 1040 fixed n 1/4000s 8.0 Y n Fujifilm X100F
 
Kodak AZ901« »202 n 3.0 920 swivel n 1/2000s 5.0 Y Y Kodak AZ901
 
Leica V-LUX 5« »2360 n 3.0 1240 swivel Y 1/4000s 12.0 Y Y Leica V-LUX 5
 
Leica V-LUX Typ 114« »2359 n 3.0 921 swivel n 1/4000s 12.0 Y Y Leica V-LUX Typ 114
 
Panasonic FZ1000 II« »2360 n 3.0 1240 swivel Y 1/4000s 12.0 Y Y Panasonic FZ1000 II
 
Panasonic ZS70« »1166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic ZS70
 
Panasonic GX8« »2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Panasonic FZ1000« »2359 n 3.0 921 swivel n 1/4000s 12.0 Y Y Panasonic FZ1000
 
Sony A6600« »2359 n 3.0 922 tilting Y 1/4000s 11.0 n Y Sony A6600
 
Sony A6300« »2359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Sony RX100 V« »2359 n 3.0 1229 tilting n 1/2000s 24.0 Y Y Sony RX100 V
 
Sony RX10 II« »2359 Y 3.0 1229 tilting n 1/3200s 14.0 Y Y Sony RX10 II
 
Sony RX100 IV« »2359 n 3.0 1228 tilting n 1/2000s 16.0 Y Y Sony RX100 IV
 
Sony A77« »2359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77
 
Sony NEX-7« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7
The FZ2500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The FZ2500 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2500 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic FZ2500»YstereomonoYYmicro2.0Y--Panasonic FZ2500
 
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
 
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
 
Kodak AZ901« »-stereomono--micro2.0Y--Kodak AZ901
 
Leica V-LUX 5« »Ystereomono--micro2.0Y-YLeica V-LUX 5
 
Leica V-LUX Typ 114« »YstereomonoY-micro2.0YY-Leica V-LUX Typ 114
 
Panasonic FZ1000 II« »Ystereomono--micro2.0Y-YPanasonic FZ1000 II
 
Panasonic ZS70« »-stereomono--micro2.0Y--Panasonic ZS70
 
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
 
Panasonic FZ1000« »YstereomonoY-micro2.0YY-Panasonic FZ1000
 
Sony A6600« »YstereomonoYYYES2.0YYYSony A6600
 
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
 
Sony RX100 V« »-stereomono--micro2.0YY-Sony RX100 V
 
Sony RX10 II« »YstereomonoYYmicro2.0YY-Sony RX10 II
 
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV
 
Sony A77« »YstereomonoY-mini2.0---Sony A77
 
Sony NEX-7« »YstereomonoY-mini2.0---Sony NEX-7

The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the A6500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary

So what conclusions can be drawn? Is the Panasonic FZ2500 better than the Sony A6500 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Panasonic Lumix DMC-FZ2500:

  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.

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Arguments in favor of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • More compact: Is smaller (120x67mm vs 138x102mm) and will fit more readily into a bag.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 emerges as the winner of the match-up (10 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

FZ2500 08:10 A6500

How about other alternatives? Do the specifications of the Panasonic FZ2500 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FZ2500 or the A6500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic FZ2500»+82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2500
 
Sony A6500«+ +85/1004.5/55/54.5/5 Oct 2016 1,399- i Sony A6500
 
Fujifilm X100F« »+83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
 
Kodak AZ901« »--3.5/5-3/5 Jan 2016 499 i i Kodak AZ901
 
Leica V-LUX 5« »--4/5-4/5 Jul 2019 1,249 i i Leica V-LUX 5
 
Leica V-LUX Typ 114« »----5/5 Sep 2014 1,349- i Leica V-LUX Typ 114
 
Panasonic FZ1000 II« »--4.5/5-4.5/5 Feb 2019 899 i i Panasonic FZ1000 II
 
Panasonic ZS70« »+ +-4/5-4/5 Apr 2017 449- i Panasonic ZS70
 
Panasonic GX8« »+82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
 
Panasonic FZ1000« »+ +82/1004.5/54.5/54.5/5 Jun 2014 899- i Panasonic FZ1000
 
Sony A6600« »+---- Aug 2019 1,399 i i Sony A6600
 
Sony A6300« »+85/1005/55/55/5 Feb 2016 999- i Sony A6300
 
Sony RX100 V« »+ +83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
 
Sony RX10 II« »+ +82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
 
Sony RX100 IV« »+ +85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
 
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,399- i Sony A77
 
Sony NEX-7« »+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Panasonic FZ2500:
Check Amazon price
Sony A6500:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Panasonic FZ2500 vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic FZ2500 Sony A6500
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 24-480mm f/2.8-4.5 Sony E mount lenses
    Launch Date September 2016 October 2016
    Launch Price USD 1199 USD 1399
    Sensor Specs Panasonic FZ2500 Sony A6500
    Sensor Technology BSI-CMOS CMOS
    Sensor Format 1" Sensor APS-C Sensor
    Sensor Size 13.2 x 8.8 mm 23.5 x 15.6 mm
    Sensor Area 116.16 mm2 366.6 mm2
    Sensor Diagonal 15.9 mm 28.2 mm
    Crop Factor 2.7x 1.5x
    Sensor Resolution 20 Megapixels 24 Megapixels
    Image Resolution 5472 x 3648 pixels 6000 x 4000 pixels
    Pixel Pitch 2.41 μm 3.91 μm
    Pixel Density 17.18 MP/cm2 6.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 125-12800 ISO 100-25600 ISO
    ISO Boost 80-25600 ISO 100-51200 ISO
    Image Processor Venus BIONZ X
    DXO Sensor Quality (score) .. 85
    DXO Color Depth (bits) .. 24.5
    DXO Dynamic Range (EV) .. 13.7
    DXO Low Light (ISO) .. 1405
    Screen Specs Panasonic FZ2500 Sony A6500
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.74x 0.70x
    Viewfinder Resolution 2360k dots 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 1040k dots 922k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic FZ2500 Sony A6500
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 12 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationLens-based stabilizationIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support UHS-I UHS-I
    Connectivity Specs Panasonic FZ2500 Sony A6500
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic FZ2500 Sony A6500
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLC12 NP-FW50
    Battery Life (CIPA)350 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 138 x 102 x 135 mm
    (5.4 x 4.0 x 5.3 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 915 g (32.3 oz) 453 g (16.0 oz)

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