Panasonic FZ2500 vs Pentax KP
The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Pentax KP are two digital cameras that were announced, respectively, in September 2016 and January 2017. The FZ2500 is a fixed lens compact, while the KP is a DSLR. The cameras are based on an one-inch (FZ2500) and an APS-C (KP) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ2500||Pentax KP|
|Fixed lens compact camera||Digital single lens reflex|
|24-480mm f/2.8-4.5||Pentax K mount lenses|
|20 MP, 1" Sensor||24.1 MP, APS-C Sensor|
|4K/30p Video||1080/60i Video|
|ISO 125-12800 (80-25600)||ISO 100-819200|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||7 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|350 shots per battery charge||390 shots per battery charge|
|138 x 102 x 135 mm, 915 g||132 x 101 x 76 mm, 703 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2500 and the Pentax KP? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic FZ2500 vs Pentax KP
The physical size and weight of the Panasonic FZ2500 and the Pentax KP are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The KP can be obtained in two different colors (black, silver), while the FZ2500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax KP is notably smaller (5 percent) than the Panasonic FZ2500. It is noteworthy in this context that the KP is splash and dust-proof, while the FZ2500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the KP is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FZ2500»||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Pentax KP«||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||Pentax KP|
|Fujifilm X100F« »||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||Fujifilm X100F|
|Kodak AZ901« »||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499||Kodak AZ901|
|Leica V-LUX Typ 114« »||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic ZS70« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Pentax K-70« »||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Pentax K-5« »||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||-||Pentax K-5|
|Sony RX100 VI« »||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony RX100 V« »||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FZ2500 vs Pentax KP
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ2500 features an one-inch sensor and the Pentax KP an APS-C sensor. The sensor area in the KP is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.1MP, the KP offers a higher resolution than the FZ2500 (20MP), but the KP nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 2.41μm for the FZ2500) due to its larger sensor. Moreover, the KP is a somewhat more recent model (by 4 months) than the FZ2500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax KP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the KP for good quality output (200 dots per inch) amounts to 30.1 x 20 inch or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inch or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inch or 50.9 x 33.9 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
Unlike the FZ2500, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-FZ2500 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax KP are ISO 100 to ISO 819200 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FZ2500»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Pentax KP«||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Kodak AZ901« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Kodak AZ901|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Pentax K-70« »||APS-C||24.0||6000||4000||1080/60i||-||-||-||-||Pentax K-70|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3« »||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Pentax K-5« »||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ2500 provides a higher video resolution than the KP. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Feature comparison: Panasonic FZ2500 vs Pentax KP
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the KP has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the FZ2500 has a higher magnification than the one of the KP (0.74x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic FZ2500, the Pentax KP, and comparable cameras.
|Panasonic FZ2500»||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Pentax KP«||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Kodak AZ901« »||202||n||3.0||920||swivel||n||1/2000s||5.0||Y||Y||Kodak AZ901|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Pentax K-70« »||optical||n||3.0||921||swivel||n||1/6000s||6.0||Y||Y||Pentax K-70|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Pentax K-5« »||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y||Pentax K-5|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the KP has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the KP does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 and the Pentax KP both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ2500 and the KP write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic FZ2500 vs Pentax KP
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2500 and Pentax KP and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ2500»||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Pentax KP«||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Kodak AZ901« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Leica V-LUX Typ 114« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Pentax K-70« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Pentax K-5« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
Both the FZ2500 and the KP are recent models that are part of the current product line-up. The FZ2500 replaced the earlier Panasonic FZ1000, while the KP does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
Review summary: Panasonic FZ2500 vs Pentax KP
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ2500 or the Pentax KP – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-FZ2500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the KP requires a separate lens.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Reasons to prefer the Pentax KP:
- More detail: Has more megapixels (24.1 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (390 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Was introduced somewhat (4 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the KP comes out slightly ahead of the FZ2500 (13 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2500 and the Pentax KP place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ2500 and the KP in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic FZ2500 vs Pentax KP
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ2500»||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Pentax KP«||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Kodak AZ901« »||-||-||3.5/5||-||3/5||Jan 2016||499||Kodak AZ901|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Pentax K-70« »||-||79/100||4.5/5||4/5||4.5/5||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Pentax K-5« »||-||83/100||5/5||4.5/5||4.5/5||Sep 2010||1,099||-||Pentax K-5|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon SX60 vs Panasonic FZ2500
- Kodak AZ901 vs Pentax KP
- Leica M Typ 240 vs Panasonic FZ2500
- Nikon D5600 vs Panasonic FZ2500
- Nikon D850 vs Panasonic FZ2500
- Nikon D850 vs Pentax KP
- Olympus E-P1 vs Pentax KP
- Panasonic FZ2500 vs Panasonic FZ330
- Panasonic FZ2500 vs Panasonic ZS100
- Panasonic FZ2500 vs Pentax K-1 II
- Panasonic FZ2500 vs Sony RX10
- Pentax KP vs Sony A6300
Specifications: Panasonic FZ2500 vs Pentax KP
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ2500||Pentax KP|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-480mm f/2.8-4.5||Pentax K mount lenses|
|Launch Date||September 2016||January 2017|
|Launch Price||USD 1199||USD 1099|
|Sensor Specs||Panasonic FZ2500||Pentax KP|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||6016 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.90 μm|
|Pixel Density||17.18 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125-12800 ISO||100-819200 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|Image Processor||Venus||PRIME IV|
|Screen Specs||Panasonic FZ2500||Pentax KP|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ2500||Pentax KP|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/6000/s|
|Continuous Shooting||12 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/24000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ2500||Pentax KP|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FZ2500||Pentax KP|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLC12 power pack||D-LI109 power pack|
|Battery Life (CIPA)||350 shots per charge||390 shots per charge|
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
132 x 101 x 76 mm
(5.2 x 4.0 x 3.0 in)
|Camera Weight||915 g (32.3 oz)||703 g (24.8 oz)|
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