Nikon D500 vs Panasonic FZ2500

The Nikon D500 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were revealed to the public, respectively, in January 2016 and September 2016. The D500 is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (D500) and an one-inch (FZ2500) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D500		Panasonic FZ2500
Digital single lens reflex		Fixed lens compact camera
Nikon F mount lenses		24-480mm f/2.8-4.5
20.7 MP – APS-C sensor		20 MP – 1" sensor
4K/30p Video		4K/30p Video
ISO 100-51,200 (50 - 1,640,000)		ISO 125-12,800 (80 - 25,600)
Optical viewfinder		Electronic viewfinder (2360k dots)
3.2" LCD – 2359k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Swivel touchscreen
10 shutter flaps per second		12 shutter flaps per second
Weathersealed body		not weather sealed
1240 shots per battery charge		350 shots per battery charge
147 x 115 x 81 mm, 860 g		138 x 102 x 135 mm, 915 g

Check D500 offers at
ebay.com
Check FZ2500 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D500 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon D500 and the Panasonic FZ2500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably smaller (17 percent) than the Nikon D500. It is worth mentioning in this context that the D500 is splash and dust resistant, while the FZ2500 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the D500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D500 and their specifications in the Nikon Lens Catalog.

Concerning battery life, the D500 gets 1240 shots out of its Nikon EN-EL15 battery, while the FZ2500 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
2.		Panasonic FZ2500	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	1,199	amazon.com
3.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	1,299	amazon.com
4.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
5.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
6.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
7.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
8.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	2,299	ebay.com
9.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	1,199	ebay.com
10.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
11.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
12.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	1,799	ebay.com
13.		Panasonic ZS100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
14.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
15.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
16.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	1,299	ebay.com
17.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2500 was launched at a lower price than the D500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D500 features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 69 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 20.7MP, the D500 offers a slightly higher resolution than the FZ2500 (20MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 2.41μm for the FZ2500) due to its larger sensor. However, the FZ2500 is a somewhat more recent model (by 8 months) than the D500, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Nikon D500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

In terms of underlying technology, the D500 is build around a CMOS sensor, while the FZ2500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D500 provides substantially higher image quality than the FZ2500, with an overall score that is 13 points higher. This advantage is based on 1 bits higher color depth, 1.4 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
2.		Panasonic FZ2500	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
3.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
4.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
5.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
6.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
7.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
8.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
9.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
10.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
11.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
12.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
13.		Panasonic ZS100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
14.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
15.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
16.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
17.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the D500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the FZ2500 has a higher magnification than the one of the D500 (0.74x vs 0.67x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D500 and Panasonic FZ2500 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
2.		Panasonic FZ2500	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
3.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
4.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
5.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
6.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
7.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
8.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
9.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
10.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
11.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
12.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
13.		Panasonic ZS100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
14.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
15.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
16.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0/s	Y	Y
17.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the D500, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon D500 and the Panasonic FZ2500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D500 writes its imaging data to SDXC or XQD cards, while the FZ2500 uses SDXC cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ2500 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ2500 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D500 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
2.		Panasonic FZ2500	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
4.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
6.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
7.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
8.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
9.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
10.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
11.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
12.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic ZS100	-	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
15.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-

Studio photographers will appreciate that the Nikon D500 (unlike the FZ2500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the D500 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the D500 from Nikon. Further information on the features and operation of the D500 and FZ2500 can be found, respectively, in the Nikon D500 Manual (free pdf) or the online Panasonic FZ2500 Manual.

Review summary

So what conclusions can be drawn? Is the Nikon D500 better than the Panasonic FZ2500 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Nikon D500:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (1240 versus 350) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been on the market for longer (launched in January 2016).

Arguments in favor of the Panasonic Lumix DMC-FZ2500:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.67x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with an integrated lens, while the D500 requires a separate lens.
• More compact: Is smaller (138x102mm vs 147x115mm) and will fit more readily into a bag.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Was introduced somewhat (8 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the D500 is the clear winner of the match-up (19 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D500 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D500 and the FZ2500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
2.		Panasonic FZ2500	..	+	..	82/100	4.5/5	5/5	Sep 2016	1,199	amazon.com
3.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	1,299	amazon.com
4.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
5.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
6.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
7.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
8.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	2,299	ebay.com
9.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	1,199	ebay.com
10.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
11.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
12.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	1,799	ebay.com
13.		Panasonic ZS100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
14.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
15.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
16.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	1,299	ebay.com
17.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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